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Monumental constructions are often associated with developed power structures, exploiting unequal access to resources to control large labour forces. Yet archaeological research worldwide increasingly shows that this model is not only an oversimplification, but often is also wrong. Here, the authors explore the burial mounds at Kaillachuro in the Peruvian Andes, and present new radiocarbon dates that position these mounds as the earliest evidence of monumental architecture in the Titicaca Basin. Built over 2000 years through recurring acts of communal memorialisation, this novel architectural tradition forces us to reflect on the role of ritual in socioeconomic transformations of highland Andes communities.
Nestled beneath the 'pointed peaks' of the legendary Tmolos Mountains, the temple and sanctuary of Artemis at Sardis is one of the most impressive monuments of classical antiquity. Dating to the Hellenistic period, it was undertaken, not by a king, but by Stratonike, a 'fiery' Hellenistic queen, and redesigned under the Roman emperor Hadrian, when it became the center of an imperial cult. In this volume, Fikret Yegül and Diane Favro explore the Temple of Sardis from multiple perspectives. Offering a close archaeological analysis of the temple, they also provides new insights into its unique design; the changing nature of religious and cult practices at the temple; the relationship to its setting; and its benefactors. Attention is paid to place this extraordinary temple in the larger context of Greek and Roman religious architecture in Asia Minor. Richly illustrated with over 200 color images, including historical paintings and drawings, it also includes digital reconstructions of the temple are published here for the first time.
Epic poetry, notably the Iliad and the Odyssey, stands as one of the most enduring legacies of ancient Greece. Although the impact of these epics on Western civilization is widely recognized, their origins remain the subject of heated debate. Were they composed in a single era or over the course of centuries? Were they crafted by one or by many poets? Do they reflect historical reality? These and other important questions are answered in this book. Using a fresh, dynamic approach, Michael Cosmopoulos reconstructs the world of the Homeric poems and explores the interplay between poetry, social memory, and material culture. By integrating key insights from archaeology, philology, anthropology, and oral tradition, he offers a nuanced perspective of the emergence and early development of Greek epic. His wide-canvas approach enables readers to appreciate the complexity of the Homeric world and gain a deeper understanding of the intricate factors that shaped these magnificent poems.
The Medieval Wall System (MWS), constructed in the tenth–thirteenth centuries AD across parts of Mongolia, China and Russia, was one of several long walls built along ancient frontiers in Asia. Despite a growing body of literature about this network of walls and trenches, many questions still surround its construction and function. Here, the authors present results of archaeological investigations on the Mongolian Arc of the MWS, revealing new construction dates and insights into daily life. Rather than a regimented defence, the MWS, at least in parts, was a symbolic boundary that endured within the social landscape long after it was abandoned.
The Late Iron Age (fourth–first centuries BC) district of Carpetania in the Central Iberian Peninsula is traditionally cast as a marginal territory, where cultural development is primarily attributed to acculturation, diffusionism and imitation. Here, the authors critically re-evaluate published evidence from the site of El Cerrón, Illescas, focusing on a decorated terracotta relief with a ‘Mediterraneanising’ style to argue that the local elite was not a passive actor in history. Instead, the community at El Cerrón actively engaged in the cultural dynamics that shaped not only the Iberian Peninsula but also the wider Mediterranean basin during this crucial period.
Connectivity and trade dominate discussions of the Mediterranean Bronze and Iron Ages, where artefacts travelled increasing distances by land and sea. Much of the evidence for the means through which such networks operated is necessarily indirect, but shipwrecks offer direct insights into the movement of goods. Here, the authors explore three Iron Age cargoes recently excavated at Tel Dor on the Carmel Coast, the first from this period found in the context of an Iron Age port city in Israel. Spanning the eleventh–seventh centuries BC, these cargoes illuminate cycles of expansion and contraction in Iron Age Mediterranean connectivity and integration.
Despite a notable increase during recent decades in the application of anthropological approaches and archaeometric analyses in Neolithic and Bronze Age archaeology in China, studies relating to the post-Qin period of Chinese history (after 221 BC) continue to focus on social centres and elite tombs, and to rely on historical texts to validate archaeological discoveries. This article examines the extent to which archaeometric analyses might be applied more beneficially in post-Qin contexts and explores current barriers to the wider undertaking of these methods within Chinese archaeology.
