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This article conceives of the prevalence of death occurring during the COVID-19 pandemic in older people’s care homes in the United Kingdom (UK) through the lens of necrocapitalism. There is significant evidence that pre-pandemic marketisation policies have structured endemic neglect in the sector, but these generalised failures are frequently not highlighted in the debates around the causes of COVID-19 deaths. The article seeks to specify the way caring has been re-fashioned through a specific form of necrotic privatisation, resting on degrading the intensity of caring, institutionalised via market-orientated regulation. COVID-19 fatalities in older people’s services are necrocapitalist as pre-existing the pandemic the sector was defined by forms of slow violence, exacerbated during the crisis. The de-regulation and cost-saving at the heart of commodified care denigrate older people’s existence, reorienting the value of care in terms of its potential to generate profit.
Since October 2023, residents of Gaza have been subjected to artificial intelligence (AI) target-generation systems by Israel. This article scrutinises the deployment of these technologies through an understanding of Israel’s settler-colonial project, racial-capitalist economy, and delineation of occupied Palestinian territories as carceral geographies. Drawing on the work of Andy Clarno, which demonstrates how Israel’s decreasing reliance on Palestinian labour made them inessential to exploitation, this article argues that Palestinians are valuable to Israel for another purpose: experimentation. For over fifty years, Palestinians have been rendered as test subjects for the development of surveillance and warfare technologies, in what Antony Lowenstein calls “the Palestine Laboratory.” AI introduces a dual paradigm where both Palestinian lives and deaths are turned into sites of data dispossession. This duality demands keeping Palestinians alive to generate constantly updating data for the lethal algorithmic systems that target them, while their deaths generate further data to refine and market those systems as “battle-tested.” The article describes this state as an algorithmic death-world, adapted from Achille Mbembe’s conception of necropolitics. This article concludes that as Israel exports its lethal AI technologies globally, it also exports a model of racialised disposability.
This article discusses the modalities of visual necropolitics in the context of Russia’s war on Ukraine. Drawing on the concepts of necropolitics (Mbembe 2003), visual necropolitics (Deprez 2023), and insights into everyday forms of violence and subjugation, this article argues that the necropolitics of Russia’s war on Ukraine manifests itself in the form of physical but also social death. Relying on the method of visual semiotic analysis, it identifies two key modalities of visual necropolitics: manipulation of representations and a forceful imposition of a new identity. In doing so, it contributes to the literatures on necropolitics of war and the lived experiences of peoples and communities living under occupation.
This article examines the siege of Gaza as a paradigmatic case of Achille Mbembe’s necropolitics, revealing how Gaza operates as a “laboratory of violence” where advanced military occupation, border control, and surveillance techniques are tested and exported. By tracing the intensifying militarization and orchestrated deprivation imposed on its population, this study demonstrates how colonial biopolitics embodied in strict movement restrictions, engineered food scarcity, and segregated medical care undermine human rights and perpetuate chronic vulnerability. These necropolitical practices obstruct key United Nations Sustainable Development Goals (SDGs), including SDG 2 (Zero Hunger), SDG 3 (Good Health and Well-Being), and SDG 16 (Peace, Justice, and Strong Institutions), exposing moral and political contradictions within international frameworks committed to “leaving no one behind.” Yet the SDG rubric itself arose within a development discourse entangled with colonial power, making any assessment of Gaza’s “progress” by these indicators ethically and epistemically fraught. Gaza’s predicament exemplifies the destructive potential of protracted conflict and structural violence in derailing global development targets. This article reframes Gaza’s siege as both a localized humanitarian crisis and a global precedent with serious implications for international policy and human rights law. By situating Gaza as a focal point for understanding necropolitical governance, this study seeks to portray the urgency of policy interventions that move beyond rhetoric and have demonstrably challenged and mitigated such regimes in comparable contexts.
