This paper argues for a new way of thinking about Early Celtic art in the context of changes taking place throughout Eurasia during the fifth and fourth centuries bce. It applies ideas of anthropologist Alfred Gell, among others, regarding art as a stimulus to action. It asks, in the spirit of papers by Chris Gosden and W.J.T. Mitchell, ‘what did the art do’? The paper argues that this complex new art can be understood in terms of agency contributing to and even stimulating aggressive attitudes and practices on the part of elites during the late fifth and early fourth centuries bce. The new worldviews that are apparent in the new style, and actions driven by them, played major roles in Iron Age Europeans’ participation in the so-called Axial Age of dynamic change throughout Eurasia.

En este trabajo se presentan los resultados del análisis de los restos faunísticos de Hangar, un sitio arqueológico ubicado en la región pampeana argentina. Los fechados realizados sobre huesos de guanaco sitúan cronológicamente a las ocupaciones humanas en el Holoceno tardío final, período escasamente representado en el área. Los análisis tafonómicos y estratigráficos indican que el sitio presenta complejos procesos de formación, con una baja integridad, aunque con buena resolución. Los principales procesos que afectaron a los restos fueron la bioturbación y las tareas de laboreo de la tierra. Las evidencias aportadas por Hangar muestran la explotación de distintos taxones, entre los que se destacan el guanaco, el venado de las Pampas, la vizcacha, el peludo y el ñandú. Estos datos constituyen un importante insumo para el creciente avance en el conocimiento de la subsistencia de los cazadores-recolectores que habitaron la región pampeana. En particular, los fechados-taxón obtenidos aportan nuevos datos para la discusión acerca de la retracción del guanaco en momentos tardíos en el área Interserrana bonaerense.

From the Archaic period onward, Indigenous populations across the Eastern Woodlands cultivated a suite of crops known to archaeologists as the Eastern Agricultural Complex. However, aside from squash (Cucurbita pepo) and sunflower (Helianthus annuus), little evidence exists for the cultivation of these plants in the northeastern Algonquian homeland. Botanical analysis from the Manna site (36Pi4), located in the Upper Delaware Valley, provides evidence for the cultivation of the full suite of Eastern Agricultural Complex crops. Flotation samples analyzed from Manna provide the first evidence for possible Lenape cultivation of chenopodium (Chenopodium berlandieri), squash, sunflower, and marshelder (Iva annua) from contexts dating to AD 0–1650 (Middle and Late Woodland) at Manna. Lenape cultivation of these crops complicates the traditional view of Indigenous agricultural systems in northeastern North America and raises questions about when and how these species were introduced to the region.

In this paper we present T. rex fossils as disruptive objects that can drastically influence the actions and reactions of humans that encounter them. We present a vision of the T. rex as being a key node within a web of human and object associations that ultimately produces, first, extreme desire in humans, and then a breakdown in human relationships resulting in disagreements, disputes, lawsuits, and the committing of crime. From there we bring these T. rex fossils into the concept of desirescape which sees a network of object/object and object/human reactions provoking irresistible desire in humans. We argue that this desire can push humans to violate law or social norms or, in several T. rex cases, sue each other. How then should we humans approach T. rex and other disruptive objects? Cautiously, and with the knowledge that these objects may be more powerful than we are.

This article examines the word histories of 12 nouns (eight zoonyms, two other lifeform names, and two toponyms) in Mixtec, a shallow or emergent language family of Mesoamerica. It argues that these nouns—now morphologically opaque—are fused compounds that arose from the Mixtec vocabulary of the mantic count of 260 days, a temporal organization that was part of the common cultural heritage of pre-Hispanic Mesoamerican peoples. With the European colonization and persecution of Mesoamerican religious practices, the use of the mantic count was abandoned. It was at this time that the compounds would have been demotivated; that is, the internal morphological structure would have become inaccessible to speakers who could no longer relate it to the mantic cycle. This then enriched the lexicon, creating etymological pairs for the same, or similar, referents. It is suggested that the survival of the eight zoonyms may have to do with their use in the context of omens.

The British antiquary William Gell (1777–1836) is known for his work on ancient Greece and Rome, which he based on a lifetime of Mediterranean travel and two decades of residence in Italy. This article uses a remarkable notebook held at the British School at Rome to explore his unheralded interest in Islamic Spain (al-Andalus), which emerged from his Iberian travels of 1808–11 and took up much of his energy in the early 1830s, the final years of his life. As such, the notebook shows how engagement with other cultures might continue well beyond an initial encounter through travel. It brings together Gell's on-the-spot sketches and descriptions of the Alhambra, his copious later reading on the Emirate of Granada and evidence that he was teaching himself Arabic, offering a case study of early nineteenth-century scholarship that straddles the transition between eighteenth-century antiquarianism and Romantic, Orientalist approaches. The materiality and the contents of Gell's notebook chart the changing ways in which British travellers and writers incorporated al-Andalus into their understandings of Europe and the Mediterranean.

This article revisits ear ornament data from Tikal—both material and visual—to better understand the varied roles of ear ornamentation in ancient Maya society over time. The author discusses relevant terms and terminology, then emphasizes the social aspects of ear piercing and stretching as well as the place of ear ornaments in economic exchange. Ear ornamentation was a critical aspect of socialization for ancestral Mayas, but the extent of this practice was classed. Whereas the styles of nonelite ear ornaments were more resistant to change over time, the jade earflares of elites became more standardized in form while growing in complexity. With this standardization, jade earflares achieved a status close to currency, not just to be coveted or collected but also to be displayed on the body to the fullest extent possible. However, like many currencies, jade earflares were more complex than simple tokens of exchange. The symbolic dimensions that gave these objects meaning and economic value were integral to their power.

In “How Can Spin, Ply, and Knot Direction Contribute to Understanding the Quipu Code?” (2005), mathematician Marcia Ascher referenced new data on 59 Andean khipus to assess the significance of their variable twists and knots. However, this aggregative, comparative impulse arose late in Ascher's khipu research; the mathematical relations she had identified among 200+ previously cataloged khipus were specified only at the level of individual specimens. This article pursues a new scale of analysis, generalizing the “Ascher relations” to recognize meaningful patterns in a 650-khipu corpus, the largest yet subjected to computational study. We find that Ascher formulae characterize at least 74% of khipus, which exhibit meaningful arrangements of internal sums. Top cords are shown to register a minority of sum relationships and are newly identified as markers of low-level, “working” khipus. We reunite two fragments of a broken khipu using arithmetic properties discovered between the strings. Finally, this analysis suggests a new khipu convention—the use of white pendant cords as boundary markers for clusters of sum cords. In their synthesis, exhaustive search, confirmatory study, mathematical rejoining, and hypothesis generation emerge as distinct contributions to khipu description, typology, and decipherment.