Chapter Four of Daniel Laqua's Activism across Borders, on “Class, Revolution and Social Justice”, opens stimulating avenues for reflection with its cross-partisan approach, over an ambitious chronological span – from the post-1848 wave of revolutionary exile to the contemporary global justice movement. From the perspective of a historian of pre-1914 transnational anarchism, this brief review essay considers three prominent aspects of this chapter: historiographic perspectives on socialist activisms; the modalities of transnational activism; and borders and boundaries.

The present article analyzes the use of preposition stranding (the world which we live in) and pied-piping (the world in which we live) in finite WH-relative clauses in twelve varieties of English. In the light of previous studies, it assumes that the strength of processing constraints and formality effects that drive speakers’ constructional choices should correlate with Dynamic Model stages (Schneider 2007). However, drawing on data from the International Corpus of English (ICE) and using mixed-effects logistic regression analysis, the study shows that processing factors affect speakers of all Dynamic Model stages in a very similar way. At the same time, clear differences between variety stages are observed with respect to formality and topic, which strongly affect Phases IV and V but not Phase III. These results are interpreted from a Usage-based Construction Grammar perspective.

The author examines Ľudovít Štúr (1815–1856), the main representative of the Slovak national movement in the 1840s, and his personal ethos in the struggle for the rights and freedom of the Slovak ethnic group. Štúr paid great attention to the development of the ethnic, social, and political awareness of Slovaks. In this effort, the Slovenskje národňje novini (Slovak National Newspaper) played an important role, through which Štúr and the representatives of the Slovak national movement shaped and spread its social and political program, the aim of which was both the fight against the national oppression of the Slovaks, but also the achievement of equal rights for the Slovak ethnic group in Hungary and the Habsburg Monarchy.

Situated on the tip of a mountainous peninsula jutting out into the Atlantic Ocean off the west coast of Africa, the city of Freetown, Sierra Leone, receives an extraordinarily high rainfall, heavily concentrated in the few months of the rainy season. Working from this extreme wetness and inspired by recent work in the oceanic humanities, this article reads Freetown’s colonial era newspaper archive for water. It argues that the heavy rain of the West African Monsoon was an important agent in shaping the decaying streetscape of the city, and a broader imaginary of decline, at the turn of the twentieth century. Using vivid descriptions of wetness, nature and disease, African editors, correspondents and letter-writers evoked a sodden modernity to push the colonial government to maintain and improve the city’s street infrastructure and at once to forge an elite urban public in opposition to migrants from the urban hinterland.

This paper introduces a theory of ownership that is rooted in Israel Kirzner’s theory of entrepreneurship – The Entrepreneurial Theory of Ownership. Its central idea is that natural resources are not available to us automatically as other approaches to justice implicitly assume. Before we can use a resource, we need to do preparatory work in the form of making an entrepreneurial judgement on it. This fact, as I argue, makes it possible to put private ownership as a natural right on a firm normative ground and answer many traditional challenges to private property.

The Tyrolean ice mummy known as Ötzi presents some of the earliest direct evidence of tattooing in the human past. Despite decades of study, it remains unclear how the Iceman's tattoos were created and what tools and methods were used. Popular discussions of the Iceman describe his tattoos as having been made by incision, first cutting the skin and then rubbing in pigment from the surface. The authors review the scholarly literature on the Iceman's tattoos and summarize ethnographic, historic, and anthropological research on global patterns of tattooing to contextualize the Iceman's marks within pre-electric tattooing traditions. The results of recent experimental tattooing studies are then compared to the physical signature of the Iceman's marks to evaluate existing claims and provide informed hypotheses as to how those tattoos were created.

In the early 20th century, Orissa, a province in British India, was marked by dismemberment and fragmentation. Nationalist leaders in colonial Orissa often portrayed the province as a disfigured mother to evoke nationalist sentiment among the Odia people and garner support for the unification of the Oriya-speaking tracts in adjacent provinces to form a separate and complete Orissa province. One painting from the period depicts a woman representing “Mother Orissa” being dissected on a table by an Englishman and surrounded by wolf-headed figures representing Bengal, Madras, and Bihar, who were opposed to the idea of Orissa’s unification. However, these leaders were careful not to create an environment of coercion and sought to allow for expressions of difference to foster a healthy national life. One way they did this was by trying to unite intrareligious groups in Orissa while also calling for the need to bring together people of different regions living in Orissa. Additionally, they balanced their allegiance and devotion among three mothers: Mother Orissa, Mother India, and Mother Victoria.