In this paper, I discuss the development and use of images employed by the Dresden Royal Museum for Zoology, Anthropology and Ethnography to resolve debates about how to use visual representation as a means of making ethnographic knowledge. Through experimentation with techniques of visual representation, the founding director, A.B. Meyer (1840–1911), proposed a historical, non-essentialist approach to understanding racial and cultural difference. Director Meyer's approach was inspired by the new knowledge he had gained through field research in Asia-Pacific as well as new forms of imaging that made highly detailed representations of objects possible. Through a combination of various techniques, he developed new visual methods that emphasized intimate familiarity with variations within any one ethnic group, from skull shape to material ornamentation, as integral to the new disciplines of physical and cultural anthropology. It is well known that photographs were a favoured form of visual documentation among the anthropological and ethnographic sciences at the fin de siècle. However, in the scholarly journals of the Dresden museum, photographs, drawings, tables and etchings were frequently displayed alongside one another. Meyer sought to train the reader's eye through organized arrangements that represented objects from multiple angles and at various levels of magnification. Focusing on chimpanzees, skulls and kettledrums from Asia-Pacific, I track the development of new modes of making and reading images, from zoology and physical anthropology to ethnography, to demonstrate how the museum visually historicized humankind.

This article traces the diachronic development of English conditionals with clause-initial subclauses (If you hurt the cat, (then) she will bite you) by means of (frequency) data from three corpora (YCOE, PPCME2 and PPCEME). It investigates the division of labour between (g)if, and (meaning ‘if, suppose/provided that, on condition that’) and verb-initial conditionals from Old to Early Modern English. It is shown that conjunctional conditionals (e.g. if conditionals) have always been most frequent. The limitations on verb-initial conditionals (as they exist in Present-day English) develop diachronically and are related to restrictions on verb movement and choice of verb, and not frequency. Genre preferences, however, seem to exist. The use of then introducing the main clause will be shown to be a reflex of an earlier paratactic structure. Its use over time is influenced by mood and length, the latter being of influence especially in later periods.

Studies of the Lega Nord (Northern League) have tended either to ignore the existence of earlier movements for regional autonomy in the 1950s – such as the Movimento Autonomista Bergamasco – or, on the contrary, assume continuities between the two movements at the expense of analysis of the significant discontinuities. This article argues that neither approach has been successful in capturing the importance of precursors to leghismo and that a more nuanced analysis is required. Focusing on the Movimento Autonomista Bergamasco (MAB) in its various incarnations between 1947 and 1970, I argue that the Bergamascan autonomists of the post-war period in many ways laid the foundations for Umberto Bossi’s Lega Nord; however, it is historically inaccurate to claim a direct line of continuity between mabismo and leghismo due to the differing contexts in which each movement operated: the critical junctures of the post-war era and post-tangentopoli respectively. What emerges from a closer analysis of the relationship between the two movements, as mabismo evolved into leghismo in the 1980s is a picture of regional autonomism distancing itself from the ideal of national unity and being increasingly drawn to secessionism.