In a tweet posted on 29 March 2018, a bidūn activist—who was later jailed from July 2019 to January 2020 for peacefully protesting against the inhumane conditions under which the bidūn are living—shared a video. The brief video zooms in closely on an ID card, recognizable as one of those issued to the bidūn, or long-term residents of Kuwait who are in contention with the state regarding their legal status. More precisely, the mobile phone camera focuses on the back of the ID card, on one line with a special mention added by the Central System (al-jihāz al-markazī), the administration in charge of bidūn affairs. Other magnetic strip cards hide the personal data written above and below it. A male voice can be heard saying that he will read this additional remark, but before even doing so he bursts into laughter. The faceless voice goes on to read out the label in an unrestrained laugh: “ladayh qarīb … ladayh qarīna … dālla ʿalā al-jinsiyya al-ʿIrāqiyya” (he has a relative … who has presumptive evidence … suggesting an Iraqi nationality). The video shakes as the result of a contagious laugh that grows in intensity. In the Kuwaiti dialect, the voice continues commenting: “Uqsim bil-Allāh, gaʿadt sāʿa ufakkir shinū maʿanāt hal-ḥatchī” (I swear by God, it took me an hour to figure out the meaning of this nonsense), before reading the sentence again, stopping and guffawing, and asking if he should “repeat it a third time,” expressing amazement at its absurdity. The tweet, addressed to the head of the Central System (mentioned in the hashtag #faḍīḥat Sāliḥ al-Faḍāla, or #scandal Salih al-Fadala), reads: In lam tastaḥī fa-'ktub mā shaʾt (Don't bother, write what you want).

How do perceptions of not belonging inform economic life? For many young Omanis, the labor market is a site of contestation and a space of struggle. In this essay, I explore a neglected dimension of belonging in the Gulf—citizen labor—by looking at Omani millennials in the labor market. Despite holding legal citizenship, a sense of belonging remains elusive in much of the private sector. Many Omani young people perceive a tenuous economic citizenship, complicating narratives around belonging or not belonging in the Arabian Peninsula. I draw from lessons learned while researching my current book and exploring social relations and regulation of labor markets, and reflect on how the knowledge and theories produced concerning Gulf labor markets rarely engage with the citizens in them.

Revolutions seldom involve more than one percent of the population. However, in Bahrain, a small island nation with a population of around 570,000, twenty percent of the population took to the streets in February 2011 to demand greater democratic reform, making it “proportionally one of the greatest shows of ‘people power’ in modern history.” The regime's response was disproportionally brutal. Saudi-dominated troops from the Gulf Cooperation Council Peninsula Shield Force were “invited to” or “invaded” Bahrain, depending on who is telling the story. Under cover of the Saudi military, Bahrain's security forces killed dozens of civilians, torturing, maiming, and raping many others. The arsenal of repressive techniques was exhaustive. Belonging also was used as a tool of repression, with many being stripped of their Bahraini citizenship on spurious, terror-related charges.

This article explores the spatial history and ‘afterlives’ of Galway jail, where an innocent man, Myles Joyce, was executed in 1882 following his conviction for the Maamtrasna murders; in 2018 he was formally pardoned by President Michael D. Higgins. The article traces how the political and cultural meanings of this incident were instrumentalised in the building of Ireland's last Catholic cathedral on the site of the former Galway jail. It analyses how the site was depicted – in different ways and at different moments – as one of justice, of injustice, of triumph, and of redemption. It investigates how these different legacies were instrumentalised – or at times ignored – by Irish nationalists and later by the Catholic bishop of Galway, Michael Browne. It uses Joyce's execution to explore the site's legacy, an incident that at times dominated its representations but at other moments faded from prominence. The article situates the former jail site within theoretical writings on memorialisation, ‘difficult’ heritage, and studies of architectural demolition, while also commenting on mid twentieth-century Irish Catholic politics and culture.

The visit of George IV to Ireland in the summer of 1821 prompted an effusive display of royalist emotion. It left a visible and material legacy in Dublin in the form of Kingstown, the Round Room in the Mansion House, King's Bridge, and a variety of prints, paintings, commemorative coins and ephemera. The idea of constructing a palace to facilitate future royal visits was even floated. The visit was reported on extensively in the newspapers of the day and was the subject also of a range of poems, verses and songs. A royal visit made on a whim, together with vested interests and carefully managed propaganda, combined to produce mismatched expectations of what the visit would achieve. This article assesses the visit and argues that while the Dublin administration viewed it as a success, there was, in fact, little positive outcome.

