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The chapter addresses: 1. Overview of the Positivity Principle. 2. Theoretical Rationale for the Positivity Principle. 3. Empirical Rationale for the Positivity Principle. 4. Boundary Conditions for the Positivity Principle. 5. Applications of the Positivity Principle
Two approaches dominate the literature on the construction of emotions: transitory role theory and the more recent Conceptual Act Theory. We identify two ways in which these approaches would benefit from correction, revision, or further development. First, they tend to downplay the body, insisting that social forces work primarily at a conceptual level. That is, culture is considered to primarily impact the conceptualization of emotion, not emotional embodiment. Second, they tend to neglect the impact social norms have on emotions. We include relevant work in traditions outside philosophy and psychology (sociology, anthropology, and queer theory) that may shed light on the impact of social norms on emotions, as well as the relationship between socialization and embodiment. We propose an account of emotions as constructs that combine sociality and corporeality—an account that understands social norms and bodily responses as interdependent. Our proposal is to understand emotions as constructed via societal norms that materialize in bodily states. This advances the debate on the nature of emotions by integrating different theoretical strands (construction and embodiment), and it also contributes to the emerging literature on emotional injustice by shedding light on the role the social plays, for example, in shaping whose body gets to express which emotions.
Prevailing narratives within the conservation decision-making literature argue conservation professionals should utilize rational, objective methods that do not engage emotion to make decisions. However, as conservation professionals are emotional beings, it is inevitable that emotion will be present during such processes. Perpetuated narratives and limited investigation into the involvement of conservation professionals’ emotion in decision-making processes mean the emotional selves of conservationists continue to be denied and unexplored, potentially hindering transformative change. To trouble these prevalent narratives, I investigate if and how conservationists’ emotion is involved in decision-making and whether external structures influence this involvement. Sixteen conservation professionals took part in this study. The data were gathered through semi-structured interviews, the diary method and a workshop, and were subjected to a thematic analysis. The findings demonstrate that conservationists’ emotion plays three roles within conservation decision-making processes: as a way of knowing, as a (de)motivator, and as a relationship shaper. These roles are not recognized or nurtured, and this is predominantly influenced by organizational culture. These findings indicate the need for conservation organizations to create healthy emotional cultures, to in turn enable professionals to acknowledge, and utilize, the roles of emotion within their work. Additionally, creating organizational cultures that encourage and enable the expression of, engagement with, and reflection on emotion could support conservationists to enact transformative change and transform the field of conservation itself.
Philosophers are often embarrassed by philosophy, or at least write as if they are. But what should we make of this connection between philosophy and embarrassment? Taking a cue from sociologist Erving Goffman, this paper treats embarrassment in general as revealing of social phenomena and then considers the case of philosophical embarrassment from that point of view. As we will see, this allows us to formulate and explore several hypotheses about the discipline of philosophy, why it might be rational to be embarrassed by it, and how this embarrassment might be managed or overcome.
Theorists conceptualize reactive aggression as emotional (especially angry) and proactive aggression as unemotional (although it is unclear whether relations between proactive aggression and emotion are null or negative). Goals of the current study were to: (a) examine links between reactive aggression and a range of emotions (happiness, sadness, anger, and anxiety), and (b) include neutral emotion to address whether proactive aggression is unrelated or negatively related to emotion. To assess emotion, playgroups of four same-sex, unfamiliar, nine-year-old children (N = 158; 52.5% males; racially/ethnically diverse) interacted as round-robin dyads while completing challenging and cooperative tasks; observers coded emotions second-by-second. To assess both behavioral and observational reactive-versus-proactive aggression, children completed video games with virtual peers. Reactive aggression was positively related to happiness, anger, and anxiety and negatively related to neutral emotion, for at least one task and one aggression measure. Proactive aggression was positively related to neutral emotion but negatively related to happiness, for both tasks and aggression measures. Findings enhance theoretical understanding of: (a) reactive aggression as broadly emotional by relating it to happiness and anxiety as well as anger, and (b) proactive aggression as unemotional by linking it to the display of neutral emotion and the lack of display of happiness.
The article probes the analytical utility of the increasingly popular concept of ‘cognitive warfare’. It proceeds by reflecting writings associated with the concept’s mainstream meaning against selected insights from general strategic theory and affective science and finds cognitive warfare problematic in multiple aspects. From the perspective of general strategic theory, cognitive warfare misrepresents the nature of the challenge at hand, blurs the distinction between core aspects of strategic effort, and draws on questionable rather than sound strategic thought. From an affective science perspective, it relies on an increasingly outdated paradigm for explaining the human mind, provides little insight into how cognition shapes behaviour, and overlooks the beneficial roles of emotions in maintaining social cohesion. Integrating these perspectives, the article argues that information aggression is better understood as attempted subversion centred on specific emotions. The presented argument allows practitioners to better understand the nature of the challenges they face and to develop appropriate remedies, and academics to study the subject in a more focused manner.
