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Women's writing was a crucial part of the history of sexuality in the Romantic period, yet has not often been seen as part of that history. This collection shows how women writers fit into a tradition of Romanticism that recognizes transgressive sexuality as a defining feature. Building on recent research on the period's sexual culture, it shows how women writers were theorizing perversions in their literary work and often leading transgressive sexual lives. In doing so, the collection also challenges current understandings of 'transgression' as a sexual category.
Passages: On Geo-analysis and the aesthetics of precarity assembles a series of political interventions and ruminations that are as much about ethics as they are about aesthetics. It consists of a series of interconnected essays and images that intervene to create an image–text montage that reveals the shadow worlds that intensify precarity as well as the complex event and discursive spaces that offer alternative approaches to knowledge, politics, and encounters. In our dialogically created composition, the chapters treat themes such as colonialism, apocalyptic imaginaries, nuclear zones of abandonment, migration control regimes, transnational domestic work, the biocolonial hostilities of the hospitality industry, legal precarities behind the international criminal justice regime, the shadow worlds of the African soccerscape, and various immunity regimes related to the COVID-19 pandemic. Through an aesthetically attuned form of geo-analysis that offers aesthetic breaks from capitalist exploitation and the nation-statist regime, this book invites inquiry into today’s apocalyptic narratives, humanitarian reason, immunitary apparatuses, and international criminal justice regimes.
In this original study, Niall Oddy explores representations of Europe in sixteenth and early-seventeenth century French writing to argue that Europe as an idea evolved in productive dialogue with emerging national consciousness, not as an alternative to the nation state. Analysing literary texts alongside works of travel, geography, history and politics, this book demonstrates how ideas of Europe were shaped by real and imagined journeys across the globe and adapted across a range of discursive contexts for varied purposes. Using the notion of 'imagined geography' to present a conceptual map of what Europe looked like from different points across the globe, each chapter examines representations of the continent through the lens of one location (Brazil, Constantinople, Malta, Geneva). In a period of great intellectual transformation, as new interactions with cultures overseas reshaped how the wider world was understood, this focus on nationhood uncovers how, as the idea of 'Europe' developed, it emerged as a contested notion and an issue of debate.
Drawing on thousands of naturalistic online interactions from 'Ready to Go', a popular football message board centred on North East England, North East Vernacular English Online describes dialect at the levels of morphology, syntax, lexis and - through a study of orthographic innovation - phonology, charting historical continuities as well as more recent developments.
Pearce also examines metalinguistic commentary and debate on the website, revealing folk-attitudes and perceptions of linguistic variation. Informed by the latest research, but also building on the foundational scholarship of the English Dialect Society and the Survey of English Dialects, this volume will appeal to academics in the fields of sociolinguistics and dialectology, as well as undergraduates, post-graduates and general readers interested in the language and culture of England's most distinctive region.
Mina Loy is recognised as a writer who insists on the primacy of the body, but her fascination with corporeality is inextricable from her esoteric understanding of the soul. Over two volumes, Sara Crangle demonstrates how Loy's visceral focus propels a prescient, mystical feminist vision that aims to resituate marginalised subjects within modernist culture.
Nethered Regions - An Anatomy of Mina Loy provides new thinking on Loy's approach to the foundations of existence, exploring sentience, primitivism, evolution, vitalism, and sensibility. Dubbing Loy an atavistic vanguardist, this book aligns sacrifice with satire, showing how Loy resists modernist anti-sentimentality by devising a feminist satirical mode in which sardonic aggression generates intimacy and proximity, rather than ironised distance.
Loy's attention to 'low' body parts - feet, legs, genitals, bellies, wombs - is illuminated in chapters theorising her engagement with dissident sexualities (queerness, prostitution, women's pleasure); pictorial-poetic cartographies of desire; and the accursed muse, the unsung counterpart to the poète maudit.
Mina Loy is recognised as a writer who insists on the primacy of the body, but her fascination with corporeality is inextricable from her esoteric understanding of the soul. Over two volumes, Sara Crangle demonstrates how Loy's visceral focus propels a prescient feminist vision that aims to resituate marginalised subjects within modernist culture.
Elevated Realms - An Anatomy of Mina Loy is the first book-length study devoted to Loy's affinities with alternative spiritualities ancient and modern. Aligning Loy's heterodoxies with her vanguardism, this volume analyses Loy's engagements with mesmerism, spiritualism, and telepathy; enchantment and visionariness; psychoanalysis, philosophy, and physics; Christian Science and Theosophy.
Attending to Loy's presentations of the upper half of the body - heartscapes, spines, eyes, nerve centres - Elevated Realms unearths the coordinates of Loy's esoteric Eros, a transcendent, orgasmic love that is cosmic, aesthetic, and a corrective to women's disregarded satiation. The counterpart to her acerbic feminist satires, Loy's Eros transforms abjectified, feminised posturing. Always singular, Loy's embodied mysticism remains a potent model for the study of feminist spirituality in the modernist period and beyond.
