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Mystery fiction has long been regarded a conservative genre that focuses on crime, surveillance, and the restoration of disrupted social order. Such assessments, however, usually consider only a very small subset of works. We find a very different story if we consider the mysteries of modern life more widely, starting with the international, penny-press phenomenon of the mid-nineteenth century city-mysteries narrative. Expanding and historicizing the genre in this way reveals diverse variants of popular mystery that emerged out of the city mysteries – up to and including the detective story – and that constitute an extraordinarily wide-ranging and socially radical genre. The paradoxical attitudes towards visual powers and problems at the heart of the modern mystery cultivates a form of master-perception concerned more with identification with than identification of and models forms of empathetic vision that work to challenge the very social hierarchies the genre has often been understood to uphold.
This study investigates the development of translated fiction within the United Kingdom publishing sector between 2001 and 2021. Drawing on NielsenIQ BookData, qualitative interviews with publishing professionals, and a detailed case study of Fitzcarraldo Editions, it analyses how translated literature has evolved from a marginal cultural pursuit into an increasingly significant area of publishing activity. The research identifies continuing structural challenges, including the costs of translation, limited linguistic and cultural diversity within publishing teams, and the dominance of a few internationally recognised authors. It also highlights the role of independent presses, literary prizes, and digital platforms in expanding visibility and readership. By situating these findings within debates on cultural diversity, symbolic capital, and global circulation, the study demonstrates how translated fiction reflects and reshapes contemporary publishing practices, contributing to a more inclusive and internationally connected literary landscape.
This volume recovers early scandals of sexuality shaping the underground press in antebellum New York. In 'racy' newspapers, periodical editors used the form and content of their publications to curate, create, and circulate new ideas about emerging and established social forms, including sexual expression and intimacies. Editors reported obsessively on female sex workers' outspoken performances, wavering between the lurid fascination of exposé and the urge to celebrate singularly compelling and disposable women. This study contends with the uneven archiving of these scandalous materials, focusing on The Broadway Belle and Mirror of the Times (1855), edited by notorious “city mysteries” novelist George Thompson. This volume follows boasting performances of masculine potency and editorial proficiency. Sections chart the rise of personal mythologizing and self-reflexiveness as lingering conventions of professional editorship long after the racy papers faded away. This title is also available as Open Access on Cambridge Core.
The Cambridge Companion to Modern Arabic Literature redefines how we engage with Arabic literary traditions in a global context. This comprehensive and accessible companion situates modern Arabic literature at the forefront of debates about time, language, geography, and media. Through incisive case studies and close readings, leading scholars explore the dynamic intersections of Arabic literature with postcolonial, feminist, and ecological thought, as well as its transnational and translational dimensions. From the Nahda to the Anthropocene, from fuṣḥā to ʿāmmiyya, and from the Maghrib to the Arab diaspora, the companion maps the evolving contours of Arabic literary production. Far from being peripheral, Arabic literature emerges as a vital force in reimagining the dynamics of comparative and world literary studies. This companion is an essential resource for scholars, students, and readers seeking to understand the transformative power of modern Arabic literature.
Scholars have long known that writers such as Shakespeare, Milton and Marvell drew upon alchemy – the craft of chemical transmutation – to depict the transformative operations of the male literary imagination. But how did the female contemporaries of these male authors utilise alchemical discourse? Sajed Chowdhury shows that alchemy had particular relevance for women because of its affiliation with 'kitchen chymistry': the domestic production of medicine, culinary ingredients and cosmetics. He analyses how women writers manipulated 'chymical' discourse to foreground the transformative intellectual agency of female alchemical practitioners. Diverse authors and genres are discussed, including medical papers and prose meditations by Grace Mildmay, poetry by Hester Pulter and plays and fiction by Margaret Cavendish. Reintegrating women's literary thought and practice to early modern British 'chymical' understandings of mind, soul and body, this study is a landmark in histories of science and women's writing.
William Whitehead's The Roman Father (1750) was the most prominent Roman play in late eighteenth-century Britain, and highly revealing of how Britons engaged with Roman history. This Element begins by surveying all eighteenth-century Roman plays, and shows that they focused on what it calls 'the transhistorical Roman character', typically set against a more historically-specific depiction of Rome. It proceeds to explore The Roman Father's text, reviews, performance history, and links to other aspects of historical culture. It argues that, of the three attitudes to history present in eighteenth-century Britain – the exemplary, historicist, and sentimentalist – all three were active in the theatrical context, but took genre-specific forms. Nonetheless, the changing attitudes visible in the theatre between 1750 and 1800 testify to changing attitudes to Roman history outside the theatre too: the decline of the exemplary attitude and the transhistorical Roman character, and the increasing prevalence of historicism and sentimentalism.
