Book contents
- Frontmatter
- Content
- Acknowledgments
- Foreword
- Introduction
- The World Is Charged: Poetic Engagements with Gerard Manley Hopkins
- The Kings of Missoula
- And the Great
- Inspiration
- Taboo against the Word Beauty, Ornithological Version on Aesthetic Theory
- Bearded Barley
- The Bowerbirds
- The Small Bang
- Dappled Things
- Fire
- Landscape
- Spare
- The Language of Pastoral
- At Buck Hall
- Pied Beauty
- A Dream of Hopkins
- A Simple Garden Ladder
- The Sleep
- Ghazal for My Selves, as Samson & Delilah
- Aubade for One Still Uncertain of Being Born
- Curtal Sonnet (with an Admonition)
- Confession to Hopkins
- Come to Me
- Hopkins in Kildare
- August Green: A Baptism
- Birds at Dawn
- The Acolyte
- To a Young Poet Resisting Hopkins
- Arrhythmia
- Goldengrove
- Date
- All Fall Long
- Strife
- The Bounds of Belief
- The Mind and Soul Growing Wide Withal
- The Horse on Zennor Hill
- The Tao of Alphabet
- Winter Mother
- My Second-Grade Teacher Reads Us Gerard Manley Hopkins
- A.M.: Her Lone Spark Dying
- Ascension
- That Necessary Evil
- The End of the Happy Hours
- One Wet Wednesday Afternoon
- By Eye-slit
- Come on the Cold
- No Fire
- Would Come Back
- River, Dissolution
- from Four Common Prayers
- Pater Noster
- Spring Again
- A Psalm of Ascents
- Poinsett's Bridge
- Reverdie
- The Telegraph Baby
- Red Kites at Tregaron
- Ark
- Saint's finger, Hill of Slane
- In the absence of a contract
- Ten Penny
- Red Bird, Black Sky
- The Tabernacle of Love
- Instructions to an Artisan
- Prayer
- The Christ-Frost
- Horse Apocalypse
- Migration Theory
- Never-Ending Birds
- Hopkins in Ireland
- Epitaph for the Journey
- Parable of the Red-Tailed Hawks
- Scoop
- What to Tell the Girl
- Finding Home by Taste, by Fire
- Winter Solstice
- Compline
- Elegy for D.S.
- Praise Song for Nikky Finney
- Coastland
- Breath and Bread
- I Waked and Fell
- Maple Gall
- Algae
- Aspen Song
- Left Behind
- Hawk in the Bronx
- The Canary
- Christ Imagined as Cavalry Commander
- October Trees
- Prayer to the Birds
- Dylan Thomas
- The Corpse Bird
- Speckled Trout
- Fall Creek
- Fossil Hunting at the Quarry
- Equinoctial
- A Question of Ear
- The Mercy Seat
- Savior
- Ornithology 101
- Oystermen
- Prayer with Fur
- Prayer with Game
- Collateral Damage
- These Fatals
- Elemental
- Via Negativa
- In Tennessee I Found a Firefly
- Knocking or Nothing
- Gerard Manley Hopkins (1844–1889)
- A Local Landfill's Invitation to Trash Left on the Moon
- Oil
- Ego
- Perspective
- Spouse
- Saw
- Breeze-Born
- Margaret's Reply
- Sea Journal
- The Baker Falls for Hopkins
- A Sestina for Mishima
- Ποιητική
- Meditation on the Hands of a Boy Miner
- The Acolyte
- Boy with Kite
- Jesuit Graves
- There Is a Balm in Gilead
- Michelle in Rain
- A Path through Walnut Trees after Rain
- Aubade for Yellow Jacket
- Afterword
- Contributors
There Is a Balm in Gilead
from The World Is Charged: Poetic Engagements with Gerard Manley Hopkins
- Frontmatter
- Content
- Acknowledgments
- Foreword
- Introduction
- The World Is Charged: Poetic Engagements with Gerard Manley Hopkins
- The Kings of Missoula
- And the Great
- Inspiration
- Taboo against the Word Beauty, Ornithological Version on Aesthetic Theory
- Bearded Barley
- The Bowerbirds
- The Small Bang
- Dappled Things
- Fire
- Landscape
- Spare
- The Language of Pastoral
- At Buck Hall
- Pied Beauty
- A Dream of Hopkins
- A Simple Garden Ladder
- The Sleep
- Ghazal for My Selves, as Samson & Delilah
- Aubade for One Still Uncertain of Being Born