Theatricality and the Arts presents a series of investigations of the notion of 'theatricality'. Primarily, theatricality concerns that which pertains to theatre, but the term has always carried with it the potentially pejorative associations of exaggeration and fakery. The essays here question and contest such associations. The book is divided into four sections which together provide a comprehensive interrogation of theatricality. The four sections begin with multimedia, where theatricality is examined in relation to mixed modes of media (internet art, painting, performance and digital display). A second section takes a philosophical approach to questions of theatricality. A third section looks at art, broadly speaking, but also at the historical contexts of art, photography and other media (literature, film, music). A final section features reflections on theatre and cinema, often in conjunction. Considered as a whole, the collection contributes to debates on theatricality in various fields, while also enabling a cross-examination of approaches to the topic.
Cross-Cultural Pragmatics and Foreign Language Learning provides a new ground-breaking approach to the study of second language learning through the lens of cross-cultural pragmatics. Cross-cultural pragmatics involves the use of contrastive linguistic research, supported by a variety of methodologies such as surveys, interviews and discourse completion tests. A key strength of the speech act-centred interactional framework proposed is that it allows the reader to understand difficulties faced by foreign language learners through pragmatic evidence. An important advantage of this approach is that it consistently avoids ideological pre-assumptions and related overgeneralisations. The book presents the framework in a highly accessible and reader-friendly way and illustrates how to put this framework to use with a number of case studies. The authors are internationally leading experts of pragmatics and applied linguistics whose work is a must-read for both academics and students focusing on applied linguistics and second language learnings.
The decades following the independences from colonialism saw a pioneering generation of realist novels and films emerge across Africa and South Asia. They told stories of people living through national circumstances fast diverging from the promises of decolonisation.
Subjectivity and Decolonisation in the Post-Independence Novel and Film explores how post-independence texts critique their own political conditions by choosing to narrate a different, but related, problem - that which Ngugi wa Thiong'o once called 'decolonising the mind'. Guided by the psycho-political thought of Frantz Fanon, who maps a dialectical relationship between decolonisation and the self, this book considers how eight well known and less studied works from the 1950s-1980s. Together, they help us understand how the transformation of subjectivities is a materially consequential process that sits squarely within the broader, unfinished project that is decolonisation.
Examining Muslim neo-traditionalist scholars in the West and their community of young seekers of sacred knowledge, Walaa Quisay explores the emerging trend within Anglo-American Islam that emphasises the importance of 'tradition'. This book focuses on spiritual retreats hosted by three main shaykhs - Hamza Yusuf, Abdal Hakim Murad and Umar Faruq Abd-Allah - to examine how religious authority is formed and affirmed.
Through interviews with seekers who have attended retreats, the author sheds light on how discourses are shaped and practised and analyses how neo-traditionalist shaykhs construct the notion of 'tradition' concerning what they perceive to have been lost in modernity. The book highlights the importance of neo-traditionalism in the changing conceptions of religious orthodoxy, religious authority and spirituality for young Muslims in the West, and Quisay examines the political implications to the shaykhs' critiques of modernity as it pertains to political quietism, race and gender.
The Byzantine Abbot Symeon the New Theologian (949–1022) transgressed the homophobic norms of medieval Orthodox society. His longing for God was distinctly homoerotic, and he depicted union with the divine as a queer sort of marriage. His Orthodox theology of theosis, the deification of the entire person, meant that Symeon taught the salvation of all the parts of the body. But monks also desired the eradication of lust and the punishment of those who fell prey to it. Sermons and biblical commentary defined men who had sex with men as sodomites; and saints' lives warned of the consequences of same-sex desires. Those who renounced sex redirected their desire rather than eliminating it. Symeon's queer erotics shed light on other devotions distinctive to medieval Orthodoxy, including the veneration of saints and worship with icons. Monastic Desires makes a groundbreaking contribution to the history of sexuality and the history of Christianity.
Human Spoken Interaction as a Complex Adaptive System explains how human spoken communication functions, combining two separate complex adaptive systems: the universal 'interaction engine' and language(s), which now number around 7,000. Siegel and Seedhouse offer a comprehensive overview of how the components and processes of the interaction engine work together to enable us to understand each other, whatever the language. Through combining Complexity Science and Conversation Analysis, this book explains how to simultaneously analyse spoken interaction on micro and macro scales. Detailed analyses of L2 learners reveal them to be simultaneously expert in using the interaction engine and inexpert in using the specific language. The study shows that the basic characteristics of the interaction engine are the same as for other life-related complex systems and that it is possible to access the perspectives of participants inside this complex adaptive system as it is evolving.
