Since 1979, plastic companies have significantly expanded their markets. Evidence suggests that excessive plastic use in Ethiopia has exacerbated environmental pollution, contributing to a “quadruple crisis” involving climate change, biodiversity loss, pollution and public health and economic impacts. To address this, the Ethiopian government needs to establish effective plastic waste management strategies. Key future direction and recommendation include (1) Developing and enforcing national strategies, including a ban on many single-use plastics, for sustainable plastic waste management; (2) adopting international best practices and policies to move toward a zero-waste approach; (3) investing in a circular economy and plastic waste management systems; (4) strengthening policies through comprehensive legislation and extended producer responsibility frameworks; (5) establishing a council to integrate scientific research into policymaking; (6) promoting green technologies and innovations, such as plastic waste-to-energy and smart waste management; (7) engaging in global efforts to monitor hazardous chemicals in plastics and support transparency in a toxic-free circular economy to ensure the public’s right to information.

Serious games are a method that can be used to reach the public on complex topics related to the ocean. Although games used for learning generally, and ocean literacy specifically, have developed gradually since the 1970s, it was not until the popularization of digital games, around the turn of the millennium, that serious games rose to prominence in academia. Since then, vast amounts of serious games research have been published each year – chiefly on digital games, but also increasingly on hybrid and analogue games. In this article, we present results from a series of serious games that were played in three geographical regions in Norway with future-generation stakeholders and tie this to ocean literacy. We report on the potential benefits of serious games for learning and motivation based on these results. The games were played within the context of the United Nations Decade of Ocean Science, the sustainable development goals and multilevel governance, with a special focus on microplastic pollution and jellyfish blooms. We argue that using serious games can be beneficial not just for outreach but also as a tool for unintrusive collection of qualitative data in the form of narratives from transcriptions post-gaming session and contribute to ocean literacy.

Plastics have benefited society, but their environmental impact has caused concerns since the 1970s. By the year 2050, plastic production is predicted to reach 26,000 million tonnes and generate 13,000 million tonnes of waste. Plastic in the environment impacts living organisms with short to long-term consequences. To address this, governmental policies, advocacy and recycling have been implemented with varying success. Environmental education plays an important role in mitigating some impacts of plastic pollution. Upcycling discarded plastics in artwork supports that endeavour. The art installation “Regulated Exhibition – The Plastic Human”, a collaboration between BACKLIT gallery, Joshua Sofaer and the Environment Agency, brought the artworld and environmental advocacy together, to inspire discussions on the narrative of plastic pollution. To bring the project to life BACKLIT gallery was turned into a factory where audience members could explore and interact with the installation. The exhibition was free, open to all and accessible to diverse demographics within Nottingham. The interactive exhibition provoked visitors’ senses and provided a feedback mechanism. The “Plastic Human” reflected the impacts of plastic pollution in our environment. Addressing plastic pollution is thought to cause a philosophical and/or ethical burden on humans. The measured and qualitative impact of this could impact our daily lives.

Plastic pollution is recognised as one of this century’s most significant environmental challenges and has the characteristics of a super wicked problem. Though researchers and governments around the globe are coming up with promising technological interventions, awareness among citizens and stringent policies are the need of the hour to tackle this issue. A few countries have issued postage stamps and postal materials showcasing the various dimensions of plastic pollution. Historically, stamps depicted every progress, problem and various milestones of humanity spanning multiple fields. We contend that the plastic pollution problems and impact should be depicted through postage stamps from all countries. Through this feat, the message of the need for sustainable usage of plastics for the common good of all species can be spread by showcasing various dimensions of the sustainability of plastic usage in postage materials. This article discusses the rise of plastic pollution, its emerging impacts, and contemporary issues and mitigation strategies through postage stamps and materials. Philately can be a medium for providing environmental awareness, considering the case of plastic pollution. It can be a strong driver to promote consciousness regarding various environmental problems among students undergoing multiple levels of education and the general public.

