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Historical occurrence of Antarctic icebergs within mercantile shipping routes and the exceptional events of the 1890s
- Robert Keith Headland, Nicholas Edward Hughes, Jeremy Paul Wilkinson
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- Journal:
- Journal of Glaciology , First View
- Published online by Cambridge University Press:
- 27 October 2023, pp. 1-13
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A major consideration for maritime activity in the Southern Hemisphere is the northern limit of icebergs, or the Southern Ocean Limit Of Known Ice (SOLOKI). This analysis of historical reports of icebergs during Southern Hemisphere voyages from 1687 to 1933 provides a basis for examination of their geographical and chronological occurrence during ~250 years. The analyses use tabulated data from 742 voyages and other reports from many sources, some including first-person descriptions. While these data are dependent on icebergs being reported by mariners, as well as the variable frequency of voyages, they demonstrate distinct periods of exceptional frequency of icebergs occurring in certain localities, particularly the far South Atlantic. Based upon historical records the evidence suggests unprecedented numbers of icebergs were present in southern shipping channels in the 1890s. When these historical observations are combined with modern iceberg drift trajectories, their possible origin can be elucidated. Owing to the numbers of icebergs seen and their geographical spread, our results suggest that this was possibly the largest near-synchronous calvings in the last 300 years, and the northernmost extent of the SOLOKI.
Expression unleashed in artificial intelligence
- Ekaterina I. Tolstaya, Abhinav Gupta, Edward Hughes
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- Journal:
- Behavioral and Brain Sciences / Volume 46 / 2023
- Published online by Cambridge University Press:
- 17 February 2023, e16
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The problem of generating generally capable agents is an important frontier in artificial intelligence (AI) research. Such agents may demonstrate open-ended, versatile, and diverse modes of expression, similar to humans. We interpret the work of Heintz & Scott-Phillips as a minimal sufficient set of socio-cognitive biases for the emergence of generally expressive AI, separate yet complementary to existing algorithms.
py4DSTEM: A Software Package for Four-Dimensional Scanning Transmission Electron Microscopy Data Analysis
- Benjamin H. Savitzky, Steven E. Zeltmann, Lauren A. Hughes, Hamish G. Brown, Shiteng Zhao, Philipp M. Pelz, Thomas C. Pekin, Edward S. Barnard, Jennifer Donohue, Luis Rangel DaCosta, Ellis Kennedy, Yujun Xie, Matthew T. Janish, Matthew M. Schneider, Patrick Herring, Chirranjeevi Gopal, Abraham Anapolsky, Rohan Dhall, Karen C. Bustillo, Peter Ercius, Mary C. Scott, Jim Ciston, Andrew M. Minor, Colin Ophus
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- Journal:
- Microscopy and Microanalysis / Volume 27 / Issue 4 / August 2021
- Published online by Cambridge University Press:
- 21 May 2021, pp. 712-743
- Print publication:
- August 2021
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Scanning transmission electron microscopy (STEM) allows for imaging, diffraction, and spectroscopy of materials on length scales ranging from microns to atoms. By using a high-speed, direct electron detector, it is now possible to record a full two-dimensional (2D) image of the diffracted electron beam at each probe position, typically a 2D grid of probe positions. These 4D-STEM datasets are rich in information, including signatures of the local structure, orientation, deformation, electromagnetic fields, and other sample-dependent properties. However, extracting this information requires complex analysis pipelines that include data wrangling, calibration, analysis, and visualization, all while maintaining robustness against imaging distortions and artifacts. In this paper, we present py4DSTEM, an analysis toolkit for measuring material properties from 4D-STEM datasets, written in the Python language and released with an open-source license. We describe the algorithmic steps for dataset calibration and various 4D-STEM property measurements in detail and present results from several experimental datasets. We also implement a simple and universal file format appropriate for electron microscopy data in py4DSTEM, which uses the open-source HDF5 standard. We hope this tool will benefit the research community and help improve the standards for data and computational methods in electron microscopy, and we invite the community to contribute to this ongoing project.
Sex differences in neural correlates of common psychopathological symptoms in early adolescence
- Francesca Biondo, Charlotte Nymberg Thunell, Bing Xu, Congying Chu, Tianye Jia, Alex Ing, Erin Burke Quinlan, Nicole Tay, Tobias Banaschewski, Arun L. W. Bokde, Christian Büchel, Sylvane Desrivières, Herta Flor, Vincent Frouin, Hugh Garavan, Penny Gowland, Andreas Heinz, Bernd Ittermann, Jean-Luc Martinot, Hervé Lemaitre, Frauke Nees, Dimitri Papadopoulos Orfanos, Luise Poustka, Sabina Millenet, Juliane H. Fröhner, Michael N. Smolka, Henrik Walter, Robert Whelan, Edward D. Barker, Gunter Schumann, IMAGEN Consortium
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- Journal:
- Psychological Medicine / Volume 52 / Issue 14 / October 2022
- Published online by Cambridge University Press:
- 26 March 2021, pp. 3086-3096
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Background
Sex-related differences in psychopathology are known phenomena, with externalizing and internalizing symptoms typically more common in boys and girls, respectively. However, the neural correlates of these sex-by-psychopathology interactions are underinvestigated, particularly in adolescence.