According to Charles Taylor, the modern notion of the self is closely related to the notion of inwardness, for the self is taken to be something inside of us, accessible through introspection. Some medieval authors paved the way for this conception by identifying the self with the immaterial soul that somehow resides in the body. However, other authors clearly rejected an interiorization of the self, as this chapter argues. They took it to be a set of powers that is essentially related to external things and that becomes manifest in this relation. The chapter presents two case studies to spell out this alternative conception. It first analyzes Thomas Aquinas’s thesis that the self is present in bodily activities: whenever we perceive material objects, we become aware of ourselves as being directed toward them. The chapter then examines Peter of John Olivi’s thesis that the self is present in emotions: whenever we experience them, we cognize ourselves as being related to other people. It is therefore a bodily, relational, and social self that is at the core of two medieval theories.
This chapter explores the neuroscience of fear, examining how our brains detect and respond to threats, both real and imagined. It introduces major theories of emotion and focuses on the role of the limbic system in processing fear-related stimuli. Through research in animals and humans —including lesion studies and the famous case of patient S.M.—the chapter distinguishes between behavioral responses to danger and the subjective experience of fear. It also challenges the idea of a single “fear center,” emphasizing that fear arises from dynamic interactions across multiple brain regions. These concepts are then applied to ambiguous situations, such as sensing a presence in a dark room, where the brain may interpret uncertainty in emotionally charged ways. Finally, this chapter encourages readers to consider how the brain constructs meaning from unclear stimuli, laying the groundwork for a scientific exploration of the supernatural.
Drawing on critical insights from the history of emotion and Shakespearean emotion studies, this Element offers a pedagogy rooted in a historicist approach as a stimulating alternative to the teaching of Shakespeare's emotions as universally and transhistorically relatable. It seeks to provide a roadmap – by way of contextual and analytical frameworks and suggested learning activities – for teaching students how to mind the gap between Shakespeare's emotional moment and their own. The benefits to this approach include not only students' enhanced understanding of Shakespeare's plays in the context of early modern emotion culture but also their enhanced ability to think historically and critically about emotions, both in Shakespeare's day and now.
Functional magnetic resonance imaging (fMRI) has revealed inconsistent neural activity patterns in major depressive disorder (MDD) across cognitive and affective domains, and this study used an activation likelihood estimation (ALE) meta-analysis to examine brain function abnormalities in working memory, reward processing, and emotion processing.
Methods
A systematic search was conducted in PubMed, Embase, Web of Science, ScienceDirect, and CNKI for fMRI studies comparing MDD patients with healthy controls (HCs), including data up to 3 December 2024. ALE meta-analysis was performed to examine activation patterns. Jackknife sensitivity analysis, risk of bias, and Newcastle–Ottawa scale were used to assess robustness and publication bias. Meta-regression analyses were conducted to explore the impact of covariates on the results.
Results
Sixty-nine studies (2,073 MDD individuals and 2,009 HCs) were included. MDD individuals showed hyperactivation in the bilateral parahippocampal gyrus, subcallosal gyrus, lentiform nucleus, left claustrum, insula, and anterior cingulate cortex, alongside hypoactivation in the right lentiform nucleus, parahippocampal gyrus, fusiform gyrus, and other regions. Domain-specific analyses revealed working memory-related hyperactivation in the right middle and superior frontal gyrus, reward-related hyperactivation in the bilateral lentiform nucleus, right claustrum, and left caudate, and emotion-related hyperactivation in the bilateral parahippocampal gyrus, bilateral lentiform nucleus, right subcallosal gyrus, right anterior cingulate cortex, and left claustrum. Jackknife sensitivity analysis confirmed robustness, with no significant publication bias or covariate impact.
Conclusions
Aberrant activation in the lentiform and caudate nuclei across reward and emotion tasks suggests striatal dysfunction plays a key role in emotion-motivation interplay, highlighting the striatum as a potential target for future therapies.
This Element serves as an invitation to architectural historians of modern European imperialism to embrace the insights and claims of the history of emotions. That said, the Element is not a call for an 'intimate', 'affective' or 'emotional' history. Rather, it is an attempt to show how the omission of emotions as mere effects of historical circumstances, devoid of reason, judgment and rationality, combined with a failure to historicise both emotions themselves and the relationship between buildings and feelings, impoverishes our understanding of European imperial architecture. The thematic content of the Element encompasses defining emotions, understanding power, multivalence, changing and unexpected experiences of imperial buildings and unlearning the experience of imperial architecture through the lens of the history of emotions.
Why does William James matter for literary studies? And what can the practice of literary criticism bring to our reading of James? While James is widely credited as a founding figure for the fields of psychology, philosophy, religious studies, and progressive education, his equal significance for the field of literary criticism has been comparatively neglected. By modelling a variety of literary critical approaches to reading James and investigating James's equally various approaches to literature, this book demonstrates how his work historically informs and prospectively transforms the way we think about the bedrock premises of literary study – namely, style, influence, and method. The volume's diverse contributions unfold and elaborate these three facets of James's literary critical paradigm as they manifest in the rousing character of his sentences, in the impactful disseminations of his formative relationships, and in his uniquely programmatic responsiveness to the urgent issues of his time.