This book revisits a rich but overlooked field of Nepali literature and culture. Compared to the extensive research available on Nepal's South Asian neighbors, there is a notable scarcity of published scholarship devoted to Nepali literature and society. This book addresses the gap by offering groundbreaking scholarship by a global collective of researchers specializing in Himalayan Studies, South Asian Studies, Cultural Studies and Critical Theory. It offers a nuanced and complex picture of Nepali society and history, focusing on caste, geography, gender, sexuality and ethnicity as sites of discrimination, exclusion and othering. It exposes orientalist discourses which portray Nepal as a Himalayan Shangri La and it critiques neoliberal narratives which focus on Nepal's dismal developmental indices. Switching gears by exploring a diverse body of canonical and contemporary multi-genre literary works, the book presents an alternative picture of Nepal from the perspective of those silenced by nationalism, patriarchy and casteism.
The Korean War Novel examines the ways that novels written by Korean and Asian American writers have represented the Korean War. By studying the ideological contours of works by Richard E. Kim, Ahn Junghyo, Susan Choi, Ha Jin, Choi In-hun and Hwang Sok-yong, it documents the range of historical narratives that have alternatively framed the Korean War as an international war, a civil war, a reverse postcolonial war or 'proxy war', a war between the genders, and an attempt to de-escalate the Cold War itself. The dual role of North East Asians as both victims and willing agents of the Cold War comes into focus in revisiting the conflict from the post-Cold War perspective of decolonisation. Suk Koo Rhee writes back against the authoritative version of Cold War historiography to explain the contemporary nature of the unfinished conflict on the Korean peninsula today.
Aline Guillermet uncovers Gerhard Richter's appropriation of science and technology from 1960 to the present and shows how this has shaped the artist's well-documented engagement with the canon of Western painting.
Through a study of Richter's portraits, history paintings, landscapes and ornamental abstractions, Guillermet reveals the artist's role in affirming the technological condition of painting in the second half of the twentieth century: a historical situation in which the medium and its conventions have become shaped, and to some extent transformed, by technological innovations.
Postcolonialism has long been associated with post-nationalism. Yet, the persistence of nation-oriented literatures from within the African postcolony and its diasporas registers how dreams of national becoming endure. In this fascinating new study, Hallemeier brings together African literary studies, affect studies and US empire studies, to challenge chronologies that chart a growing disillusionment with the postcolonial nation and national development across the twentieth and twenty-first centuries. The Nigerian and South African writings in African Literature and US Empire, while often attuned to the trans- and extra- national, repeatedly scrutinise why visions of national exceptionalism, signified by a 'pan-African' Nigeria and 'new' South Africa, remain stubbornly affecting, despite decades of disillusionment with national governments beholden to a neocolonial global order. In these fictions, optimistic forms of nationalism cannot be reduced to easily critiqued state-sanctioned discourses of renewal and development. They are also circulated through experiences of embodied need, quotidian aspiration and transnational, pan-African relationship.
This Element provides an opinionated survey of the ideal and non-ideal theory debate in political philosophy. It adopts a minimal conception of ideal theory as “theorizing that aims to characterize ideal or perfect justice” and then investigates four major questions. First, does ideal theory provide a benchmark for evaluating what is more just than what? Second, does it provide a target for long-term reform? Third, does it provide a gauge of appropriate or permissible responses to injustice? Fourth, to what extent should we do ideal theory? The core message is that ideal theory is not uniquely or especially well suited to serving these roles, and deserves no pride of place in the discipline. Nevertheless, ideal theory is somewhat valuable and it should remain one active research program among many. Connections to related debates beyond political philosophy are briefly explored. This title is also available as Open Access on Cambridge Core.
The threat of an impending global water crisis has proliferated across water governance literature in the recent decades. However, defining the nature of this global water crisis remains a challenge, as a plethora of problems fall under this term. Simultaneously, contemporary waterscapes are hard to navigate due to the interconnected and wicked nature of water issues. Thus, to unravel this complex picture, it is fundamental to be reflexive about how water problems are identified, defined, and addressed. Conducting a systematic literature review and applying a constant comparison method, this Element identifies nine key human-water problématiques. Additionally, the analysis traces co-occurrences between diverse problématiques and their conceptual sub-clusters. Based on exhaustive literature, a reflection on the complex issue of 'what solutions?' is elaborated. Lastly, contributions to the ontological question of what a water problem is are offered, indicating a transition beyond an understanding of water issues as solely tangible.
Beginning on a wage of £1 per week in 1934, Lesley Long was the first woman employed by the Commercial Union Insurance Company in Hobart, Tasmania. Long’s pay gradually increased to £2/10 per week and after five years of saving she was able to fulfil her dream of sailing to England in May 1939. Having found a job and a place to rent in London, Long spent one night each week and her Saturdays volunteering at Guy’s Hospital. Having been a member of a VA detachment in Hobart since 1934, Long was eager to continue as a VA in London. When war was declared in Europe only a few months after she had arrived, Long’s voluntary work became more important to her. But it also brought an end to her chance to holiday in Europe as she had planned. As the situation worsened and wartime restrictions in London began to take effect, Long said to herself, ‘What am I doing here? I might as well get home.’