MethodsParticipants were 14 years of age and part of the IMAGEN study, a large (N = 1526) community-based sample. To test for sex-by-psychopathology interactions in structural grey matter volume (GMV), we used whole-brain, voxel-wise neuroimaging analyses based on robust non-parametric methods. Psychopathological symptom data were derived from the Strengths and Difficulties Questionnaire (SDQ).
ResultsWe found a sex-by-hyperactivity/inattention interaction in four brain clusters: right temporoparietal-opercular region (p < 0.01, Cohen's d = −0.24), bilateral anterior and mid-cingulum (p < 0.05, Cohen's d = −0.18), right cerebellum and fusiform (p < 0.05, Cohen's d = −0.20) and left frontal superior and middle gyri (p < 0.05, Cohen's d = −0.26). Higher symptoms of hyperactivity/inattention were associated with lower GMV in all four brain clusters in boys, and with higher GMV in the temporoparietal-opercular and cerebellar-fusiform clusters in girls.
ConclusionsUsing a large, sex-balanced and community-based sample, our study lends support to the idea that externalizing symptoms of hyperactivity/inattention may be associated with different neural structures in male and female adolescents. The brain regions we report have been associated with a myriad of important cognitive functions, in particular, attention, cognitive and motor control, and timing, that are potentially relevant to understand the behavioural manifestations of hyperactive and inattentive symptoms. This study highlights the importance of considering sex in our efforts to uncover mechanisms underlying psychopathology during adolescence.
A National Spinal Muscular Atrophy Registry for Real-World Evidence
- Victoria L. Hodgkinson, Maryam Oskoui, Joshua Lounsberry, Saïd M’Dahoma, Emily Butler, Craig Campbell, Alex MacKenzie, Hugh J. McMillan, Louise Simard, Jiri Vajsar, Bernard Brais, Kristine M. Chapman, Nicolas Chrestian, Meghan Crone, Peter Dobrowolski, Susan Dojeiji, James J. Dowling, Nicolas Dupré, Angela Genge, Hernan Gonorazky, Simona Hasal, Aaron Izenberg, Wendy Johnston, Edward Leung, Hanns Lochmüller, Jean K. Mah, Alier Marerro, Rami Massie, Laura McAdam, Anna McCormick, Michel Melanson, Michelle M. Mezei, Cam-Tu E. Nguyen, Colleen O’Connell, Erin K. O’Ferrall, Gerald Pfeffer, Cecile Phan, Stephanie Plamondon, Chantal Poulin, Xavier Rodrigue, Kerri L. Schellenberg, Kathy Selby, Jordan Sheriko, Christen Shoesmith, Garth Smith, Monique Taillon, Sean Taylor, Jodi Warman Chardon, Scott Worley, Lawrence Korngut
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- Journal:
- Canadian Journal of Neurological Sciences / Volume 47 / Issue 6 / November 2020
- Published online by Cambridge University Press:
- 04 June 2020, pp. 810-815
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Background:
Spinal muscular atrophy (SMA) is a devastating rare disease that affects individuals regardless of ethnicity, gender, and age. The first-approved disease-modifying therapy for SMA, nusinursen, was approved by Health Canada, as well as by American and European regulatory agencies following positive clinical trial outcomes. The trials were conducted in a narrow pediatric population defined by age, severity, and genotype. Broad approval of therapy necessitates close follow-up of potential rare adverse events and effectiveness in the larger real-world population.
Methods:The Canadian Neuromuscular Disease Registry (CNDR) undertook an iterative multi-stakeholder process to expand the existing SMA dataset to capture items relevant to patient outcomes in a post-marketing environment. The CNDR SMA expanded registry is a longitudinal, prospective, observational study of patients with SMA in Canada designed to evaluate the safety and effectiveness of novel therapies and provide practical information unattainable in trials.
Results:The consensus expanded dataset includes items that address therapy effectiveness and safety and is collected in a multicenter, prospective, observational study, including SMA patients regardless of therapeutic status. The expanded dataset is aligned with global datasets to facilitate collaboration. Additionally, consensus dataset development aimed to standardize appropriate outcome measures across the network and broader Canadian community. Prospective outcome studies, data use, and analyses are independent of the funding partner.
Conclusion:Prospective outcome data collected will provide results on safety and effectiveness in a post-therapy approval era. These data are essential to inform improvements in care and access to therapy for all SMA patients.
Clinical Features of Lewis–Sumner Syndrome: Can Trauma Precipitate Symptoms?
- Isaac Michael William Hughes, Alan Edward Goodridge
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- Journal:
- Canadian Journal of Neurological Sciences / Volume 46 / Issue 2 / March 2019
- Published online by Cambridge University Press:
- 06 February 2019, pp. 243-247
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Introduction: Lewis–Sumner syndrome (LSS) is a demyelinating peripheral neuropathy described in 1982. Methods: We reviewed the charts of nine LSS patients in neurological care for their symptoms, response to different treatment regimens, and pattern of nerve involvement. Results: One patient had an Adie’s pupil. Every patient studied had median nerve involvement. Seven of nine patients required intravenous immunoglobulin (IVIg) therapy and all showed improvement with IVIg. Four of nine patients received oral steroid therapy and had some improvement. Two of nine patients received azathioprine to little effect. Two of nine patients experienced significant trauma while receiving neurological follow-up and their symptoms worsened to a clinically significant degree afterward. Discussion: We noticed a possible association between trauma and symptom severity in cases of LSS with preexisting neurological follow-up. We hypothesize that physical trauma exacerbates LSS. To our knowledge, this is an unreported phenomenon.