This Element offers the first comprehensive study of George Crabbe's engagement with medical thought and practice in his poetry. Drawing on his interest in illness, care, and healing as a trained physician, surgeon, apothecary, and obstetrician, it addresses how his medical expertise and awareness inform his assessment of social problems, his perspective on the role of a poet, and his views on education and religion. The study examines the intersection between Crabbe's poetic achievement and medical discourse in advancing humanist healing for mind and soul, and explores how his verse registers systemic and ethical issues surrounding poverty, addiction, intoxication, and madness through an unsentimental and truthful style. By tracing the moral and social implications of the connection between medical vision and poetic philosophy, it recovers Crabbe as a significant poet-physician of the long eighteenth century and invites renewed attention to the cultural work of his poetry in health and medicine.
The Mar Menor, Europe's largest saltwater coastal lagoon, was long sustained by high salinity and low-nutrient waters that supported remarkable biodiversity. Since the late twentieth century, however, intensive tourism, industrial agriculture linked to the Tagus–Segura water transfer, and legacy mining pollution have driven accelerating ecological degradation. The eutrophication crisis of 2016 and the mass anoxic events of 2019 and 2021, which caused extensive marine die-offs, marked a profound ecological and political rupture. In response, a civic movement led by Teresa Vicente achieved an unprecedented outcome in 2022: the lagoon was granted legal personality, becoming the first ecosystem in Europe to obtain such status. This Element examines the social, legal, and scientific transformations surrounding this case and argues that recognising the lagoon as a subject opens new possibilities for rethinking human–nature relations and imagining more-than-human political communities grounded in ecological justice.
East Asian voices have long been marginalised in Western literature, though recent global waves of East Asian popular culture have begun to shift the landscape. Among the newest entrants to this global phenomenon are children's picture books - an emerging yet potent force with unparalleled potential for long-term impact. Despite their limited visibility in publishing, picture books are central to early education and childhood wellbeing, shaping future generations. As such, East Asian picture books represent a doubly marginalised field that has been largely overlooked. This timely and essential Element addresses that gap. Drawing on a comprehensive dataset independent of publisher self-reporting, it offers both a historical overview of East Asian representation spanning more than a century and in-depth case studies, providing a ground-breaking account of this overlooked but increasingly influential domain.
Joseph Whitaker is best remembered today as the originator of Whitaker's Almanack, but he was also one of the most important publishers of the nineteenth century. As editor of The Bookseller, he had a panoramic view of the book trade and studied the commercial and structural forces that shaped its activities. His journal helped readers seize the opportunities and manage the risks of the increasingly competitive business culture and tried to foster a sense of pride within the community by encouraging booksellers and publishers to work together for their collective benefit. The publication of The Reference Catalogue of Current Literature in 1874, the most comprehensive collection of books in print and available for sale, was an indispensable guide for booksellers and, together with The Bookseller, created an indispensable communication and information service that remains at the heart of the book trade today.
This comprehensive History examines Middle Eastern modernism through analyses of its roots and development across Turkish, Arabic, Persian, and other regional languages. An international team of contributors explains the modernist movement in the Middle East from its beginnings in the nineteenth century until today. Combining linguistic breadth and focused treatments of canonical works of Middle Eastern modernist art and literature, this History highlights remarkable connections in modernist form and content that link the Arab world to the Ottoman Empire and the Turkish Republic as well as Qajar and Pahlavi Iran, Central Asia, and even India, often to the exclusion of Western modernist norms and experiments. Working within the broader framework of global modernisms while attending to the movement's local particularities, this volume establishes Middle Eastern modernism as a vibrant field of inquiry and a cornerstone for modernist studies more generally.
This new scholarly edition presents Henry James's breakthrough work, 'Daisy Miller', in the context of his remarkable output as a short-story writer in the five years from 1874 to 1879. The collection includes several little-known and rarely republished tales, which show the surprising breadth of James's writing practice during this period. Spanning a variety of American and European settings and encompassing a range of narrative modes from Hawthornesque romance to photographic realism, these tales offer fascinating insights into the thematic and stylistic development of James's mature work. The volume includes a substantial Introduction which discusses the stories' composition, publication and contemporary reception, as well as their 'afterlives' on stage and screen. Detailed annotations offer unparalleled insights into the historical and cultural contexts of the works, while a complete textual apparatus displays variants between different published and manuscript versions of the texts.
