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Medicine has always been a significant tool of an empire. This book focuses on the issue of the contestation of knowledge, and examines the non-Western responses to Western medicine. The decolonised states wanted Western medicine to be established with Western money, which was resisted by the WHO. The attribution of an African origin to AIDS is related to how Western scientists view the disease as epidemic and sexually threatening. Veterinary science, when applied to domestic stock, opens up fresh areas of conflict which can profoundly influence human health. Pastoral herd management was the enemy of land enclosure and efficient land use in the eyes of the colonisers. While the native Indians of the United States were marginal participants in the delivery or shaping of health care, the Navajo passively resisted Western medicine by never giving up their own religion-medicine. The book discusses the involvement of the Rockefeller Foundation in eradicating the yellow fever in Brazil and hookworm in Mexico. The imposition of Western medicine in British India picked up with plague outbreaks and enforced vaccination. The plurality of Indian medicine is addressed with respect to the non-literate folk medicine of Rajasthan in north-west India. The Japanese have been resistant to the adoption of the transplant practices of modern scientific medicine. Rumours about the way the British were dealing with plague in Hong Kong and Cape Town are discussed. Thailand had accepted Western medicine but suffered the effects of severe drug resistance to the WHO treatment of choice in malaria.
In an age when engraving and photography were making artistic images available to a much wider public, artists were able to influence public attitudes more powerfully than ever before. This book examines works of art on military themes in relation to ruling-class ideologies about the army, war and the empire. The first part of the book is devoted to a chronological survey of battle painting, integrated with a study of contemporary military and political history. The chapters link the debate over the status and importance of battle painting to contemporary debates over the role of the army and its function at home and abroad. The second part discusses the intersection of ideologies about the army and military art, but is concerned with an examination of genre representations of soldiers. Another important theme which runs through the book is the relation of English to French military art. During the first eighty years of the period under review France was the cynosure of military artists, the school against which British critics measured their own, and the place from which innovations were imported and modified. In every generation after Waterloo battle painters visited France and often trained there. The book shows that military art, or the 'absence' of it, was one of the ways in which nationalist commentators articulated Britain's moral superiority. The final theme which underlies much of the book is the shifts which took place in the perception of heroes and hero-worship.
Women who prepared food for enslaved people, rather than enslavers, have been neglected in historical scholarship. Their labor within the quarters has been marginalized, belittled, and even ignored, because it fell within the remit of gendered care and nurture. In this book, Emily West illustrates how these mostly older women performed vital roles in slaveholding sites, as their enslavers increasingly tried to regulate food distribution, preparation, and consumption. Enslavers attempted to impose highly efficient, communal food regimes to minimize waste and time lost from work elsewhere. They routinely tasked older women with the feeding and care of infants, but also deployed them to prepare food for children and enslaved adults to eat collectively. Conversely, in the relative privacy of the quarters, where enslaved people preferred to eat, cooking became both a form of gendered exploitation, and an expression of love, empowerment, and pleasure.
This is the first comprehensive analysis of Southeast Asian globalization and development since 1870. Interpreting over 150 years of Southeast Asian economic history, Gregg Huff traces the impact of a first period of globalisation from the 1870s to 1929, the effects of Japanese occupation during World War II and its aftermath, and a second wave of globalisation since the late 1960s. He uses vent-for-surplus, dual economy and plural society concepts and argues that the response of those in Southeast Asia to periods of transport revolutions, innovation and opportunity in the world economy translated into rapid export-led growth. Recent swift growth enabled Southeast Asia to start to 'catch up' with the world's leading countries for the first time in its history. Achievements include industrialization, genuine social progress and numerous large urban regions. Nevertheless, the book contends that Southeast Asian development in its 'miracle economies' remains incomplete.