12 - The renewal of narrative in the wake of Proust
- Edited by John D. Lyons, University of Virginia
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- Book:
- The Cambridge Companion to French Literature
- Published online:
- 05 December 2015
- Print publication:
- 26 November 2015, pp 187-203
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- By Mitchell Aboulafia, Frederick Adams, Marilyn McCord Adams, Robert M. Adams, Laird Addis, James W. Allard, David Allison, William P. Alston, Karl Ameriks, C. Anthony Anderson, David Leech Anderson, Lanier Anderson, Roger Ariew, David Armstrong, Denis G. Arnold, E. J. Ashworth, Margaret Atherton, Robin Attfield, Bruce Aune, Edward Wilson Averill, Jody Azzouni, Kent Bach, Andrew Bailey, Lynne Rudder Baker, Thomas R. Baldwin, Jon Barwise, George Bealer, William Bechtel, Lawrence C. Becker, Mark A. Bedau, Ernst Behler, José A. Benardete, Ermanno Bencivenga, Jan Berg, Michael Bergmann, Robert L. Bernasconi, Sven Bernecker, Bernard Berofsky, Rod Bertolet, Charles J. Beyer, Christian Beyer, Joseph Bien, Joseph Bien, Peg Birmingham, Ivan Boh, James Bohman, Daniel Bonevac, Laurence BonJour, William J. Bouwsma, Raymond D. Bradley, Myles Brand, Richard B. Brandt, Michael E. Bratman, Stephen E. Braude, Daniel Breazeale, Angela Breitenbach, Jason Bridges, David O. Brink, Gordon G. Brittan, Justin Broackes, Dan W. Brock, Aaron Bronfman, Jeffrey E. Brower, Bartosz Brozek, Anthony Brueckner, Jeffrey Bub, Lara Buchak, Otavio Bueno, Ann E. Bumpus, Robert W. Burch, John Burgess, Arthur W. Burks, Panayot Butchvarov, Robert E. Butts, Marina Bykova, Patrick Byrne, David Carr, Noël Carroll, Edward S. Casey, Victor Caston, Victor Caston, Albert Casullo, Robert L. Causey, Alan K. L. Chan, Ruth Chang, Deen K. Chatterjee, Andrew Chignell, Roderick M. Chisholm, Kelly J. Clark, E. J. Coffman, Robin Collins, Brian P. Copenhaver, John Corcoran, John Cottingham, Roger Crisp, Frederick J. Crosson, Antonio S. Cua, Phillip D. Cummins, Martin Curd, Adam Cureton, Andrew Cutrofello, Stephen Darwall, Paul Sheldon Davies, Wayne A. Davis, Timothy Joseph Day, Claudio de Almeida, Mario De Caro, Mario De Caro, John Deigh, C. F. Delaney, Daniel C. Dennett, Michael R. DePaul, Michael Detlefsen, Daniel Trent Devereux, Philip E. Devine, John M. Dillon, Martin C. Dillon, Robert DiSalle, Mary Domski, Alan Donagan, Paul Draper, Fred Dretske, Mircea Dumitru, Wilhelm Dupré, Gerald Dworkin, John Earman, Ellery Eells, Catherine Z. Elgin, Berent Enç, Ronald P. Endicott, Edward Erwin, John Etchemendy, C. Stephen Evans, Susan L. Feagin, Solomon Feferman, Richard Feldman, Arthur Fine, Maurice A. Finocchiaro, William FitzPatrick, Richard E. Flathman, Gvozden Flego, Richard Foley, Graeme Forbes, Rainer Forst, Malcolm R. Forster, Daniel Fouke, Patrick Francken, Samuel Freeman, Elizabeth Fricker, Miranda Fricker, Michael Friedman, Michael Fuerstein, Richard A. Fumerton, Alan Gabbey, Pieranna Garavaso, Daniel Garber, Jorge L. A. Garcia, Robert K. Garcia, Don Garrett, Philip Gasper, Gerald Gaus, Berys Gaut, Bernard Gert, Roger F. Gibson, Cody Gilmore, Carl Ginet, Alan H. Goldman, Alvin I. Goldman, Alfonso Gömez-Lobo, Lenn E. Goodman, Robert M. Gordon, Stefan Gosepath, Jorge J. E. Gracia, Daniel W. Graham, George A. Graham, Peter J. Graham, Richard E. Grandy, I. Grattan-Guinness, John Greco, Philip T. Grier, Nicholas Griffin, Nicholas Griffin, David A. Griffiths, Paul J. Griffiths, Stephen