- Curtal Sonnet (with an Admonition)
- Confession to Hopkins
- Come to Me
- Hopkins in Kildare
- August Green: A Baptism
- Birds at Dawn
- The Acolyte
- To a Young Poet Resisting Hopkins
- Arrhythmia
- Goldengrove
- Date
- All Fall Long
- Strife
- The Bounds of Belief
- The Mind and Soul Growing Wide Withal
- The Horse on Zennor Hill
- The Tao of Alphabet
- Winter Mother
- My Second-Grade Teacher Reads Us Gerard Manley Hopkins
- A.M.: Her Lone Spark Dying
- Ascension
- That Necessary Evil
- The End of the Happy Hours
- One Wet Wednesday Afternoon
- By Eye-slit
- Come on the Cold
- No Fire
- Would Come Back
- River, Dissolution
- from Four Common Prayers
- Pater Noster
- Spring Again
- A Psalm of Ascents
- Poinsett's Bridge
- Reverdie
- The Telegraph Baby
- Red Kites at Tregaron
- Ark
- Saint's finger, Hill of Slane
- In the absence of a contract
- Ten Penny
- Red Bird, Black Sky
- The Tabernacle of Love
- Instructions to an Artisan
- Prayer
- The Christ-Frost
- Horse Apocalypse
- Migration Theory
- Never-Ending Birds
- Hopkins in Ireland
- Epitaph for the Journey
- Parable of the Red-Tailed Hawks
- Scoop
- What to Tell the Girl
- Finding Home by Taste, by Fire
- Winter Solstice
- Compline
- Elegy for D.S.
- Praise Song for Nikky Finney
- Coastland
- Breath and Bread
- I Waked and Fell
- Maple Gall
- Algae
- Aspen Song
- Left Behind
- Hawk in the Bronx
- The Canary
- Christ Imagined as Cavalry Commander
- October Trees
- Prayer to the Birds
- Dylan Thomas
- The Corpse Bird
- Speckled Trout
- Fall Creek
- Fossil Hunting at the Quarry
- Equinoctial
- A Question of Ear
- The Mercy Seat
- Savior
- Ornithology 101
- Oystermen
- Prayer with Fur
- Prayer with Game
- Collateral Damage
- These Fatals
- Elemental
- Via Negativa
- In Tennessee I Found a Firefly
- Knocking or Nothing
- Gerard Manley Hopkins (1844–1889)
- A Local Landfill's Invitation to Trash Left on the Moon
- Oil
- Ego
- Perspective
- Spouse
- Saw
- Breeze-Born
- Margaret's Reply
- Sea Journal
- The Baker Falls for Hopkins
- A Sestina for Mishima
- Ποιητική
- Meditation on the Hands of a Boy Miner
- The Acolyte
- Boy with Kite
- Jesuit Graves
- There Is a Balm in Gilead
- Michelle in Rain
- A Path through Walnut Trees after Rain
- Aubade for Yellow Jacket
- Afterword
- Contributors
Summary
Crows in a caterwaul on the limb-laced edge of the afternoon
Three scored like black notes in the bare oak across the street.
The past is a thousand-mile view I can't quite see the end of.
Heart-halved, I stare out the window to ease its medicine in.
Landscape's a local affliction that has no beginning and no end,
Here when we come and here when we go.
Like white clouds, our poems drift over it,
looking for somewhere to lie low.
They neither hinder nor help.
Night sky black water,
reservoir crow-black and sky-black,
Starless and Godless.
Cars trundle like glowworms across the bridge, angel-eyed,
Silver-gilled.
The fish in the waters of heaven gleam like knives.
I write, as I said before, to untie myself, to stand clear,
To extricate an absence,
the ultimate hush of language,
(fricative, verb, and phoneme),
The silence that turns the silence off.
Butt-end of January, leaf-ash and unclaimed snow,
Cold blue of blue jay cutting down to the feeder box,
The morning lit with regret,
No trace of our coming, no trace of our going back.
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- Information
- The World is ChargedPoetic Engagements with Gerard Manley Hopkins, pp. 143Publisher: Liverpool University PressPrint publication year: 2016