In recent years, the number of migrant deaths and disappearances in the Mediterranean and on the Atlantic coasts has risen steadily. The arrival of small boats with migrants on board on the Spanish and Italian coasts has received a lot of media attention, and European Governments are investing more than in the past to stop unauthorized arrivals on their shores. Certain narratives from governments and officials of international organizations attribute these deaths to “smugglers” and the dangerous routes they take. However, this article provides evidence that the higher mortality rates are the result of changes in border controls following bilateral agreements between the European Union and Morocco after 2018. By analyzing data from official statistics, microdata, and data provided by NGOs up to 2024, it shows how the increase in the mortality rate of migrants in the Western Mediterranean is the result of changes in the management of sea rescues, the militarization and externalization of the border, and the way in which migrants attempting to cross the sea are taking more dangerous routes than in the past.
This chapter examines complex interplays of utopia/dystopia in the context of European colonization through two works: Alberto Yáñez’s postcolonial zombie narrative, “Burn the Ships,” and Yuri Herrera’s dystopian Signs Preceding the End of the World. These works grapple with biopolitical dialectics between utopia and dystopia, belonging and exclusion, and competing identities and epistemologies of mestizaje hybridity. Using as a starting point codices produced by mestiz@ scribes in the dystopian post-Conquest society of sixteenth-century New Spain, analysis draws from Damián Baca’s Mestiz@ rhetoric to demonstrate how these texts exemplify what he defines as a “powerful Mestiz@ rhetorical strategy” of nepantlism – “a strategy of thinking from a border space.” By self-reflexively engaging this Mestiz@ rhetoric through diegetic elements, these texts subvert hegemonic narratives of assimilation in the context of imperialism and the border.
The article aims to answer the following question: how is it possible that in the context of the Covid-19 pandemic, as a series of daily activities were suspended in the name of preserving life, police violence has not only continued but worsened in the United States and in Brazil? We argue that racism structures social relations both in the United States and in Brazil, functioning as an essential activity of states that remain involved in the production of different types of physical and symbolic death even amidst the Covid-19 pandemic. Contrary to mainstream International Relations, which narrates its central categories – such as the state – as neutral and non-racialised, we will draw attention to the racial origin of the state and its institutions, such as the police. This article aims to look at these two contexts, Brazil and the United States, in a crossed way. This analysis is only possible because, despite the heterogeneity of the two scenarios, we understand that racism is constitutive of global order and of the institutions that sustain its unfair and unequal character.
Dying Abroad starts from the premise that death and its attendant rituals prove an important window into the socioeconomic and political orders and hierarchies that structure human life in the twenty-first century. It argues that states, families, and religious communities all have a vested interest in the fate of dead bodies – including where and how they are disposed of and commemorated – and demonstrates that end-of-life decisions and practices are connected to larger political struggles over the boundaries of nation-states and the place of minoritized groups within them. At a time when a growing chorus of politicians lambast the failures of multiculturalism and call for the fortification of territorial borders, this book elucidates how posthumous practices anchor minority claims for inclusion and challenge hegemonic ideas about the nation.
Chapter 1 applies Mbembe’s concept of necropolitics to define necropolitical law as the norms, practices, and relations of enmity that justify and legitimize discounting life through killing, as well as through the diminishing of socially and politically empowered life. Mapping the co-constitutions of racialized discounted lives within the domestic terrain of the United States, as well as in global sites of the long War on Terror, the chapter’s provocation is that law – notions of authority, legitimacy, and community – is at work in effecting the nationally and globally discounted lives of the long War on Terror. Chapter 1 also supplies the contours for the book’s methodology and epistemology: law as culture; an interpretive sociolegal reading for law attentive to law’s archive and law’s violence; a normative commitment to rule of law’s scrutiny and restraint of power; and a suspicion of the roles of spectacle, affect, and publicity in displacing rule-of-law’s commitments to power’s accountability and to law as public thing.
Using the unique and historic Islamic cemetery of Mamillah in Jerusalem as a primary example, this essay discusses the ethno-necrocratic order that led to the 2008 Israeli High Court of Justice's codification of the supremacy of Jewish bodies and afterlives over non-Jewish ones, on the basis of advancing Israel's values. Hundreds of Palestinian burial grounds, starting with village cemeteries, have been destroyed since 1948. Indeed, funerary sites have testified to the omnipresence and millenarian existence of a population that the state has sought to erase from memory. In a few decades, the deathscape was radically altered, in cities as in the countryside. Although real estate corruption plagues Israeli politics, land use planning and real estate capitalism are inseparable from the ethno-racial politics of exclusion, which affect both the dead and the living.