R. Grimm, Charles L. Griswold, Charles B. Guignon, Pete A. Y. Gunter, Dimitri Gutas, Gary Gutting, Paul Guyer, Kwame Gyekye, Oscar A. Haac, Raul Hakli, Raul Hakli, Michael Hallett, Edward C. Halper, Jean Hampton, R. James Hankinson, K. R. Hanley, Russell Hardin, Robert M. Harnish, William Harper, David Harrah, Kevin Hart, Ali Hasan, William Hasker, John Haugeland, Roger Hausheer, William Heald, Peter Heath, Richard Heck, John F. Heil, Vincent F. Hendricks, Stephen Hetherington, Francis Heylighen, Kathleen Marie Higgins, Risto Hilpinen, Harold T. Hodes, Joshua Hoffman, Alan Holland, Robert L. Holmes, Richard Holton, Brad W. Hooker, Terence E. Horgan, Tamara Horowitz, Paul Horwich, Vittorio Hösle, Paul Hoβfeld, Daniel Howard-Snyder, Frances Howard-Snyder, Anne Hudson, Deal W. Hudson, Carl A. Huffman, David L. Hull, Patricia Huntington, Thomas Hurka, Paul Hurley, Rosalind Hursthouse, Guillermo Hurtado, Ronald E. Hustwit, Sarah Hutton, Jonathan Jenkins Ichikawa, Harry A. Ide, David Ingram, Philip J. Ivanhoe, Alfred L. Ivry, Frank Jackson, Dale Jacquette, Joseph Jedwab, Richard Jeffrey, David Alan Johnson, Edward Johnson, Mark D. Jordan, Richard Joyce, Hwa Yol Jung, Robert Hillary Kane, Tomis Kapitan, Jacquelyn Ann K. Kegley, James A. Keller, Ralph Kennedy, Sergei Khoruzhii, Jaegwon Kim, Yersu Kim, Nathan L. King, Patricia Kitcher, Peter D. Klein, E. D. Klemke, Virginia Klenk, George L. Kline, Christian Klotz, Simo Knuuttila, Joseph J. Kockelmans, Konstantin Kolenda, Sebastian Tomasz Kołodziejczyk, Isaac Kramnick, Richard Kraut, Fred Kroon, Manfred Kuehn, Steven T. Kuhn, Henry E. Kyburg, John Lachs, Jennifer Lackey, Stephen E. Lahey, Andrea Lavazza, Thomas H. Leahey, Joo Heung Lee, Keith Lehrer, Dorothy Leland, Noah M. Lemos, Ernest LePore, Sarah-Jane Leslie, Isaac Levi, Andrew Levine, Alan E. Lewis, Daniel E. Little, Shu-hsien Liu, Shu-hsien Liu, Alan K. L. Chan, Brian Loar, Lawrence B. Lombard, John Longeway, Dominic McIver Lopes, Michael J. Loux, E. J. Lowe, Steven Luper, Eugene C. Luschei, William G. Lycan, David Lyons, David Macarthur, Danielle Macbeth, Scott MacDonald, Jacob L. Mackey, Louis H. Mackey, Penelope Mackie, Edward H. Madden, Penelope Maddy, G. B. Madison, Bernd Magnus, Pekka Mäkelä, Rudolf A. Makkreel, David Manley, William E. Mann (W.E.M.), Vladimir Marchenkov, Peter Markie, Jean-Pierre Marquis, Ausonio Marras, Mike W. Martin, A. P. Martinich, William L. McBride, David McCabe, Storrs McCall, Hugh J. McCann, Robert N. McCauley, John J. McDermott, Sarah McGrath, Ralph McInerny, Daniel J. McKaughan, Thomas McKay, Michael McKinsey, Brian P. McLaughlin, Ernan McMullin, Anthonie Meijers, Jack W. Meiland, William Jason Melanson, Alfred R. Mele, Joseph R. Mendola, Christopher Menzel, Michael J. Meyer, Christian B. Miller, David W. Miller, Peter Millican, Robert N. Minor, Phillip Mitsis, James A. Montmarquet, Michael S. Moore, Tim Moore, Benjamin Morison, Donald R. Morrison, Stephen J. Morse, Paul K. Moser, Alexander P. D. Mourelatos, Ian Mueller, James Bernard Murphy, Mark C. Murphy, Steven Nadler, Jan Narveson, Alan Nelson, Jerome Neu, Samuel Newlands, Kai Nielsen, Ilkka Niiniluoto, Carlos G. Noreña, Calvin G. Normore, David Fate Norton, Nikolaj Nottelmann, Donald Nute, David S. Oderberg, Steve Odin, Michael O’Rourke, Willard G. Oxtoby, Heinz Paetzold, George S. Pappas, Anthony J. Parel, Lydia Patton, R. P. Peerenboom, Francis Jeffry Pelletier, Adriaan T. Peperzak, Derk