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This article explores how ontological insecurity shaped Cold War collaboration between the Federal Republic of Germany (FRG) and Turkey, and how their shared anti-communist anxiety produced lasting far-right consequences. Drawing on newly examined archival documents, it argues that communism was not merely a geopolitical or ideological threat but an existential danger to the state’s self in both countries. In response, the FRG and Turkey built a security partnership that extended into diaspora governance and intelligence coordination, often empowering far-right nationalist networks as bulwarks against leftist mobilization. These covert strategies – particularly the cultivation of far-right Turkish actors within Germany – were rationalized at the time as necessary countermeasures but ultimately contributed to long-term radicalization and blowback. By applying the framework of ontological security, the article reinterprets Cold War alliance dynamics as driven as much by existential anxieties as by strategic calculations. It concludes that contemporary German efforts to confront Turkish far-right extremism – such as the designation of the Grey Wolves as a security threat – risk obscuring this deeper legacy, producing a form of selective amnesia that externalizes a problem the FRG helped create.
This article presents editions and hand-copies of the cuneiform tablet BM 46590 and the tablet fragments K.13919 and 82-3-23, 108. These new pieces either duplicate or expand the ritual for undoing the effects of unpropitious lunar omens known from K.6018+//, providing new information on Akkadian incantation-prayers to the moon god. Most importantly, the prayer “Sîn 5”, previously known only from a couple of fragmentary lines, can now be read almost in full.
This article investigates the artistic milieu of the Qajar dynasty through a critical analysis of the distinctive and sophisticated style of Mahmud Khan Malek al-Shuʿarā (1813–93), contextualizing his work alongside that of his contemporaries, with particular emphasis on Kamal al-Mulk (1859–1940), the most renowned painter of the period. Through close analysis of selected paintings, this study reveals the layered complexity of Mahmud Khan’s visual language and underscores the broader interplay between Qajar art and European artistic traditions. Although this inquiry does not seek to provide a reading of modern Iranian art, it contends that Mahmud Khan’s oeuvre warrants serious critical attention—especially within non–Persian language scholarship—as a pivotal yet overlooked juncture in Iranian art history and a missed opportunity for articulating a meaningful continuum between Iran’s classical aesthetic heritage and its modern visual expression.
This article presents the first examination and analysis of a fabric fragment with hunting motif discovered in the Uighur Autonomous Region of Xinjiang in present-day northwest China, which has been carbon 14 dated to the Tang dynasty. This study assesses the value of this fragment by considering its artistic features and cultural significance. The fabric patterns are partially incomplete, a hexagonal structure is discernible, and it contains motifs of Central Asian figures hunting on horseback. The iconographic method was used to analyze the pattern, color, and composition of the fabric. It was concluded that the cultural background and aesthetic qualities of the fabric reflect the fusion of Persian, Islamic, and Chinese Tang dynasty cultures, reflecting the profound cultural exchanges between Iran and China. This research exemplifies the mutual cultural exchange between two civilizations, Iran and China, highlighting Iran’s important contribution to the world.
The silent film Grass (1925), which follows the seasonal migration of members of the Bakhtiari tribal confederation and their herds, shows mobile pastoralism as a changeless, remote, environmentally driven, and primitive way of life. An anthropological and historical analysis of the film explores problematic conceptions that still underlie the contemporary study of historical and ancient pastoralism.
This chapter extends the conceptual framework laid out in Chapter 2 to a series of basic questions about various dimensions of ancient and historical pastoralism, using constellations of methods reviewed in Chapters 4 and 5. Answering these questions on the basis of empirical archaeological data also builds a broader basis for comparing ancient pastoralism to historically and ethnographically documented practices, providing the means to generate stronger ethnographic analogies for archaeological interpretation, as discussed in Chapter 3.
The misuse of ethnographic analogy, illustrated through several case studies, has been and remains widespread in the archaeology of pastoralism. Earlier programmatic papers on how to strengthen the use of analogy in archaeology point to three proposals for how archaeologists interested in pastoralism might use ethnographic analogy more reliably, especially through evaluation of systematic biases in mid-twentieth-century pastoralist ethnography and highlighting temporal and spatial variability evidenced in ethnographic and historical accounts. Archaeological and ethnoarchaeological work on historical mobile pastoralism in southeastern Turkey illustrates one way of engaging with some of these proposals.
New field and laboratory methodologies increasingly allow scholars to collect direct data on pastoralism, including data on mobility, sociopolitical organization, and intensification/diversification of production. A discussion of each methodology – survey, excavation, zooarchaeology, archaeobotany, and geoarchaeology – assesses possibilities and limitations for an empirical and critical archaeology of pastoralism.
This introductory chapter discusses how archaeologists have studied and represented pastoralism, often in ways that parallel the tropes that the film Grass introduced. Despite decades of work and varied approaches associated with different theoretical traditions, archaeologists largely have not written histories of pastoralism that address continuity and change. The archaeology of pastoralism faces four longstanding problems that contribute to an ongoing tendency to see pastoralists as changeless: (1) conceptual conflation, (2) misuse of ethnographic analogy, (3) a paucity of direct data, and (4) separate regional traditions of research.
A critical and empirical archaeology of pastoralism has already begun to rewrite some of the long-standing “grand narratives” of pastoralism’s role in shaping ancient urbanism, trade, polities, and landscapes.
New research agendas tackle questions about the social and political dimension of ancient and historical pastoralism and the impact that herd animals and herding had on societies through time. These research agendas include social zooarchaeology and the archaeology of social spaces in pastoral landscapes, such as monuments, gathering spaces, and corrals or other herding infrastructure. In the future, household archaeological approaches to settlements and campsites should play a more important role.
Archaeological research on pastoralism has mostly occurred within the silos of separate regionally specific traditions in the Middle East, Central Eurasia, North Africa, and East Africa. The common questions concerning pastoral ecologies and economies outlined in Chapter 6 and the social research agendas discussed in Chapter 7 open space for a more robust comparative archaeology of pastoralism across disparate regions and longer time spans.