Professor Drummond's two pioneering studies, British Economic Policy and the Empire 1919-1939, 1972, and Imperial Economic Policy 1917-1939, 1974, helped to revive interest in Empire migration and other aspects of inter-war imperial economic history. This book concentrates upon the attempts to promote state-assisted migration in the post-First World War period particularly associated with the Empire Settlement Act of 1922. It examines the background to these new emigration experiments, the development of plans for both individual and family migration, as well as the specific schemes for the settlement of ex-servicemen and of women. Varying degrees of encouragement, acquiescence and resistance with which they were received in the dominions, are discussed. After the First World War there was a striking reorientation of state policy on emigration from the United Kingdom. A state-assisted emigration scheme for ex-servicemen and ex-servicewomen, operating from 1919 to 1922, was followed by an Empire Settlement Act, passed in 1922. This made significant British state funding available for assisted emigration and overseas land settlement in British Empire countries. Foremost amongst the achievements of the high-minded imperial projects was the free-passage scheme for ex-servicemen and women which operated between 1919 and 1922 under the auspices of the Oversea Settlement Committee. Cheap passages were considered as one of the prime factors in stimulating the flow of migration, particularly in the case of single women. The research represented here makes a significant contribution to the social histories of these states as well as of the United Kingdom.
The neo-classical troopers' memorial of New Zealand, together with others around the former British Empire, illustrates the manner in which the South African War became a major imperial. This book explores how South Africa is negotiating its past in and through various modes of performance in contemporary theatre, public events and memorial spaces. Opinion on the war was as divided among white Afrikaners, Africans, 'Coloureds' and English-speaking white South Africans as these communities were from each other. The book analyses the Truth and Reconciliation Commission (TRC) as a live event and as an archive asking throughout how the TRC has affected the definition of identity and memory in contemporary South Africa, including disavowed memories. It surveys a century of controversy surrounding the origins of the war and in particular the argument that gold shaped British policy towards the Transvaal in the drift towards war. The remarkable South African career of Flora Shaw, the first woman to gain a professional position on The Times, is portrayed in the book. The book also examines the expensive operation mounted by The Times in order to cover the war. While acknowledging the need not to overstress the role of personality, the book echoes J. A. S. Grenville in describing the combination of Milner and Chamberlain as a 'fateful partnership'. Current renegotiations of popular repertoires, particularly songs and dances related to the struggle, revivals of classic European and South African protest plays, new history plays and specific racial and ethnic histories and identities, are analysed.
Why are most contemporary autocracies concentrated between Siberia and Central Africa, while other regions remain largely democratic? This book uncovers the deep historical forces behind that divide, tracing how geography – particularly the vast steppe grasslands – and political–economic conflicts between nomadic and sedentary societies shaped enduring patterns of power. These structured conflicts reinforced authoritarian persistence across half the globe, creating a binary world with starkly different opportunities and threats. The result is a long-standing geopolitical fault line that continues to shape global politics today, exemplified by the autocratic axis of China, Russia, Iran, and North Korea. Combining insights from geography, history, and political economy, this book offers a compelling explanation of why authoritarianism thrives – and why democracy prevails elsewhere.
The international exhibitions held around the world between 1851 and 1939 were spectacular gestures, which briefly held the attention of the world before disappearing into an abrupt oblivion, of the victims of their planned temporality. Known in Britain as Great Exhibitions, in France as Expositions Universelles and in America as World's Fairs, the genre became a self-perpetuating phenomenon, the extraordinary cultural spawn of industry and empire. Thoroughly in the spirit of the first industrial age, the exhibitions illustrated the relation between money and power, and revelled in the belief that the uncontrolled expression of that power was the quintessence of freedom. Philanthropy found its place on exhibition sites functioning as a conscience to the age although even here morality was inextricably linked to economic efficiency and expansion. Imperial achievement was celebrated to the full at international exhibitions. Nevertheless, most World's Fairs maintained an imperial element and out of this blossomed a vibrant racism. Between 1889 and 1914, the exhibitions became a human showcase, when people from all over the world were brought to sites in order to be seen by others for their gratification and education. In essence, the English national profile fabricated in the closing decades of the nineteenth century was derived from the pre-industrial world. The Fine Arts were an important ingredient in any international exhibition of calibre. This book incorporates comparative work on European and American empire-building, with the chronological focus primarily on the nineteenth and twentieth centuries, when these cultural exchanges were most powerfully at work.