Pereboom, Jaroslav Peregrin, Glen Pettigrove, Philip Pettit, Edmund L. Pincoffs, Andrew Pinsent, Robert B. Pippin, Alvin Plantinga, Louis P. Pojman, Richard H. Popkin, John F. Post, Carl J. Posy, William J. Prior, Richard Purtill, Michael Quante, Philip L. Quinn, Philip L. Quinn, Elizabeth S. Radcliffe, Diana Raffman, Gerard Raulet, Stephen L. Read, Andrews Reath, Andrew Reisner, Nicholas Rescher, Henry S. Richardson, Robert C. Richardson, Thomas Ricketts, Wayne D. Riggs, Mark Roberts, Robert C. Roberts, Luke Robinson, Alexander Rosenberg, Gary Rosenkranz, Bernice Glatzer Rosenthal, Adina L. Roskies, William L. Rowe, T. M. Rudavsky, Michael Ruse, Bruce Russell, Lilly-Marlene Russow, Dan Ryder, R. M. Sainsbury, Joseph Salerno, Nathan Salmon, Wesley C. Salmon, Constantine Sandis, David H. Sanford, Marco Santambrogio, David Sapire, Ruth A. Saunders, Geoffrey Sayre-McCord, Charles Sayward, James P. Scanlan, Richard Schacht, Tamar Schapiro, Frederick F. Schmitt, Jerome B. Schneewind, Calvin O. Schrag, Alan D. Schrift, George F. Schumm, Jean-Loup Seban, David N. Sedley, Kenneth Seeskin, Krister Segerberg, Charlene Haddock Seigfried, Dennis M. Senchuk, James F. Sennett, William Lad Sessions, Stewart Shapiro, Tommie Shelby, Donald W. Sherburne, Christopher Shields, Roger A. Shiner, Sydney Shoemaker, Robert K. Shope, Kwong-loi Shun, Wilfried Sieg, A. John Simmons, Robert L. Simon, Marcus G. Singer, Georgette Sinkler, Walter Sinnott-Armstrong, Matti T. Sintonen, Lawrence Sklar, Brian Skyrms, Robert C. Sleigh, Michael Anthony Slote, Hans Sluga, Barry Smith, Michael Smith, Robin Smith, Robert Sokolowski, Robert C. Solomon, Marta Soniewicka, Philip Soper, Ernest Sosa, Nicholas Southwood, Paul Vincent Spade, T. L. S. Sprigge, Eric O. Springsted, George J. Stack, Rebecca Stangl, Jason Stanley, Florian Steinberger, Sören Stenlund, Christopher Stephens, James P. Sterba, Josef Stern, Matthias Steup, M. A. Stewart, Leopold Stubenberg, Edith Dudley Sulla, Frederick Suppe, Jere Paul Surber, David George Sussman, Sigrún Svavarsdóttir, Zeno G. Swijtink, Richard Swinburne, Charles C. Taliaferro, Robert B. Talisse, John Tasioulas, Paul Teller, Larry S. Temkin, Mark Textor, H. S. Thayer, Peter Thielke, Alan Thomas, Amie L. Thomasson, Katherine Thomson-Jones, Joshua C. Thurow, Vzalerie Tiberius, Terrence N. Tice, Paul Tidman, Mark C. Timmons, William Tolhurst, James E. Tomberlin, Rosemarie Tong, Lawrence Torcello, Kelly Trogdon, J. D. Trout, Robert E. Tully, Raimo Tuomela, John Turri, Martin M. Tweedale, Thomas Uebel, Jennifer Uleman, James Van Cleve, Harry van der Linden, Peter van Inwagen, Bryan W. Van Norden, René van Woudenberg, Donald Phillip Verene, Samantha Vice, Thomas Vinci, Donald Wayne Viney, Barbara Von Eckardt, Peter B. M. Vranas, Steven J. Wagner, William J. Wainwright, Paul E. Walker, Robert E. Wall, Craig Walton, Douglas Walton, Eric Watkins, Richard A. Watson, Michael V. Wedin, Rudolph H. Weingartner, Paul Weirich, Paul J. Weithman, Carl Wellman, Howard Wettstein, Samuel C. Wheeler, Stephen A. White, Jennifer Whiting, Edward R. Wierenga, Michael Williams, Fred Wilson, W. Kent Wilson, Kenneth P. Winkler, John F. Wippel, Jan Woleński, Allan B. Wolter, Nicholas P. Wolterstorff, Rega Wood, W. Jay Wood, Paul Woodruff, Alison Wylie, Gideon Yaffe, Takashi Yagisawa, Yutaka Yamamoto, Keith E. Yandell, Xiaomei Yang, Dean Zimmerman, Günter Zoller, Catherine Zuckert, Michael Zuckert, Jack A. Zupko (J.A.Z.)