Rage is having a moment. It is everywhere, among men, women and children, but particularly among feminists like us. This Element is a concentrated meditation on women's rage in Bruised Hibiscus (2000) and Negra (2013), two novels by and about Caribbean women. We explore how expressions of rage braided with feminist solidarity figure in these novels and how this mixture produces affective and political responses to racism and gender-based violence. Our focus on the contours of Caribbean women's rage advances feminist thought on rage as a political tool of power. In selected readings of our two novels, we identify feminist solidarity as an essential and shared factor in the discursive expression of Caribbean women's rage: We argue that the female protagonists in Bruised Hibiscus and Negra articulate their rage differently but use it similarly to claim the power to resist if not to eradicate racism, gender-based violence, and sex shaming.
From ruined convents to rooftop gardens, parking lots to Zoom calls, theatre practitioners around the world are staging Shakespeare in a variety of unconventional and unexpected spaces. Drawing on practitioner interviews, case studies, and ten years of personal experience, this Element argues site-specific theatre-makers leverage 'tactical intelligence' in Shakespeare performance: a capacity for theatrical meaning-making through creative responses to spatial constraints, rather than strategic control. Organised around a heuristic of five types of 'site'– Revenant, Found, Shifting, Green, and Viral – with a conclusion that examines the challenges facing 'Future Sites' – the Element reveals a 'Guerrilla Shakespeare' in global site-specific performance. This is Shakespeare with a 'punk', 'pirate', 'bodega' spirit, where economic precarity is met with creative freedom and institutional barriers yield to democratic accessibility.
Shakespeare and Blended Learning charts a distinctive perspective that connects best practices of in-classroom activity with those of online learning to create a dynamic model for teaching Shakespeare. A blended approach to Shakespeare, we argue, stands to make his works more engaging, accessible, and relevant to students. Drawing on established research and best practices in blended pedagogy, course design, and assessment, and applying them to a range of plays including Hamlet, King Lear, The Winter's Tale, Twelfth Night, and 1 Henry 4, we argue that teaching Shakespeare does not demand a choice between in-person and online learning but rather maximizes engaged student learning by combining the two. This book will appeal to readers who wish to update an extant course with fresh tips and tricks or who seek more formalized, sustained training on how to teach Shakespeare responsibly with technology.
Early English writers describe their landscapes in the same way they describe themselves. Illuminating the forms medieval people used to write their world, Amy W. Clark provides a new epistemological model for understanding early medieval English relational selves and positions. Beginning with the relationally oriented streams, oaks, and gates of Old English charters, she shows that Old English riddles similarly describe paths between long noses, loud voices, and puzzling contradictions, guiding readers to hidden mysteries. Widsith revisits legendary landmarks to comment on knowledge, power, and what it means to 'give good,' while the Old English elegies cope with catastrophic loss by mapping the remembered past onto an inverted present. In particular, Clark demonstrates how repetition becomes a key formal strategy when landscapes and selves are threatened. From bounds to Beowulf, she shows that Old English and Anglo-Latin texts revisit relational landmarks to stabilize knowledge and selfhood in an ever-changing world.
This Element argues that the sex worker character in crime narratives, often dismissed as a flat stereotype or mere plot device, actively performs crucial narratological labor that shapes the novel's realism and challenges conventional understandings of character, agency, and social reproduction. By applying Alex Woloch's theory of character-space and drawing on contemporary Black feminist scholarship that privileges power, pleasure, and desire, this study reveals how sex worker characters, through their evolving representation from marginal figures to central agents, resist narrative containment and illuminate broader socio-cultural tensions surrounding gender, class, and authority within the genre.
William Burroughs in Context offers the most comprehensive and interdisciplinary examination of the iconic author to date and it captures the immense scope of Burroughs' radical vision and cultural influence. Moving far beyond the Beat Generation, this volume brings together 35 original essays that reframe Burroughs through his many identities: novelist, multimedia artist, queer visionary, drug theorist, and cultural provocateur. By organizing contributions around themes like space-time travel, technology, environmentalism, and creative collaboration, the book presents Burroughs as a uniquely situated figure at the crossroads of literature, science, philosophy, and pop culture. The contributors-drawn from leading voices in literary studies, media theory, cultural history, and the arts-offer readers fresh insights into both familiar and underexplored dimensions of Burroughs' oeuvre. An essential resource for scholars and fans alike, this landmark volume positions Burroughs as a central figure in understanding 20th-century counterculture and its ongoing 21st-century legacy