Chapter 1 compares two contemporary Argentine novels that deal with Nazism in allegorical ways. Patricio Pron’s El comienzo de la primavera establishes a dialogue between the German and Argentine post-dictatorship contexts. In doing so, Pron highlights the inevitable insufficiency of justice in relation to dictatorship crimes, or that which Brett Levinson calls ‘radical injustice’. The novel’s melancholic register and parallels between two distinct historical moments lend themselves to an examination with reference to Walter Benjamin’s theory of allegory. In Wakolda, Lucía Puenzo examines the activities of Josef Mengele in Argentina but, contrary to Pron, rejects parallels with events related to the dictatorship or post-dictatorship. Instead, she foregrounds the foundational reliance of the Argentine nation on forms of ‘immunization’ (Esposito) and ‘necropolitics’ (Mbembe): the exploitative labour of a racialized mass that are rhetorically and materially excluded from the benefits of being ‘Argentine’ in both the past and the present.
Don DeLillo’s fiction has long catalogued American fear and dread surrounding the future. While a select few texts, most memorably Underworld (1997) and Falling Man (2007), foreground a sense of narrative and cultural possibility, the future is often depicted as a lament. That sense of future vision is evident in his latest text – at the time of writing – Zero K (2016), which explores environmental decline and a shift from Underworld’s ideal of a democratic collective to a neoliberal embrace of necropolitics. Using both ecocriticism and a range of prior DeLillo scholarship, this chapter reads Zero K as a prescient warning of political upheaval and loss, and thus anticipates how hope and renewal can be located even in DeLillo’s late period writings.
Based on long-term ethnographic research on contemporary exhumations of mass graves from the Spanish Civil War (1936–1939), as well as analysis of the exhumation of Francisco Franco from the Valley of the Fallen, this paper looks at the ways in which the dictator’s moral exemplarity has evolved over time since his military victory in 1939. During the early years of his dictatorship, Franco’s propaganda machine built the legend of a historical character touched by divine providence who sacrificed himself to save Spain from communism. His moral charisma was enriched by associating his historical mission with a constellation of moral exemplars drawn from medieval and imperial Spain. After his death, his moral exemplarity dwindled as democratic Spain embraced a political discourse of national reconciliation. Yet, since 2000, a new negative exemplarity of Franco as a war criminal has come into sharp focus, in connection with the exhumation of the mass graves of tens of thousands of Republican civilians executed by his army and paramilitary. In recent years, Franco has reemerged as a fascist exemplar alongside a rise of the extreme right. To understand the revival of his fascist exemplarity, I focus on two processes: the rise of the political party Vox, which claims undisguised admiration for Franco’s legacy (a process I call “neo-exemplarity”), and the dismantling in October 2019 of Franco’s honorable burial and the debate over the treatment that his mortal remains deserve (a process I call “necro-exemplarity”).
This article looks at the challenges that animist materialism offers to reading strategies in new materialist animal studies scholarship. Where Rosi Braidotti’s vitalist materialism calls for a neoliteral, anti-metaphorical mode of relating to animals, Harry Garuba identifies metaphor as a primary feature of animist materialist practice in African material culture. After critiquing Rosi Braidotti’s dismissal of the “old” metaphorical ways of relating to animals, the article offers a reading of animals and the animist code in two southern African novels, Alex La Guma’s Time of the Butcherbird (1979) and Mia Couto’s The Last Flight of the Flamingo (2000), to consider the potential of animist codings of animals for resisting colonial necropolitics. Animist materialism offers the potential to raise animals and humans into ethical status by affirming the very knowledges and worldviews that Cartesian, colonial humanism wrote off as nonsense and as a marker of inhumanity.