- Edited by Robert Audi, University of Notre Dame, Indiana
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- Book:
- The Cambridge Dictionary of Philosophy
- Published online:
- 05 August 2015
- Print publication:
- 27 April 2015, pp ix-xxx
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- By Ra‘anan Boustan, Jonathan P. Conant, Brian Croke, Susanna Elm, Hugh Elton, Geoffrey Greatrex, Peter J. Heather, Kenneth G. Holum, Caroline Humfress, Scott F. Johnson, Christopher Kelly, Étienne De La Vaissière, Noel Lenski, Michael Maas, Maya Maskarinec, Andy Merrills, Richard Payne, Walter Pohl, Michele Renee Salzman, Joseph E. Sanzo, Peter Sarris, Raymond Van Dam, Edward Watts, Susan Wessel
- Edited by Michael Maas, Rice University, Houston
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- Book:
- The Cambridge Companion to the Age of Attila
- Published online:
- 05 October 2014
- Print publication:
- 29 September 2014, pp xiii-xiv
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- By Rosanna Abbate, Charlotte L. Allan, Johannes Attems, Richard I. Aviv, Hansjoerg Baezner, Oscar R. Benavente, Maria Bjerke, Sandra E. Black, Christian Blahak, Mark I. Boulos, Margherita Cavalieri, Hugues Chabriat, Christopher Chen, Martin Dichgans, Maria Teresa Dotti, Klaus P. Ebmeier, Elisabet Englund, Christian Enzinger, Margaret Esiri, Franz Fazekas, Antonio Federico, José M. Ferro, Thalia Field, Wiesje M. van der Flier, Philip B. Gorelick, Steven Greenberg, Atticus H. Hainsworth, Brian T. Hawkins, Michael G. Hennerici, Domenico Inzitari, Hatsue Ishibashi-Ueda, Yoshikane Izawa, Kurt A. Jellinger, Anne Joutel, Eric Jouvent, Raj Kalaria, Edward G. Lakatta, Jennifer Linn, Marisa Loitfelder, Sofia Madureira, Hugh S. Markus, Ranjith K. Menon, Vincent Mok, Makoto Nakajima, David Nyenhuis, Jun Ogata, Christian Opherk, Leonardo Pantoni, Francesca Pescini, Anna Poggesi, Sharon Reutens, Stefan Ropele, Perminder S. Sachdev, Reinhold Schmidt, Angelo Scuteri, Glenn T. Stebbins, Richard H. Swartz, Ana Verdelho, Anand Viswanathan, Anders Wallin, Joanna M. Wardlaw, Hiromichi Yamanishi, Gregory J. del Zoppo
- Edited by Leonardo Pantoni, Philip B. Gorelick, College of Human Medicine, Michigan State University
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- Cerebral Small Vessel Disease
- Published online:
- 05 June 2014
- Print publication:
- 01 May 2014, pp ix-xii
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- By Edward S. Ahn, Gunes A. Aygok, Jörg Baldauf, Olivier Balédent, Patrick Bankah, Amy Bastian, Marc R. Del Bigio, Ari M. Blitz, Are Brean, Krzysztof Cieslicki, Marek Czosnyka, Zofia Czosnyka, Per Kristian Eide, Benjamin D. Elder, Aristotelis S. Filippidis, Steffen Fleck, C. Rory Goodwin, Nicholas Higgins, Masatsune Ishikawa, Marianne Juhler, Ignacio Jusué-Torres, Heather Katzen, Cemil Kayis, Adam P. Klausner, Petra Margarete Klinge, Thomas A. Kosztowski, John McGregor, Ahmed Mohyeldin, Debraj Mukherjee, John D. Pickard, Jonathan Pindrik, Harold L. Rekate, Norman Relkin, Hugh K. Richards, Daniele Rigamonti, Samuel P. Robinson, Wouter I. Schievink, Henry W. S. Schroeder, Martin U. Schuhmann, Ammar Shaikhouni, Stefano Signoretti, Andrew A. Tarnaris, Carsten Wikkelsø, Jun Zhang
- Edited by Daniele Rigamonti, The Johns Hopkins University School of Medicine
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- Book:
- Adult Hydrocephalus
- Published online:
- 05 February 2014
- Print publication:
- 06 February 2014, pp ix-xi
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Chapter 22 - The Dreyfus Affair
- from ii. - Self and society
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- By Edward J. Hughes, University of London
- Edited by Adam Watt, University of Exeter
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- Book:
- Marcel Proust in Context
- Published online:
- 05 November 2013
- Print publication:
- 05 December 2013, pp 167-173
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Summary
In Le Temps retrouvé, Proust's Narrator complains about politics invading the space of literature. Thus writers who put before the demands of literature the search for justice, as in the Dreyfus Affair, or the advocacy of national unity in the context of the First World War, are rebuked by the Narrator: ‘How many . . . turn aside from writing!’ (6: 233; iv, 458). While this could be read biographically as the view of an author long embarked on a career of literary production, the forthright defence of the claims of literature belies the fact that the younger Proust responded with some urgency to major political events of his day. Thus in a letter of December 1919, a quarter of century after Dreyfus's initial conviction, Proust could still boast of his early role as an active defender of Dreyfus, who had been found guilty of spying for Germany in December 1894: ‘My signature was on the very first of the pro-Dreyfus lists and I was an ardent Dreyfusard, sending a copy of my first book to Picquart in the Cherche-Midi prison’ (Corr, xviii, 545).
The representations of the Dreyfus Affair in Proust's work are to be found principally in Jean Santeuil and À la recherche du temps perdu and they demonstrate a significant evolution in response, from the campaigning eagerness of the early novel to the retrospective consideration in the Recherche of a crisis, the intensity of which had been substantially diminished by the time of composition of the novel. Proust was an early believer in the innocence of the Jewish captain from Alsace who was humiliatingly stripped of his military rank at a degradation parade in January 1895 and imprisoned on L'Île du Diable. He worked to secure the support of Anatole France for the Dreyfus cause and in a letter of January 1899 congratulated the high-profile novelist on his intervention (Corr, ii, 272).