Colonial war played a vital part in transforming the reputation of the military and placing it on a standing equal to that of the navy. The book is concerned with the interactive culture of colonial warfare, with the representation of the military in popular media at home, and how these images affected attitudes towards war itself and wider intellectual and institutional forces. It sets out to relate the changing image of the military to these fundamental facts. For the dominant people they were an atavistic form of war, shorn of guilt by Social Darwinian and racial ideas, and rendered less dangerous by the increasing technological gap between Europe and the world. Attempts to justify and understand war were naturally important to dominant people, for the extension of imperial power was seldom a peaceful process. The entertainment value of war in the British imperial experience does seem to have taken new and more intensive forms from roughly the middle of the nineteenth century. Themes such as the delusive seduction of martial music, the sketch of the music hall song, powerful mythic texts of popular imperialism, and heroic myths of empire are discussed extensively. The first important British war correspondent was William Howard Russell (1820-1907) of The Times, in the Crimea. The 1870s saw a dramatic change in the representation of the officer in British battle painting. Up to that point it was the officer's courage, tactical wisdom and social prestige that were put on display.
Intellectual property (IP) rights have long faced strong legitimacy criticisms. As the vaccine debates during the COVID-19 pandemic showed, IP is often seen as a problematic asset of powerful private companies and developed economies. This book addresses these criticisms by focusing on a renewed interpretation of the TRIPS – the key international treaty for IP. By combining international law analysis and political theory, this work presents the TRIPS as the structuring agreement of the international IP regime rather than treating it as a technical trade instrument. Drawing on the ideal of freedom defined as protection against domination, the book develops a legal philosophy of the TRIPS, revisiting its foundations and proposing a renewed interpretation of its key norms. This reframing highlights how the treaty can potentially provide consistency and foreseeability in a conflict-ridden global multilateral trade system where weaker trade partners are often at a disadvantage. This title is also available as open access on Cambridge Core.
As imperial political authority was increasingly challenged, sometimes with violence, locally recruited police forces became the front-line guardians of alien law and order. This book presents a study that looks at the problems facing the imperial police forces during the acute political dislocations following decolonization in the British Empire. It examines the role and functions of the colonial police forces during the process of British decolonisation and the transfer of powers in eight colonial territories. The book emphasises that the British adopted a 'colonial' solution to their problems in policing insurgency in Ireland. The book illustrates how the recruitment of Turkish Cypriot policemen to maintain public order against Greek Cypriot insurgents worsened the political situation confronting the British and ultimately compromised the constitutional settlement for the transfer powers. In Cyprus and Malaya, the origins and ethnic backgrounds of serving policemen determined the effectiveness which enabled them to carry out their duties. In 1914, the Royal Irish Constabulary (RIC) of Ireland was the instrument of a government committed to 'Home Rule' or national autonomy for Ireland. As an agency of state coercion and intelligence-gathering, the police were vital to Britain's attempts to hold on to power in India, especially against the Indian National Congress during the agitational movements of the 1920s and 1930s. In April 1926, the Palestine police force was formally established. The shape of a rapidly rising rate of urban crime laid the major challenge confronting the Kenya Police.
Cross-cultural encounters produce boundaries and frontiers. This book explores the formation, structure, and maintenance of boundaries and frontiers in settler colonies. The southern nations of Australia, New Zealand and South Africa have a common military heritage as all three united to fight for the British Empire during the Boer and First World Wars. The book focuses on the southern latitudes and especially Australia and Australian historiography. Looking at cross-cultural interactions in the settler colonies, the book illuminates the formation of new boundaries and the interaction between settler societies and indigenous groups. It contends that the frontier zone is a hybrid space, a place where both indigene and invader come together on land that each one believes to be their own. The best way to approach the northern Cape frontier zone is via an understanding of the significance of the frontier in South African history. The book explores some ways in which discourses of a natural, prehistoric Aboriginality inform colonial representations of the Australian landscape and its inhabitants, both indigenous and immigrant. The missions of the London Missionary Society (LMS) in Polynesia and Australia are examined to explore the ways in which frontiers between British and antipodean cultures were negotiated in colonial textuality. The role of the Treaty of Waitangi in New Zealand society is possibly the most important and controversial issue facing modern New Zealanders. The book also presents valuable insights into sexual politics, Aboriginal sovereignty, economics of Torres Strait maritime, and nomadism.