Eyes function as organs of both perception and expression: they can see, but they can also show. Challenging a long-running scholarly bias in favour of their visual function, Weeping Eyes foregrounds the organ's major role in affect and emotion, probing the different ways that tears are conceptualised in both sentimental and scientific literature. Centred around the rise of ophthalmology as a discipline in Britain at the turn of the nineteenth century, it considers how historical developments in ocular science shaped literary depictions of seeing and feeling. By rethinking what it can mean to cry, Megan Nash overturns critical paradigms that have long dominated ideas of the eyes and vision, and tackles some of the most pressing conceptual questions of affect studies.
Chapter 5 examines how certain conventions of the sentimental genre – like the tear and the man of feeling archetype – are taken up in the sensation fiction of Wilkie Collins. Focusing primarily on The Woman in White (1860), it suggests that Collins uses the tear as a staging point from which to mount an argument about the limits of materialism. With characters such as the infamous villain Count Fosco, he highlights the dangers involved in completely conflating emotion and physiology. With this in view, while it has become customary to see the sensation novel as a genre that addresses itself specifically to the nerves, The Woman in White pre-emptively warns its readers not to strip bodily responses of their potential for meaning.
This chapter offers a brief overview of the field of emotion studies and surveys its contribution to the study of Arthurian literature. It then expands on the role of emotion – both as a critical category and as a narrative focus – in the development of the Arthurian canon, focusing on Sir Gawain and the Green Knight as a late exemplar of the development of the courtly romance over time. Ultimately, it considers what emotions may tell us about the narrative intent and structures of the Middle English romance and, more broadly, what the study of Arthurian emotions has to offer to the field of emotion studies.
This work explores the travels of Ugandan Enoch Olinga, as an example of a person who enjoyed connections with global minorities across national boundaries and as a unique lens into the Black international experience in the mid-twentieth century. I examine his internationalist experiences through the lens of emotions to emphasize different dynamics of global racial identities and transnational diasporic connections during the 1950s–1970s, an era of decolonization and civil rights movements. I argue that Olinga, a prominent Baha’i who traveled worldwide during this era, advocated for unification among global minorities by emphasizing common racial and cultural heritages and expansive concepts of a politicized kinship. Through the Baha’i Cause, he articulated his own ideas about striving for global harmony and racial unity, with a connection to Africa serving as the linchpin. Emotional analysis provides insights into how Olinga invoked diverse notions of family and kin to arouse particular emotions amongst people of color both within and beyond the unity offered by the Baha’i Faith.
Captivity is a complex phenomenon in international politics with a broad range of purposes, functions, and consequences. Existing scholarship suggests that states use captivity, for example, to facilitate hostage or prisoner exchanges, to extract material rewards, or, in the case of human shields, for deterrence purposes. This article argues that states may use captivity to deter not only traditional military threats emanating from other states, but also perceived threats to regime security posed by non-state actors, including individuals, and that emotions are central to this process. The argument is illustrated through three empirical vignettes that show how the Chinese government has detained foreign academics, publishers, and NGO workers engaged in activities seen as threatening regime security. Detention is interpreted as attempts to deter such actors. While fear is often seen as key to successful deterrence, the article indicates that paying attention to other emotions can help better understand deterrence failure. Specifically, because captivity, and deterrence, involve the denial of the captive’s agency and may trigger feelings of humiliation and shame, it can backfire as the target of deterrence efforts might seek to act to regain agency.
This chapter introduces the central ideas in Darwin’s Expression, poses the main interpretive questions that scholars have raised, and outlines my answers to those questions. Why does Darwin analyze expressions in terms of heritable habits, recalling Lamarck’s debunked theory of evolution, when his own theory of natural selection provides a superior alternative? My answer is that Darwin embraces Hartley’s associationist theory of mind, which posits habit as the basis of thought. I claim that multiple puzzling features of Expression are resolved once we view Darwin as an associationist philosopher.
This chapter examines Darwin’s taxonomy of emotions. I show that nineteenth-century associationists were divided on whether emotion categories exist in nature or are conventional. Herbert Spencer argues that emotion categories exist in nature, anticipating modern basic emotions theory. Thomas Brown argues that emotion categories are conventional, anticipating modern psychological constructionism. I show that Darwin sides with Brown and regards emotion categories as conventional. This finding is surprising, since Darwin is often viewed as a precursor to modern basic emotions theory, which adopts the opposite view.
This chapter argues that Darwin’s philosophical theory of emotion has been forgotten due to paradigm shifts in biology, psychology, and philosophy. These shifts have caused researchers to neglect associationist theories of emotions, including Darwin’s contributions to this school of thought. Having explained why Darwin’s philosophy was forgotten, I conclude by explaining why it should be remembered, given its relevance for contemporary emotions research.