This article explores the use of speech representation verbs in Late Modern English. Drawing data from CLMET3.0, it focuses on paralinguistic verbs in narrative fiction texts from the eighteenth through the early twentieth centuries, as in blubbered in ‘“And only last Sunday – afternoon,” Mr. Povey blubbered.’ (CLMET3.0; 1908, Bennett, Old Wives’ Tale). The results show a drastic increase of these verbs, both in tokens and types, across the Late Modern English period, especially in direct speech constructions. I argue that this trend is linked to developing conventions for and experimentation with speech representation in the growth of especially the novel in the first half of the nineteenth century and beyond: the paralinguistic verbs offer a flexible tool for writers not only to structure dialogue, but also to convey stance and hence influence reader interpretation of characters, roles, situations and themes. The results underscore the importance of studying literary texts for understanding the general development of speech representation mechanisms in the history of English.