Chapter 21 - Politics and class
- from ii. - Self and society
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- By Edward J. Hughes, University of London
- Edited by Adam Watt, University of Exeter
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- Book:
- Marcel Proust in Context
- Published online:
- 05 November 2013
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- 05 December 2013, pp 160-166
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Summary
Proust's public involvement in political campaigning preceded the years he spent working on À la recherche. His eager defence of Dreyfus is conveyed in Jean Santeuil where he delivers a forthrightly moral condemnation of judicial and military power, which is depicted as acting squarely in defence of la raison d'État. The other major issue on which he campaigned was Church–State relations. As an outspoken critic of the Combes government's policy of laicity, he opposed the separation of Church and State which was brought about in 1905. His ‘La mort des cathédrales’ [‘Death of the Cathedrals’] (Le Figaro, 16 August 1904) provides a cultural defence of France's religious heritage, seen in his lofty yet implicitly political view as the legacy of a medieval, Christian faithful who form ‘a great silent democracy’ (CSB, 149). Writing to Georges de Lauris on 29 July 1903 (in a letter which Proust refers to as stupid and embarrassing, and one to be destroyed by its addressee), he provides a revealing snapshot of his political thinking at this time. Reflecting both on ‘the dangerous mindset that gave rise to the [Dreyfus] Affair etc’ prevalent in the late 1890s and on the growth in anticlericalism, Proust argues that in both cases, ‘on travaille à faire deux France’ (Corr, iii, 382) [‘the thrust of political life is to divide the country in two’]. Concerned by ‘the fermenting of hatred among the French’ (Corr, iii, 383), Proust notes how the press reinforces prejudice in the laicity debate and stifles independent thinking. He was to restate this view in Le Temps retrouvé where Charlus points to newspaper readers' deluded belief in their autonomous actions: ‘“ce public qui ne juge ainsi des hommes et des choses de la guerre que par les journaux est persuadé qu'il juge par lui-même”. En cela M. de Charlus avait raison’ (iv, 367) [‘“this public which judges the men and events of the war solely from the newspapers, is persuaded that it forms its own opinions”. In this M. de Charlus was right’ (6: 122)]. Suspicious of virulent forms of nationalism during the First World War, Proust shows press influence to be a key agent of ideological formation.
Dedication
- Edited by Andrew Shifflett, Associate Professor of English at the University of South Carolina, Columbia, Edward Gieskes, Associate Professor of English at the University of South Carolina, Columbia
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- Renaissance Papers 2012
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- Boydell & Brewer
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- 05 December 2013
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- 01 November 2013, pp vii-viii
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Cosmetic Blackness: East Indies Trade, Gender, and The Devil's Law-Case
- Edited by Andrew Shifflett, Associate Professor of English at the University of South Carolina, Columbia, Edward Gieskes, Associate Professor of English at the University of South Carolina, Columbia
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- Renaissance Papers 2012
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- Boydell & Brewer
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- 05 December 2013
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- 01 November 2013, pp 83-96
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Summary
With the recent shift in literary studies towards what is often described as a “global Renaissance,” it is hardly surprising that figures of merchants and travelers both in early modern travelogues and plays have come under greater scrutiny as sites for understanding the formation of a fluid English identity, transnational commerce, emergent colonialism, and nation building. What still remains largely unexplored, however, particularly in the context of the East Indies trade, is the impact of this emergent globalization on the bodies of the European women who were closely related to the merchants or factors. While scholarship on plays such as Fletcher's The Island Princess or Dryden's Amboyna emphasizes the roles of both European men and their beloved native women, the white woman still remains a shadowy presence at the fringes of our current academic interest in the early modern spice trade.
This essay seeks to address this gap by turning to the public stage, particularly to a play that explores how the emergent trade with the East Indies appeared to affect the physical and moral complexion of one such European woman. In the trial scene of John Webster's play The Devil's Law-Case (1623), Jolenta, the sister of Romelio, an East Indies merchant enters with “her face colour'd like that of a Moore,” accompanied by two Surgeons, “one of them like a Jew.” Although the assembled people quickly recognize her they still comment on her changed complexion. Ariosto the advocate exclaims, “Shee’s a blacke one indeed” (5.5.40) while Ercole, one of her suitors, wails “to what purpose / Are you thus ecclipst?” (5.5.57–58). Of course, Jolenta’s transformation is temporary and apparently superficial; yet her blackening appears to gesture towards deeper concerns regarding the impact of the East Indies trade, particularly on a woman who has never left her home or sailed the high seas to profit from pepper, cinnamon, cardamom and mace.
Frontmatter
- Edited by Andrew Shifflett, Associate Professor of English at the University of South Carolina, Columbia, Edward Gieskes, Associate Professor of English at the University of South Carolina, Columbia
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- Renaissance Papers 2012
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- Boydell & Brewer
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- 05 December 2013
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- 01 November 2013, pp i-iv
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From One Marvell to Another: Puritan Logic in “To His Coy Mistress”
- Edited by Andrew Shifflett, Associate Professor of English at the University of South Carolina, Columbia, Edward Gieskes, Associate Professor of English at the University of South Carolina, Columbia
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- Renaissance Papers 2012
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- Boydell & Brewer
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- 05 December 2013
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- 01 November 2013, pp 97-104
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Summary
Gods apprentice is a jorneyman: he must allwayes learne the mystery of his profession, & walking forward aime hard to the marke for the price of his high calling. as the teacher in Gods schoole must give Line upon Line, precept upon precept: so to the scholler likewise nulla dies sine linea, no day must pass without a new lesson, as Cato said, so Gods child must grow old every day learning many things. And so in practise also. he must adde to his faith vertue, | & to plowing, sowing. Like Charles the fifth, plus ultra must be his motto: he must go from strength to strength untill he appeare be=fore the Lord in Sion. And that because, he is leaving his abode in this world but an im=perfect pilgrime. he is not what, he is not where he should be … [There are those who] ‘looke behind them, that turne their face in the day of battell, & quite give over Gods husbandry’, [those] ‘that forget their first love who though they forsake not the plough yet are they idle companions that do the worke of the Lord negligently … [For them] it had beene better never to have knowne the way of righ=teousness then that they should bee like a dog to his vomit & a sow to wallowing in the mire.