Imperial power, both formal and informal, and research in the natural sciences were closely dependent in the nineteenth century. This book examines a portion of the mass-produced juvenile literature, focusing on the cluster of ideas connected with Britain's role in the maintenance of order and the spread of civilization. It discusses the political economy of Western ecological systems, and the consequences of their extension to the colonial periphery, particularly in forms of forest conservation. Progress and consumerism were major constituents of the consensus that helped stabilise the late Victorian society, but consumerism only works if it can deliver the goods. From 1842 onwards, almost all major episodes of coordinated popular resistance to colonial rule in India were preceded by phases of vigorous resistance to colonial forest control. By the late 1840s, a limited number of professional positions were available for geologists in British imperial service, but imperial geology had a longer pedigree. Modern imperialism or 'municipal imperialism' offers a broader framework for understanding the origins, long duration and persistent support for overseas expansion which transcended the rise and fall of cabinets or international realignments in the 1800s. Although medical scientists began to discern and control the microbiological causes of tropical ills after the mid-nineteenth century, the claims for climatic causation did not undergo a corresponding decline. Arthur Pearson's Pearson's Magazine was patriotic, militaristic and devoted to royalty. The book explores how science emerged as an important feature of the development policies of the Colonial Office (CO) of the colonial empire.
Seventeenth-century England saw the Puritan upheaval of the 1640s and 1650s and the Glorious Revolution of 1688. These crises often provoked colonial reaction, indirectly by bringing forth new ideas about government. The colonies' existence was a testament to accumulated capital and population and to a widespread desire to employ both for high and mundane ends. The growth of population and production, the rise of new and the decline of old trades were important features of 17th-century American and English history. This book presents a study that brings attention back to a century when the word imperialism had not even been coined, let alone acquired the wealth of meanings it has now. The study covers the North American and West Indian colonies as well as England. Research on American sources concentrated on the main settlements of Massachusetts, Virginia, Barbados and Jamaica, their public records, printed and manuscript correspondence and local and county records. Lesser colonies such as New York, Carolina and the New England fringe settlements they have their own stories to tell. The study firstly rests on the proposition that England's empire was shaped by the course of English politics. Secondly, it argues that although imperial history was marked by tension between colonial resistance and English authority. Finally, the broad view is taken of the politics of empire aims to establish a general framework for understanding seventeenth-century colonial history. Attention has also been paid to the political writings and the "non-colonial" activities of governments and politicians.
The debate about the Empire dealt in idealism and morality, and both sides employed the language of feeling, and frequently argued their case in dramatic terms. This book opposes two sides of the Empire, first, as it was presented to the public in Britain, and second, as it was experienced or imagined by its subjects abroad. British imperialism was nurtured by such upper middle-class institutions as the public schools, the wardrooms and officers' messes, and the conservative press. The attitudes of 1916 can best be recovered through a reconstruction of a poetics of popular imperialism. The case-study of Rhodesia demonstrates the almost instant application of myth and sign to a contemporary imperial crisis. Rudyard Kipling was acknowledged throughout the English-speaking world not only as a wonderful teller of stories but as the 'singer of Greater Britain', or, as 'the Laureate of Empire'. In the last two decades of the nineteenth century, the Empire gained a beachhead in the classroom, particularly in the coupling of geography and history. The Island Story underlined that stories of heroic soldiers and 'fights for the flag' were easier for teachers to present to children than lessons in morality, or abstractions about liberty and responsible government. The Education Act of 1870 had created a need for standard readers in schools; readers designed to teach boys and girls to be useful citizens. The Indian Mutiny was the supreme test of the imperial conscience, a measure of the morality of the 'master-nation'.
