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The famous 1962 precedent at the Restrictive Practices Court of the United Kingdom, 'Books are different,' is still the reasoning behind many cultural policies around the world, building on longstanding assumptions surrounding 'the book'. As this suggests, the 'difference' of the book as a unique form of cultural (rather than economic) production has acquired a powerful status. But are books still different? In (somewhat provocatively) asking this question from a network-oriented and interdisciplinary perspective (book studies/literary studies), this Element inquires into the notion of 'difference' in relation to books. Challenging common notions of 'bibliodiversity,' it reconsiders the lack of diversity in the publishing industry. It also engages with the diversifying potentials of the digital literary sphere, offering a case study of Bernardine Evaristo's industry activities and activism, the Element concludes with thoughts on bookishness, affect and networked practice. This title is also available as Open Access on Cambridge Core.
This Element analyzes the economic and political forces behind the political marginalization of working-class organizations in the region. It traces the roots of labor exclusion to the geopolitics of the early postwar period when many governments rolled back the left and established labor control regimes that prevented the reemergence of working-class movements. This Element also examines the economic and political dynamics that perpetuated labor's containment in some countries and that produced a resurgence of labor mobilization in others in the 21st century. It also explains why democratization has had mixed effects on organized labor in the region and analyzes three distinctive “anatomies of contention” of Southeast Asia's feistiest labor movements in Cambodia, Indonesia, and Vietnam.
This Element reinvigorates calls to explore avenues to further integrate the research fields of Organization Theory (OT) and Family Business (FB). It presents the family business literature in management journals and categorizes these papers based on four types of theoretical contribution: Embedded, Integrative, Challenger and Generalized. It discusses opportunities for dialogue between FB and OT for each type in three research domains: (i) managing hybridity, (ii) mastering tensions, dualities, and paradoxes, and (iii) modelling time and temporality.
Phonetic research investigates how speakers and listeners use speech to convey messages. The speech produced to encode a particular message can vary wildly. Understanding and explaining the phonetic variability embodied in this example is one of the main motivations for this Element. Why and how do speakers produce this variability and how does it impact listeners? This Element focuses on spontaneous speech and its relationship with phonetic research. The authors discuss background and describe research investigating the variation that occurs when speakers and listeners are engaged in spontaneous, conversational speech. As a result, this Element explores aspects of spontaneous speech from the phonetic perspective using both production and perception areas of phonetics. This Element focuses on spontaneous speech and its relationship with phonetic research, exploring aspects of spontaneous speech from the phonetic perspective using both production and perception areas of phonetics.
Living with Machines is the largest digital humanities project ever funded in the UK. The project brought together a team of twenty-three researchers to leverage more than twenty-years' worth of digitisation projects in order to deepen our understanding of the impact of mechanisation on nineteenth-century Britain. In contrast to many previous digital humanities projects which have sought to create resources, the project was concerned to work with what was already there, which whilst straightforward in theory is complex in practice. This Element describes the efforts to do so. It outlines the challenges of establishing and managing a truly multidisciplinary digital humanities project in the complex landscape of cultural data in the UK and share what other projects seeking to undertake digital history projects can learn from the experience. This title is also available as Open Access on Cambridge Core.
This Element investigates the balance and interaction of imagination (visions) and technique (decisions) in the composition of music and includes current scientific research on dreams, the hypnagogic state, emotions, and feelings. It also includes thoughts of composers past and present, and examines how works start from visions in a range of music, comparing musical ideas and techniques to models in other creative disciplines. The Element elucidates aspects of musical discourse by imagining how Haydn, Mozart, and other composers would order falafel for takeout. This unorthodox approach emphasizes parallels between music and theater that are central to this Element.
This Element examines efforts to strengthen Economic and Monetary Union in the European Union, especially over the last decade, asking if enough has been done to render it more sustainable and resilient. Drawing on a survey of 111 leading experts on the economics and politics of EMU, this Element reviews the wide-ranging reforms undertaken since the crises of the early 2010s and assesses whether they go far enough. Although it concludes that much has been done to push the euro towards being a more complete currency, it identifies remaining flaws and challenges which EU leaders need to resolve.
