In the wake of the most recent protests in Belarus following the 2020 Presidential Election, it is useful to explore patterns of satisfaction with the political system, confidence in political institutions, and political participation at different points in time during President Lukashenko’s rule. We utilize Wave 3 of the World Values Study (WVS) and Wave 7 of the Joint European Values Study (EVS)/WVS to (1) analyze whether citizens’ dissatisfaction with the Belarusian government differed between 1996 and 2018, and (2) whether there was a change in political participation during that period. Responses over time suggest that satisfaction with the government and confidence in institutions was not lower in 2018 than it had been in 1996. However, as we discuss in the article, this may be an artifact of authoritarian consolidation and concern/fears about revealing preferences. We also find that the willingness to engage in protests remained more or less the same between these two time periods, especially among those dissatisfied with the political system. These results suggest that once highly dissatisfied citizens took to the streets in 2020, a number of internal and external factors might have triggered a bandwagon effect that pushed other citizens to also join the demonstrations.

Rossini's Ciro in Babilonia, ossia, La caduta di Baldassare (Cyrus in Babylon, or, The Fall of Belshazzar) was performed during Lent in 1812 at Ferrara's Teatro Comunale. This study examines how the opera's librettist Francesco Aventi synthesized disparate sources that included the Greek historian Herodotus and the Biblical prophets, ancient and early modern prose treatises on the Persian king Cyrus the Great, and baroque operatic representations of imperial power; and how Rossini responded to those sources musically for the particular historical moment in March of 1812. The piece is of interest as the first serious opera for the librettist and the composer both. It displays innovative approaches to classicizing material familiar from the eighteenth-century, as exemplified in Metastasio's Ciro riconosciuto and Sarti's Giulio Sabino, and it presents the secular hero Cyrus as a Christological figure that suffers and then triumphs with divine help. Musically it anticipates developments in Rossini's own Mosè in Egitto and Semiramide. The title “Under cover in Babylon” refers first to Aventi's and Rossini's use of the standard operatic plot device of the disguised lover to motivate Cyrus's entry into the enemy city of Babylon. Second, by calling the piece an “oratorio” and including Biblical material, they disguised an opera as an entertainment appropriate for Lent. Finally, the piece carries possible but subtly expressed messages connected with Napoleonic Italy and the Ferrarese Jewish community.

Drawing on longitudinal ethnographic research carried out over two-and-a-half decades in barrio Luis Fanor Hernández, a poor neighborhood in Managua, Nicaragua, this article explores how legal and illegal economic activities are socially legitimized, and more specifically, how certain illegal economic activities can end up being seen as legitimate, and certain legal ones perceived as illegitimate. The first part of the article explores the variable morality surrounding different types of criminal activities that local gang members engaged in during the 1990s and 2000s. The second part considers my experiences running a local market stall, describing the contrasting reactions I faced when I resorted to first legal, and then illegal, strategies to boost my revenue levels. Taken together, these examples showcase how the social legitimization of an economic activity has less to do with whether it is legal or illegal, but rather the future aspirations it embodies.

This article applies a critical approach to rethinking the relationship between nationalism and Ottoman architectural historiography by examining the intellectual medium during the late Ottoman period. More precisely, it examines how the history and theory of Ottoman architecture were initially established by Tanzimat (Reform) intelligentsia with the publication of Usûl-i Mimâri-i Osmani (Fundamentals of Ottoman Architecture) (1873). It addresses how the text was later comprehended and criticized by their successors, who utilized it to constitute their own vision of Turkish national architecture. By detailing the rise of the Turkish nationalist movement and the transition from Ottomanism to Turkism as the dominant identity, this article highlights the demand for the materialization of a national architecture as a component of the cultural construction of a national architectural style and the role of new public buildings as the site of nationalizing endeavors at the beginning of the twentieth century. Finally, this article problematizes the extent to which these new constructions can be deemed “national” by investigating the works of a pioneer figure of architecture, Kemaleddin Bey’s writings and the design and construction of his dormitory building, the Fifth Vakıf Han, in Istanbul.

Stanley Kubrick's film The Shining (1980) can be read as a central European imaginary retelling Thomas Mann's The Magic Mountain (1924). The film constructs a dark meditation on the human condition not only through its formal and thematic focus on Mann's novel but also through the lens of works by numerous other central European artists and scholars. Consequently, The Shining presents historical comprehension as the product not only of knowledge, but of experience, memory, and artistic representation/reception. Just as The Magic Mountain addressed itself to the crisis of European civilization that had culminated in the First World War, a deep-laid historical subtext in The Shining concerns the more desperate crisis facing the West in the wake of the Second World War. At its dark center, Kubrick's horror film reflects its creator's and its era's struggle with the reality and representation of the Holocaust.

This article explores the development of modern refugee camps in Austria-Hungary during the First World War by looking at the organization and implementation of child assistance in the camps. The article argues that a state-driven mobilization of relief and rehabilitation was organized to alleviate the plight of refugee children. It points particularly to children's health care and the organization of education as instances that marked a shift in the scope of refugee camps in wartime Austria-Hungary. At first, camps represented a temporary measure to immobilize and control displaced populations. As the war progressed, they became a permanent feature of refugee policy and a microcosm of agendas of state consolidation. Ultimately, the case of child assistance shows that the organization of refugee camps in wartime Austria-Hungary was a fluid and gradual process that meshed technologies of population containment with humanitarian and welfare practices.