One would think that, after years of fieldwork and writing, I would be able to answer a pretty simple and straightforward question about who exactly I interviewed for my study of citizenship boundaries in the UAE: “Do you have any notion of the proportions [of interlocuters] of the different ethnic or descent lines that you spoke to?” This essay is about why it is so difficult to answer this question and the insights into citizenship that unfolded as I searched for an empirical answer. Spoiler alert: Answers to questions about “national” or “ethnic” origin are entirely dependent upon how we count—and miscount—time.

Infrastructure is often viewed through global and promotional lenses, particularly its role in creating market connectivity. However, infrastructure is heavily dependent on and constitutive of local spaces, where ‘frictions’, or disputes, emerge. Drawing on the Belt and Road Initiative (BRI) as a case study, we examine in detail two cases of BRI-related climate change litigation – one in Pakistan, and one in Kenya – that shed light on the frictions arising from what is deemed the most significant transnational infrastructure project of our time. In doing so, this study demonstrates how infrastructure can be made more visible in environmental law and how environmental law itself provides an important mechanism for stabilizing friction in the places where infrastructure is located.

From the late 1920s onwards, Italian cultural diplomacy in Portugal was responsible for an increasing number of activities and initiatives directed at the Portuguese intellectual public. From Mussolini's perspective, the ideological ground shared by the Salazar regime and Italian Fascism meant that it was important for Italy to nourish links and exchanges with Portugal. This article examines cultural diplomacy in Lisbon, using one particular centre as the focus of analysis: the Italian Cultural Institute and its networking activities with intellectuals in the Portuguese regime. Within these transnational intellectual networks, a prominent role was taken by the Institute's successive directors between 1928 and 1945. These figures varied substantially in their biographical trajectories and seem to have exemplified the idiosyncrasies and contradictions of Fascist cultural policy in Portugal, which was one of a range of attempts, never fully realised, to export the idea of Italian Fascism.

The COVID-19 (Coronavirus disease of 2019) pandemic has led to intense conversations about ventilator allocation and reallocation during a crisis standard of care. Multiple voices in the media and multiple state guidelines mention reallocation as a possibility. Drawing upon a range of neuroscientific, phenomenological, ethical, and sociopolitical considerations, the authors argue that taking away someone’s personal ventilator is a direct assault on their bodily and social integrity. They conclude that personal ventilators should not be part of reallocation pools and that triage protocols should be immediately clarified to explicitly state that personal ventilators will be protected in all cases.

The ephemeral nature of religious practices and rituals makes them challenging to trace in the archaeological record of Late Neolithic hunter-gatherer communities in central and eastern Europe. A ritual feature with Bell Beaker elements discovered in north-eastern Poland, a region occupied by hunter-gatherer groups of the Neman cultural circle, is thus exceptional. Its syncretic character indicates its role as a harbinger of wider cultural change that led to the emergence in this region of the western group of the Bronze Age Trzciniec cultural circle.

The flageolet – a woodwind instrument closely akin to the recorder – achieved considerably popularity in nineteenth-century England. It was predominantly an instrument of the amateur musician, and its story becomes a mirror of the musical society in which the instrument flourished.

An account of the organology of the flageolet in both its English and French forms, and of its evolution into double, triple and transverse versions, precedes a study of pedagogical material and repertoire. The work of William Bainbridge, who modified the flageolet to simplify its technique and hence enhance its suitability for amateur players, is emphasized, along with his skill as an innovator of complex flageolets. The flageolet attracted a small number of professional exponents who tended to favour the French form of the instrument.

The principal focus of the article is an examination of the role of the flageolet within the context of musical praxis in England and its societal implications during the long nineteenth century. After consideration of matters of finance, social class and gender, the article examines the use of the flageolet by amateur and professional musicians, particularly highlighting the importance of the instrument in domestic music-making as well as in amateur public performance. Professional use of the instrument within the context of the concert hall, the theatre, the ballroom and the music hall is explored and examples given of prominent players and ensembles, some of which were composed entirely of female musicians. Final paragraphs note the playing of the flageolet by itinerant and street musicians.