The tradition of beating bark to produce cloth probably emerged in South China before spreading to Island Southeast Asia with the Austronesian cultural expansion (5000–3500 BP). Type IV barkcloth beaters found on the island of Sulawesi mark a technological leap from mainland examples and the discovery of 16 such beaters at Buttu Batu pushes the local adoption of this type back to c. 2111–1933 BP. Combining archaeological examples with extensive ethnographic research, the authors document an early-twentieth-century diversification in the patterning of grooves on type IV beaters, revealing a unique innovation aimed at improving barkcloth quality in response to increasing competition.
The concept of the African Renaissance expresses the idea that the African continent is experiencing a crucial phase of its history and will overcome the current challenges of poverty, inequality, and violence to achieve cultural, political, and economic renewal and a more just and equitable order. First articulated by the Senegalese historian Cheikh Anta Diop (1923–1986) in the aftermath of World War II, the concept encourages African peoples to take pride in their rich cultural heritage and long history, to take charge of their lives and rebuild the economy, and to set Africa as a significant player in international affairs. For the African Union, the continent should take advantage of and build on its rich diversity of cultures in its quest for prosperity.
The safeguarding of African heritage and diversity can benefit local communities, promoting intercultural dialogue and peace as well as sustainable development. This article thus aims to spark conversation about Africa’s heritage and identify some methods to realize the African Renaissance. First, it discusses the legacies of colonialism. Second, it explores the promise of cultural decolonization. Third, it scrutinizes the concept of the African Renaissance, its historical roots, and its current legal significance. Fourth, it investigates the linkage between the African Renaissance and sustainable development. Fifth, it focuses on how the World Heritage Convention protects African sites of cultural and natural outstanding value and whether such protection is adequate or could be improved. Finally, it offers some preliminary conclusions.
Multidisciplinary research is deepening our understanding of high-altitude pastoralism on the Tibetan Plateau, but such studies also highlight a strong riverine bias in the location of excavated sites. In a move to address this skewing of the dataset, the authors propose the exploration of modern highland corrals with shovel testing and test excavations as a labour-efficient survey method, streamlined through the identification of potential sites from satellite imagery. Three prehistoric sites were successfully located using this method, the earliest dating to the first millennium BC, encouraging the reconsideration of current survey strategies in Tibet and other mountainous regions.
This article builds a framework for understanding both the observable and unobservable features of art fairs and how those structures are created through material and sensorial elements. It draws on the concept of atmospheres and broader discussions of affect to analyze the transgressive thrill present at art fairs, presenting an art fair as a space of commerce masked in the appearance of a museum-like space. This article explores how emotions and lures are structurally produced within the fair and how people are encouraged to collect. Within this space, a desire is cultivated via an opportunity to transgress the familiar norms of the museum environment, which fosters the development of a relationship between a person and an object. In this deeply affective space, rational responses to objects with unclear origins may be suspended. Through focusing on why people collect and how desire is generated we can better understand markets, including criminal markets, for highly desirable objects.
The ancient Zapotec city of Monte Albán (Oaxaca, Mexico) has been a focal point of numerous archaeological studies. It has long been presumed that grave offerings included a number of botanical elements such as maize. In this study, we examine botanical remains from vessels and sediment samples collected from mortuary contexts to provide new information on those meaningful rites. We considered the relationship between botanical mortuary offerings and the social status of interred individuals at the Zapotec site. We determined that there were no clear relationships between the status of the deceased and plants used as offerings. This study demonstrates the potential for future paleoethnobotanical studies targeting mortuary contexts and public rituals to provide novel information regarding ancient lifeways and beliefs.
Oasis communities across Central Asia were key to the emergence and maintenance of the ancient Silk Roads that spanned Eurasia from the late second century BC, yet our understanding of early interaction networks in this region is limited. Multi-isotopic analysis of human teeth from the Zaghunluq Cemetery, southern Xinjiang (sixth century BC to first century AD) now suggests that oasis communities established intricate exchange networks, forming strong ties with other nearby oases and mountain pastoralists and weak ties, facilitated through in migration, with more distant regions. These diverse connections, the authors argue, made possible cultural exchange across the challenging geography of eastern Central Asia.
This article contributes to the debate on illicit antiquities and deterrence. First, I briefly examine what has been written about deterrence in the literature on illicit antiquities. Second, I review the criminological research literature on deterrence to define the concept and explain its mechanics; that is, how, according to the best state of current knowledge, deterrence “works” to persuade people not to commit crime. Third, I consider what this criminological knowledge base means for deterrence in the field of illicit antiquities. Deterrence remains a developing idea, rich with practical implications for crime prevention but also harboring some profound unresolved questions about precisely what drives human action in certain contexts. Nonetheless, we can aim to gain a more rounded understanding of the concept than has previously been applied to illicit antiquities studies.