Creative metaphor has been of central interest to the cognitive linguistic research community in recent years. However, little is known about what propels people to use metaphor in a creative way. In this Element, the authors identify and explore some of the clues that synaesthesia may provide to help us better understand the factors that drive creativity, with a particular focus on creative metaphor. They identify the factors that seem to trigger the production of creative metaphor in synaesthetes, and explore what this can tell us about creativity in the population more generally. Their findings provide insights into the nature of creativity as it relates to metaphor, emotion and embodied experience. This title is also available as Open Access on Cambridge Core.
This Element asks if the arts can help us imagine a better future society and economy, without deep social gulfs or ecological harm. It argues that at their best, the arts open up new ways of seeing and thinking. They can warn and prompt and connect us to a bigger sense of what we could be. But artists have lost their role as gods and prophets, partly as an effect of digital technologies and the ubiquity of artistic production, and partly as an effect of shifting values. Few recent books, films, artworks or exhibitions have helped us imagine how our world could solve its problems or how it might be better a generation or more from now. This Element argues that artists work best not as prophets of a new society but rather as 'prophets at a tangent'.
This Element provides new ways of reading the soundscape of the Gothic text. Drawing inspiration from the field of 'sonic Gothic' studies, which has been spearheaded by the writings of Isabella van Elferen, as well as from Mladen Dolar's articulation of the psychoanalytic 'object' voice, this study introduces the critical category of 'vococentric Gothic' into Gothic scholarship. In so doing, it reads important moments in Gothic fiction when the voice takes precedence as an uncanny, monstrous or seductive object. Historically informed, the range of readings proffered demonstrate the persistence of these vocal motifs across time (from the Gothic romance to contemporary Gothic) and across intermedia forms (from literature to film to podcasts). Gothic Voices, then, provides the first dedicated account of voices of terror and horror as they develop in the Gothic mode from the Romantic period until today.
This Element provides an overview of research focusing on language teaching practices for young multilingual learners in primary classrooms in English-speaking contexts. The term 'young multilingual learner' refers to primary school children, with ages ranging from approximately 5 to 12 years old at various English language proficiency levels. Pedagogy-informed research studies conducted in K-5 classrooms are used to develop research-informed pedagogies for young multilingual learners in primary classrooms. The authors use the notion of culturally sustaining teaching practices to provide examples from pedagogy-informed research studies. The focus on early (K-3) and intermediate (4-5) grades provides a range of illustrations of such practices. The Element concludes with implications for teacher education and the preparation of teachers of young multilingual learners.
Truthmaking is the metaphysical exploration of the idea that what is true depends upon what exists. Truthmaker theorists argue about what the truthmaking relation involves, which truths require truthmakers, and what those truthmakers are. This Element covers the dominant views on these core issues in truthmaking. It also explores some key metaphysical topics and debates that are usefully approached by employing the tools of truthmaker theory: the debate between presentists and eternalists over the existence of entities from the past, and the debate between actualists and possibilists over merely possible states of affairs. In the final section, the Element explores how to think about truthmakers for truths involving social constructions.
Anti-Racist Shakespeare argues that Shakespeare is a productive site to cultivate an anti-racist pedagogy. Our study outlines the necessary theoretical foundations for educators to develop a critical understanding of the longue durée of racial formation so that they can implement anti-racist pedagogical strategies and interventions in their classrooms. This Element advances teaching Shakespeare through race and anti-racism in order to expose students to the unequal structures of power and domination that are systemically reproduced within society, culture, academic disciplines, and classrooms. We contend that this approach to teaching Shakespeare and race empowers students not only to see these paradigms but also to take action by challenging and overturning them. This title is also available as Open Access on Cambridge Core.