Sports history offers many profound insights into the character and complexities of modern imperial rule. This book examines the fortunes of cricket in various colonies as the sport spread across the British Empire. It helps to explain why cricket was so successful, even in places like India, Pakistan and the West Indies where the Anglo-Saxon element remained in a small minority. The story of imperial cricket is really about the colonial quest for identity in the face of the colonisers' search for authority. The cricket phenomenon was established in nineteenth-century England when the Victorians began glorifying the game as a perfect system of manners, ethics and morals. Cricket has exemplified the colonial relationship between England and Australia and expressed imperialist notions to the greatest extent. In the study of the transfer of imperial cultural forms, South Africa provides one of the most fascinating case studies. From its beginnings in semi-organised form through its unfolding into a contemporary internationalised structure, Caribbean cricket has both marked and been marked by a tight affiliation with complex social processing in the islands and states which make up the West Indies. New Zealand rugby demonstrates many of the themes central to cricket in other countries. While cricket was played in India from 1721 and the Calcutta Cricket Club is probably the second oldest cricket club in the world, the indigenous population was not encouraged to play cricket.
In recent years it has become apparent that the interaction of imperialism with disease, medical research, and the administration of health policies is considerably more complex. This book reflects the breadth and interdisciplinary range of current scholarship applied to a variety of imperial experiences in different continents. Common themes and widely applicable modes of analysis emerge include the confrontation between indigenous and western medical systems, the role of medicine in war and resistance, and the nature of approaches to mental health. The book identifies disease and medicine as a site of contact, conflict and possible eventual convergence between western rulers and indigenous peoples, and illustrates the contradictions and rivalries within the imperial order. The causes and consequences of this rapid transition from white man's medicine to public health during the latter decades of the nineteenth and early years of the twentieth centuries are touched upon. By the late 1850s, each of the presidency towns of Calcutta, Bombay and Madras could boast its own 'asylum for the European insane'; about twenty 'native lunatic asylums' had been established in provincial towns. To many nineteenth-century British medical officers smallpox was 'the scourge of India'. Following the British discovery in 1901 of a major sleeping sickness epidemic in Uganda, King Leopold of Belgium invited the recently established Liverpool School of Tropical Medicine to examine his Congo Free State. Cholera claimed its victims from all levels of society, including Americans, prominent Filipinos, Chinese, and Spaniards.
Paul Guyer, winner of the 2024 International Kant Prize, is one of the world's leading Kant scholars and the author of many classic essays on Kant's philosophical thought. These volumes present a substantial and varied selection of Guyer's scholarship on Kant in essay form. Volume 1 collects twelve of his essays on Kant's Philosophy of Right, his political-legal philosophy, published since 2009. Volume 2 collects ten of his essays on Kant's critical approach to metaphysics and epistemology that have been published since his path-breaking book Kant and the Claims of Knowledge (Cambridge 1987).
This new scholarly edition presents Henry James's breakthrough work, 'Daisy Miller', in the context of his remarkable output as a short-story writer in the five years from 1874 to 1879. The collection includes several little-known and rarely republished tales, which show the surprising breadth of James's writing practice during this period. Spanning a variety of American and European settings and encompassing a range of narrative modes from Hawthornesque romance to photographic realism, these tales offer fascinating insights into the thematic and stylistic development of James's mature work. The volume includes a substantial Introduction which discusses the stories' composition, publication and contemporary reception, as well as their 'afterlives' on stage and screen. Detailed annotations offer unparalleled insights into the historical and cultural contexts of the works, while a complete textual apparatus displays variants between different published and manuscript versions of the texts.
Few buildings have been as important to Western culture as the Mausoleum of Halicarnassus. One of the Seven Wonders of antiquity, it was destroyed during the Middle Ages, leading countless architects, antiquarians, painters and printmakers in Early Modern Europe to speculate upon its appearance. This book – the first on its subject – examines their works, from erudite publications to simple pen sketches, from elegant watercolours to complete buildings inspired by the monument. Spanning the period between the Italian Renaissance and the discovery and archaeological excavation of the Mausoleum's foundations in the 1850s, it covers the most important cultural contexts of Western Europe, without neglecting artworks from Peru, China and Japan. The monument's connexion with themes of widowhood and female political power are analysed, as are the manifold interactions between architecture, text and image in the afterlife of the Mausoleum. This title is also available as Open Access on Cambridge Core.