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This essay explores how and why women involved themselves in the sciences in eighteenth-century Italy. Using the case study of Diamante Medaglia Faini, a poet who attempted to become a mathematician, it argues that the image of the woman natural philosopher was shaped by the visible presence of woman in scientific institutions in the mid-eighteenth century and by the tradition of popular scientific writing, best embodied in the works of Bernard le Bovier de Fontenelle and Francesco Algarotti, that made the woman natural philosopher an important literary protagonist. Becoming a scientist, in other words, was both a reality and a fiction. The tensions between these two different images shaped the terrain in which women pursued science.
This essay examines some aspects of the early history of the vitalism/mechanism controversies by examining the work of Nehemiah Grew (1641–1712) in relation to that of Henry More (1614–87), Francis Glisson (1599–1677) and the more mechanistically inclined members of the Royal Society. I compliment and critically comment on John Henry's exploration of active principles in pre-Newtonian mechanist thought. The postulation of ‘active matter’ can be seen as an important support for the new experimental philosophy, but it has theological drawbacks, allowing for a self-sufficient nature relatively independent of God. Grew resists this view and, like Henry More, advocates the need for a vital principle to direct material nature towards its ends. I illustrate the connection Grew sees between teleology and vitalism and the paper closes with Pierre Bayle's reaction to Grew's attempt to support his religious commitments by appeal to vital principles.
So many Arts, hath the Divine Wisdom put together; only
for the hull and tackle, of a sensible and Thinking creature.
Francis Bacon's position on the existence of void and its nature has been mostly studied with regard to his views on the atom. This approach is undoubtedly right, but it disregards further topics related to Bacon's account of void, namely the world system and the transmutation of bodies. Consequently, a more comprehensive study of Bacon's view on vacuum seems desirable where all the contexts are taken into account. To address this desideratum, the present paper examines Bacon's different views on vacuum drawing attention to the various contexts of the discussion. It also gives an evaluation of the arguments put forward in support of his positions. The first section presents a reconstruction of Bacon's consecutive positions and the reasons for his changes of mind. The second section lists the experimental facts traditionally cited in debates about vacuum and Bacon's interpretation of these. The final section evaluates the role that these experimental facts played in Bacon's arguments. As a result, it is shown that Bacon fits entirely into the general pattern of the early seventeenth century. Empirical arguments by themselves had little value for solving the question of the void; it was also necessary to have a formerly established theory.
Within the Republic of Letters the art of experiment led to immense reorientation and an extensive redrawing of the enlightened map of natural knowledge. This paper will investigate the formative period of the exact sciences from the late eighteenth to the nineteenth century when the persona of the experimentalist as a scientific expert was shaped. The paper focuses on Moritz Hermann Jacobi’s experimental knowledge derived from his modeling of an electro-magnetic self-acting machine and the social and epistemological problems of its integration into traditional academic life. His struggle to achieve academic recognition and credibility for his experimental work reflects not just his individual quandary, but important structural problems of the historical development of experimental knowledge traditions and science in what has been called the “second scientific revolution.”
During the early nineteenth century, the German Association of Investigators of Nature and Physicians (Versammlung Deutscher Naturforscher und Ärzte) drew upon the cultural resource of choral-society songs as a way to promote male camaraderie and intellectual collaboration. Investigators of nature and physicians wished to forge a unified, scientific identity in the absence of a national one, and music played a critical role in its establishment. During the 1820s and 30s, Liedertafel and folk songs formed a crucial component of their annual meetings. The lyrics of these tunes, whose melodies were famous folk songs, were rewritten to reflect the lives of investigators of nature and physicians. Indeed, the singing of these Liedertafel songs played an important part in the cultivation of the Naturforschers’ persona well into the twentieth century.
This paper discusses the research of British naturalists in China during the period between the Opium War and the collapse of the Qing dynasty (1839–1911). China was defeated in the Opium War and forced to open treaty ports for trade with the Westerners. The foreign powers, particularly Britain, imposed upon the Qing government treaties, concession leases, favourable trade conditions, legal privileges and so on to reduce its political autonomy. In the shadow of the informal empire, not only did the British have more freedom to travel in China, first at the treaty ports and later in the interior, but they successively established diplomatic, commercial and missionary institutions in dozens of Chinese cities. The most important of them – the British Consular Service, the Chinese Maritime Customs and the Protestant missionary organizations – provided the talent and infrastructure for natural historical research and became networks for scientific information. The research into China's natural history epitomized the characteristics of British research on China in general: it engaged in collecting and circulating an ever-increasing amount of information and aimed at producing ‘factual’ and ‘useful’ knowledge about China. The paper modifies current literature on scientific imperialism, which has dealt primarily with the colonial context, by examining the role of nineteenth-century British imperial science in the context of informal empire.