This article explores the historical background of an issue that is central to present-day constitutional and human-rights discourse: the relationship between human dignity and the fight against poverty. It analyzes the role the idea of human dignity played in the reasoning of nineteenth-century German middle-class authors who were professionally engaged in social-reform debates, with a particular focus on debates about mendicancy. In these debates, notions of dignity were pervasive, and they provoked a troubling question: Is poverty a state of impaired dignity, and if yes, in which direction does causality point? Tracing the shifting perceptions from the enlightened belief in the self-perfectibility of man at the beginning of the nineteenth century to the rise of biomedical theories at its end, the article argues that concerns about human dignity gave the commitment to eradicate destitution an important impetus, yet with side effects that highlight the pitfalls of the dignity concept.

Carl Knight argues that lexical sufficientarianism, which holds that sufficientarian concerns should have lexical priority over other distributive goals, is ‘excessive’ in many distinct ways and that sufficientarians should either defend weighted sufficientarianism or become prioritarians. In this article, I distinguish three types of weighted sufficientarianism and propose a weighted sufficientarian view that meets the excessiveness objection and is preferable to both Knight’s proposal and prioritarianism. More specifically, I defend a multi-threshold view which gives weighted priority to benefits directly above and below its thresholds, but gives benefits below the lowest threshold lexical priority over benefits above the highest threshold.

Previous research has proposed that phonetic variation may index affect prior to indexing other social meanings. This study explores whether the affective indexicality of vowels identified in previous studies can also be observed among deaf or hard-of-hearing speakers, in this case, speakers of Taiwan Mandarin. The results suggest that /i/ backing is invoked to signal negative affect. This study also demonstrates how assistive devices like hearing aids and cochlear implants can be considered semiotic resources. For deaf or hard-of-hearing speakers, assistive hearing devices enter into a process of bricolage with linguistic and other symbolic resources, generating new potentials for the embodiment of affect. (Affect, iconicity, Taiwan Mandarin, embodied sociolinguistics, deafness)*

Scholars disagree about the plausibility of preference purification. Some see it as a familiar phenomenon. Others denounce it as conceptually incoherent, postulating that it relies on the psychologically implausible assumption of an inner rational agent. I argue that different notions of rationality can be leveraged to advance the debate: procedural rationality and structural rationality. I explicate how structural rationality, in contrast to procedural rationality, allows us to offer an account of the guiding idea behind preference purification that avoids inner rational agents. Afterward, I address two pressing challenges against preference purification that emerge under the structural rationality account.

This article offers discourse analysis of young transgender people's interaction, in which they describe being rendered powerless through misgendering or misrepresentation. It argues that the young people's collective responses to these moments enable them to challenge the ideologies underpinning their marginalisation, and to recontextualise the language used by others to describe their bodies. Stance-taking, the production of affect, and constructed dialogue are shown to be key tools in their production of an agentive, mutual identity. The article thus provides close analysis of dialogic embodiment, a process by which the body is quite literally spoken into being. By critiquing the cisnormative structures which inform and enable the young people's marginalisation, the article responds to the call for a trans linguistics (Zimman 2020) and reflects upon the author's positionality as a cisgender researcher. (Embodiment, affective stance, agency, trans identity, cisnormativity, trans linguistics)*

This article examines the nature of sociability, communication and the ‘practical public sphere’ of Hamburg's early coffeehouses (1677–1714) and provides insight into the ‘social life’ of these coffeehouse spaces during the ‘early’ Enlightenment. Using licensing records, administrative sources and supplications, it shows how novelty, popularity, political partisanship and fashionability were characteristic of these early coffeehouses, creating a fluid and capricious dynamic of custom and communication that stressed established notions of honourable sociabilities and communication in urban public spaces. It argues that these destabilizing social and communication practices led to social stratification and a redefinition of ‘honourable’ burgherly behaviour in the normative public sphere. Strategies to govern the coffeehouses sought thus to bind these spaces and their actors to this newly articulated ‘normative’ burgherly public sphere.

This article investigates the situated orientation to and production of social and political norms related to the pronunciation of person names in the context of announcing next speakers during a political meeting. Through a detailed multimodal analysis of naturally occurring interaction, the article discusses how participants to a political party's congress in Sweden treat the chairpersons’ pronunciation of person names as rendering them (non)normative and as relating them to ethnic categories. In associating specific prosodic realizations of person names with ‘(non)Swedish-ness’ and orienting to this as inacceptable, the participants reflexively establish these membership categories as (non)normative and, moreover, as unequal. In this way, the article contributes to our understanding of normative aspects regarding public announcements of next speakers as a turn-taking procedure in political interaction and how names are invoked and established as related to (non)normative ethnic categories by virtue of the formal properties of their production. (Conversation analysis, ethnomethodology, person names, political interaction, turn-taking, ethnicity, prosody)*

This article considers a particular set of cultural and ideological discourses—police discourse about domestic violence (DV) victim/survivors—in a study about indexicality. Via the processes of indexicality, victim/survivors are consistently described and constructed as frustrations for police officers and police work. We pinpoint two sociosemantic structures that index frustration—the use of the word frustration and statements that initially show understanding for the victim/survivors’ situation—and then mitigate that understanding with stories about being frustrated. In the process, we argue, DV victim/survivors become indexical forms that index the social meaning that victim/survivors are frustrating rather than compliant. Further, we show how such constructions are available for reiteration by different speakers in police discourse and different contexts. The linguistic features that signal ‘frustration’ thus function in police discourse as indexical features that can be accessed and animated by police officers when they describe encounters with victim/survivors and the victim/survivors themselves. (Indexicality, narrative, police discourse, domestic violence)*