As an anthropogenic creation, plastic pollution is a form of human–wildlife interaction and an emerging conservation threat to a growing number of species in both terrestrial and marine environments. Although plastic pollution has spread worldwide and a growing body of literature shows its effects on human health, little is known about its impact on our closest living relatives, nonhuman primates, and their habitats. With over 60% of primate species already under threat of extinction, plastic pollution in their habitats poses a unique problem, exposing them to physical harm, synthetic chemicals, and pathogens through ingestion, entanglement, and oral manipulation. Moreover, through its presence in soil, air, and waterways, plastic pollution leads to environmental degradation and reduces the quality and ecological functionality of primate habitats. This perspective article covers what is known so far about plastic pollution as a conservation threat to nonhuman primates. It is a call for primatologists to address plastic pollution in our research and conservation initiatives. By collecting data on plastic pollution’s presence and assessing its impact on primates and their habitats, we can develop safe protocols and prevention strategies to combat the threat of plastic pollution in the Anthropocene.

The appreciation or reception of materials can create a positive or a negative reaction in the user and an individual’s understanding of materials comes from their own experiential knowledge, influence of others, and cultural perception. The condemnation of the overuse of plastics materials and their impact on the environment when they become waste has, understandably, meant that today the cultural perception of plastics is largely that they are cheap, rubbish, throw away—all bad news. This position of negativity has been reached because we currently see the mismanagement of plastics waste as it blows about in the wind; we see it as rubbish in our streets, and as detritus in the oceans. However, our relationships with the material family, over the time they have existed, have had a varied and turbulent history with different perspectives generated by different people at different times. This article will briefly explore ‘a’, rather than ‘the’, history of the use of plastics with the aim of putting the current societal relationship with them into context.

The washing of synthetic materials has been named as the largest contributor of microplastic pollution to our oceans. With the consumption of petrochemical-based synthetic materials expected to grow, due to an increased demand, the release of microplastic fibres to our environments is expected to also accelerate. To combat microplastic fibre release, this study explores source-directed interventions within the design and manufacturing process of textiles to reduce the amount of pollution released from the surface and the edges of the fabric structure. Using standardised wash tests and polyester fabric swatches that were created in-house with systematic structural adjustments, single jersey knit fabrics were shown to release over three times more microplastic pollution than twill woven fabric. This illustrates that increasing the tightness of a fabric could be implemented within the design of fabrics for environmental benefits. Additionally, the laser cutting technique reduced microplastic fibres released by over a third compared to scissor cutting and overlock serging, showing that the edge of the fabric is a significant source of microplastic pollution released during laundering. This research highlights the adaptable and innovative eco-design approaches to clothing production which is necessary to help the sector reach international sustainability targets and regulations.

Microplastic fibres are found everywhere that researchers have looked for them, from remote mountains to human lungs. However, data are not yet available to facilitate the design of low-shedding textiles. Effective use of standard test methods could establish the impact of processing variables on textile’s propensity to fragment or shed fibres into the environment, allowing industry to design and select lower-polluting materials. Three new test methods are recommended using the widely accessible accelerated laundering equipment used for colour fastness to wash tests. However, the recommended gravimetric analysis of results takes over 8 h per specimen batch, in addition to specimen preparation, testing and effluent filtration, making analysing test results prohibitively time-consuming, and expensive, for many brands. Visual ‘grey scales’ are very commonly used to grade colour fastness test results, and this article proposes the use of an equivalent ‘fibre fragmentation scale’ to dramatically increase the throughput of fibre fragmentation testing and reduce its cost without compromising accuracy or reliability. Mean fibre fragmentation scale grades given by sets of three observers correlated with gravimetric results at 99% confidence. Subjective grades assigned to test specimens, and photographs of test specimens, had significantly lower variability than gravimetric methods at small, ‘more acceptable’, levels of fibre fragmentation.