The conclusion ties together the framing of obscenity in how we evaluate corpse politics. It draws out five key points. First, dead bodies are vital matter, and examining dead bodies can not only shed light on cultural contexts, but it also blurs and complicates previous approaches to visuality and materiality. Second, dead bodies are inscribed with the workings of statecraft. The process of visually manifesting and narrativizing particular dead bodies is a complex social, cultural, and political process that is worth looking at. Third, what counts as obscene is a social construction and graphicness serves particular political ends. Fourth, obscene death is often characterized using the language of the extreme, the exceptional, and at times the unrepresentable. We should be asking ourselves what politics this state of exception serves, particularly about how images can both sustain and resist particular political orders. Lastly, the conclusion examines the idea of ethical witnessing, seeking to complicate the picture often painted of it, and reflect on what it means to write a book on corpse politics and the visceral experiences it often involves.
Trish Salah contextualizes the broad post-2010 emergence of transgender fiction in a longer history of earlier trans and queer fiction and theory while arguing that “trans genre writing” has found recent prominence as a new minor literature. Particular challenges have led trans writers to innovate at the levels of language and aesthetics, perspective (collective, but not homogeneous), and genre, among others. Moreover, these works thematize and challenge norms and imperatives of empire, race, history, visibility, and geography.
This chapter examines the impact of the fusion between religious claims and nationalism on state policies – domestically, regionally, and internationally. It offers a comparative perspective on the extent to which religious claims bestow sacredness on the state’s workings of power – or what we define as sacralized politics. The chapter analyzes how, through hegemonic nationalism, states invoke religious claims to legitimize political and national strategic goals in domestic and international politics. To trace the matrix of power that sacralization of politics mobilizes, and when looking comparatively at various case studies, the chapter points to three main (among other) modes of sacralization’s profound impact on politics. The first operates through managing consciousness, including the construction of self-identity in relation to others; the second, through territoriality and the politics of land claims; and the third via political governance, using violence and a necropolitical regime of control. While each mode can operate separately, all operate through mutual reinforcement and each with elements of sacredness, resulting in an emergent power structure that is self-sustaining, religiously infused, and resistant to change.
This article investigates the works of Dussel, Maldonado-Torres, and Mbembe as representatives of a tendency in the field of decolonial thought to assume the templates of warfare and the camp as the archetypal registers of violence in the contemporary world. Identifying this focus as the remnant of a Eurocentric vocabulary (the paradigm of war), the article proposes a shift from the language of warfare predominant in the field to a language of welfare. The article turns to the gated community (GC), instead of the camp, and the imperatives of (re)creation, instead of the logics of elimination, as new templates with which to make sense of modern/colonial violence. Moving beyond militaristic imagery, the analysis shows a form of violence that emerges as a response to the endless search for a life of convenience inside the walls of the GC. To this end, the article advances the concept of the dialect of disarrangement, the enforced but uneasy encounter between two subjectivities that inhabit the GC: the patrons (the homeowners who consume the easy life) and servants (the racialised service staff). In the GC, violence emerges in attempts to respond to this (in)convenient encounter via misrepresentations of both patrons and servants as out of their place.
The aim of this chapter is to use necropolitics and sentimentality as theoretical entry points to broaden understandings of death as a form of power against subjugated (e.g. Black, migrant, refugee) lives. This theorizing is approached through the dilemma of showing or not showing dead-body images in the classroom as an ethical, political and pedagogical intervention. This intervention entails numerous challenges such as: the risk of traumatizing students; the danger of superficializing colonial histories, structural racism, and contemporary geopolitical complicities producing such deaths; and, the challenge of finding productive ways to respond pedagogically to the emotionally difficult spaces of learning that are created, without sentimentalizing death. The analysis makes an attempt to reclaim the entangled meanings of necropolitics and sentimentality in pedagogical discourse and practice by re-visioning the sentimental in ways that interrogate the normalization of death-making in the current political climate.
What can the poetry chosen for epitaphs on graves tell us about the political and cultural development of post-revolutionary Iran and the politics of death and dying under the Islamic Republic? This article explores contemporary Persian epitaph poetry as a valuable medium for understanding the socio-political dynamics of Iranian society. By analyzing the epitaphs of the Iran–Iraq war martyrs, who are buried in Zahra’s Paradise public cemetery in Tehran (Behesht-e Zahra), a new nomenclature can be established for the religious, political and socio-cultural ideas underpinning death and the afterlife.