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Carlo Broschi, better known as Farinelli, arrived in Madrid on 7 August 1737. King Philip V and his wife Elisabeth Farnese were deeply impressed by his vocal qualities and invited him to remain in their service, on extremely rewarding terms. Although few sources concerning his first months in Spain are available, a newly discovered libretto, L'ombra di Luigi XIV il Grande, sheds light on his position at the Spanish court and his response to the privileged situation he enjoyed. The work is a short solo cantata commissioned by Farinelli and offered to Philip V for his name day in 1738. The title-page indicates Francesco Feo as the composer, but no sources for the musical setting have yet been located, nor any information about a performance of the work. This article examines the content of the cantata's text and situates it within what is known about the life of Farinelli. It also reconstructs in detail the literary career of the author of the text, Giuseppe di Rosa, who was also a magistrate and historian. Additionally, it links the genesis of this encomiastic piece with the activity of Giovanni Battista Filomarino, Neapolitan ambassador at the court of Madrid.
This article aims to conceptualize the present state of public archaeology in Poland, which has recently become topical in archaeological practice. The author defines public archaeology and discusses the historical background of such activities in the context of the specific traditions of Polish archaeology. He then describes the main forms of outreach activities undertaken by archaeologists in Poland and presents community-oriented initiatives that go beyond the education of the general public about the past and strive to engage local communities in activities focused on archaeology and archaeological heritage. He concludes by outlining some directions that this sub-discipline may adopt in future.
The realia of shared meals provide a key index for social behavior in Late Antiquity. Much attention has been paid to the architecture and ceramics of dining, but usually separately and from unrelated contexts. Three excavated rooms at Sardis present an opportunity to extend this discussion to the furnishings that once stood at the center of domestic hospitality. Nearly complete marble tabletops recovered from their places of intended use show differing approaches to the physical and social arrangements of convivial dining, with implications for interpreting reception areas in Late Roman houses. Circumstances of preservation indicate that all three rooms were leveled, probably by earthquakes, in the early 7th c. CE.