Normalizing flows, diffusion normalizing flows and variational autoencoders are powerful generative models. This Element provides a unified framework to handle these approaches via Markov chains. The authors consider stochastic normalizing flows as a pair of Markov chains fulfilling some properties, and show how many state-of-the-art models for data generation fit into this framework. Indeed numerical simulations show that including stochastic layers improves the expressivity of the network and allows for generating multimodal distributions from unimodal ones. The Markov chains point of view enables the coupling of both deterministic layers as invertible neural networks and stochastic layers as Metropolis-Hasting layers, Langevin layers, variational autoencoders and diffusion normalizing flows in a mathematically sound way. The authors' framework establishes a useful mathematical tool to combine the various approaches.
Theory is not a set of texts, it is a style of approach. It is to engage in the act of speculation: gestures of abstraction that re-imagine and dramatize the crises of living. This Element is a both a primer for understanding some of the more predominant strands of critical theory in the study of religion in late antiquity, and a history of speculative leaps in the field. It is a history of dilemmas that the field has tried to work out again and again - questions about subjectivity, the body, agency, violence, and power. This Element additionally presses us on the ethical stakes of our uses of theory, and asks how the field's interests in theory help us understand what's going on, half-spoken, in the disciplinary unconscious.
Ironic language is a salient reminder that speakers of all languages do not always mean what they say. While ironic language has captured the attention of theorists and scholars for centuries, it is only since the 1980s that psycholinguistic methods have been employed to investigate how readers and hearers detect, process, and comprehend ironic language. This Element reviews the foundational definitions, theories, and psycholinguistic models of ironic language, covering key questions such as the distinction between literal and ironic meaning, the role of contextual information during irony processing, and the cognitive mechanisms involved. These key questions continue to motivate new studies and methodological innovations, providing ample opportunity for future researchers who wish to continue exploring how ironic language is processed and understood.
Our minds are severely limited in how much information they can extensively process, in spite of being massively parallel at the visual end. When people attempt to track moving objects, only a limited number can be tracked, which varies with display parameters. Associated experiments indicate that spatial selection and updating has higher capacity than selection and updating of features such as color and shape, and is mediated by processes specific to each cerebral hemisphere, such that each hemifield has its own spatial tracking limit. These spatial selection processes act as a bottleneck that gate subsequent processing. To improve our understanding of this bottleneck, future work should strive to avoid contamination of tracking tasks by high-level cognition. While we are far from fully understanding how attention keeps up with multiple moving objects, what we already know illuminates the architecture of visual processing and offers promising directions for new discoveries.
Wittgenstein published next to nothing on the philosophy of religion and yet his conception of religious belief has been both enormously influential and hotly contested. In the contemporary literature, Wittgenstein has variously been labelled a fideist, a non-cognitivist and a relativist of sorts. This Element shows that all of these readings are misguided and seriously at odds, not just with what Wittgenstein says about religious belief, but with his entire later philosophy. This Element also argues that Wittgenstein presents us with an important 'third way' of understanding religious belief – one that does not fall into the trap of either assimilating religious beliefs to ordinary empirical or scientific beliefs or seeking to reduce them to the expression of certain attitudes.
This Element contributes to existing research with an analysis of public understandings of democracy based on original surveys fielded in Indonesia, Malaysia, the Philippines, Singapore and Thailand. It conceptualises democracy as consisting of liberal, egalitarian and participatory ideals, and investigates the structure of public understandings of democracy in the five countries. It then proceeds to identify important relationships between conceptions of democracy and other attitudes, such as satisfaction with democracy, support for democracy, trust in institutions, policy preferences and political behaviour. The findings suggest that a comprehensive analysis of understandings of democracy is essential to understand political attitudes and behaviours.
Suffering is ubiquitous. Quests to make sense of it in relation to the existence of God – and to find meaning in our lives in the face of it – are significant aspects of the human experience. Evil and Theodicy motivates the project of theodicy by examining arguments rooted in evil against God's existence and by critically assessing the response of skeptical theism. Ekstrom explores eight different lines of theodicy. She argues that, even if the prospects for theodicy are dim with respect to defending the rationality of theistic belief in light of suffering, nonetheless, work in theodicies is practically useful.