“Bred Now of Your Mud”: Land, Generation, and Maternity in Antony and Cleopatra
- Edited by Andrew Shifflett, Associate Professor of English at the University of South Carolina, Columbia, Edward Gieskes, Associate Professor of English at the University of South Carolina, Columbia
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- Renaissance Papers 2012
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- Boydell & Brewer
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- 05 December 2013
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- 01 November 2013, pp 67-82
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Summary
Analyses of Antony and Cleopatra have long noted the dialectical opposition between Rome and Egypt, an opposition that sets up a concomitant correspondence between geography and gender. Although recent scholarship has destabilized the categories, Rome has traditionally represented the masculine—solid, controlled, bounded—while Egypt is feminine—fluid, unchecked, limitless, and thus constantly generating. Egypt in the play evokes an elemental fecundity that is spontaneous and natural at the same time that it is corrupting and degenerate, “dungy,” in Antony's words. Further, the connection between Cleopatra and Egypt is inextricable in the play; she exists in metonymic relation to her country, the word “Egypt” used no less than seven times to refer to her directly. Picking up on Janet Adelman's argument that the play constructs Cleopatra as “one with her feminized kingdom as though it were her body,” this essay examines the complex idea of Egyptian earthiness in connection with Cleopatra and her fertile/infertile body by reading it in conjunction with various theories of reproduction—what the Renaissance called generation. Specifically, I seek to show how the trope of spontaneous generation allows Shakespeare to expand his interrogation of procreation in the play, blurring gender boundaries as he does so.
Ovid, Lucretius, and the Grounded Goddess in Shakespeare's Venus and Adonis
- Edited by Andrew Shifflett, Associate Professor of English at the University of South Carolina, Columbia, Edward Gieskes, Associate Professor of English at the University of South Carolina, Columbia
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- Renaissance Papers 2012
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- Boydell & Brewer
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- 05 December 2013
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- 01 November 2013, pp 13-20
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In the sticky, sweet, and sweaty world in which Shakespeare situates his Venus and Adonis, something has gone awry. According to Venus, “Nature” is “at strife” with herself for having made Adonis. By “Nature” Venus is, of course, referring to herself. Compared to the Venus of book 10 of Ovid's Metamorphoses—a goddess who makes men and women fall in love, who brings stone to life, and whose magical doves transport her anywhere she wishes to go—Shakespeare's Venus is, by comparison, a much more natural being. A creature of the senses, most especially smell, Shakespeare's Venus does not so much manipulate the natural world as bond with it. She experiences heightened, animal-like sensibilities that allow her to commune with Adonis's horse and to imagine herself as the earthbound and hunted Wat the Hare.
But why would Shakespeare strip Ovid's goddess of her supernatural powers and drive her so literally down to earth? The answer, I would suggest, is that Venus and Adonis traces its ancestry not only to Ovid's Metamorphoses but also to Lucretius's De Rerum Natura. Consider the powerful invocation to Venus with which Lucretius begins his great philosophical poem on “the nature of things”: “Venus, power of life, it is you who beneath the sky's sliding stars inspirit the ship-bearing sea, inspirit the productive land.
Getting Past the Ellipsis: The Spirit and Urania in Paradise Lost
- Edited by Andrew Shifflett, Associate Professor of English at the University of South Carolina, Columbia, Edward Gieskes, Associate Professor of English at the University of South Carolina, Columbia
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- Renaissance Papers 2012
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- 05 December 2013
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- 01 November 2013, pp 117-125
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In John Shawcross's book The Development of Milton's Thought: Law, Religion, and Government, he quotes that famous phrase from Milton, “fit audience, though few.” I was brought up short while reading because this quotation does not include an ellipsis. Can even Shawcross nod? I was reassured when I realized that he had not cited book and line numbers for the quotation; he was simply quoting an oft-used phrase rather than Paradise Lost itself. I thus felt better about John, but continued to be troubled by the broader implications of “fit audience … though few,” with or without the ellipsis. Here I shall argue that the ellipsis eliminates a central element, in the line and the poetic sentence and in terms of Milton's own concerns about the fate of his text. And what scholars so often omit by typifying Milton's audience using this phrase is the place of the ineffable Spirit of God in the communion or community of believers.
I shall dispense with the simple part first: how often is the ellipsis used, and what does it skate over? The phrase appears in the invocation to Book 7 of Paradise Lost:
Standing on Earth, not rapt above the Pole,
More safe I Sing with mortal voice, unchang'd
To hoarse or mute, though fall'n on evil days,
On evil days though fall'n, and evil tongues;
In darkness, and with dangers compast round,
And solitude; yet not alone, while thou
Visit'st my slumbers Nightly, or when Morn
Purples the East: still govern thou my Song,
Urania, and fit audience find, though few.
(7.23–31)