Chapter 1 is a detailed guide to the multifaceted historical backdrop of the Safavids, charting their first transformation, from a Sufi order to a potent Shiʿi empire in Iran. In this exploration, Anatolia holds particular importance, illuminating the region’s significant impact on the Safavid journey and unveiling the movement’s origins within Ottoman territories. This chapter also contends that a rigid understanding of sects and sectarianism does not adequately capture the nuanced emergence of the early Safavid movement and its spread into neighboring regions. Instead, it posits that the Safavid order (and later the state) was the product of a syncretic and turbulent religious, cultural, and political landscape in Southwest Asia during the fourteenth and fifteenth centuries. This perspective is particularly pertinent when connecting Safavid history to recent scholarship that highlights the coexistence and long-term transformations of religious identities in regions such as Anatolia and the Iberian Peninsula, rather than reducing the narrative to one of perpetual tension and abrupt ruptures.

The Conclusion focuses on three of the book’s recurring themes. First is the impact that broad historical forces have had on theatre history. Theatre’s nature as a social art explains why these forces weigh so heavily. Sudden social change (often interregional in scope) presents theatre artists with opportunities to expand their existing audiences or to develop new ones. Second is the frequency with which theatre forms have been shaped by syncretism. New theatre forms use whatever might be available and of interest; their ongoing development similarly takes advantage of whatever might seem appealing. Cultural appropriation is a recurring fact of theatre history. Although one can deplore disrespectful appropriations, no one “owns” a given theatre form or theatrical trait. The third theme is the depth of attraction that dramatic theatre has exerted upon people through the centuries and around the world. The development of drama presented via electronic media only reinforces the idea that “make-believe” performance has a universal appeal.

Marianne Moyaert tackles the timely issue of the encounter between Christian liturgy and the world’s religions. She puts forward the idea that there is no way back to a time before the dialogical turn. Even more so, the dialogue should not refrain from ritual and liturgical aspects. In that respect, comparative theologians are inevitable and evident partners for liturgical scholars.

Unlike many other forms of ‘heresy’, Manichaeism is not a polemical construct but an independent and organised church within the Christian tradition originating in Mesopotamia and Iran in the third century CE. It had its own heresiology against other communities such as the western Catholic-Orthodox church, identifying key points of difference and deviance from the ‘faithful and true Christianity’ of Manichaean doctrine and practice.

The introduction deals with the problematic concept of ‘paganism’ and the nature and variety of Europe’s pre-Christian religions, examining concepts such as animism, religious creolisation, ‘shamanism’, syncretism, and the ‘Christianesque’, as well as exploring the difference between conversion and Christianisation. The introduction argues for the use of the term ‘unchristianised peoples’ as the best one to describe its subject. It surveys the historiography of the last pre-Christian peoples and delineates and justifies the book’s chronological and geographical scope. The introduction critiques the concept of ‘pagan survivals’ in the traditional historiography of European religions, arguing for a tighter definition of pre-Christian religions, and outlines the nature and limitations of the sources available for studying pre-Christian cults.

Chapter 2 argues that syncretism, a form of eclectic union, is temporal as well as spatial. As a temporal form, syncretism consolidates historical events, daily individual experiences, and social practices onto a shared plane. This chapter analyzes syncretism in Risorgimento Florence, examining how the city adapts to serve modern Italy while maintaining its historical significance. I read Florence through the travel narratives of Susan Horner, two guidebooks (Walks in Florence, which Horner coauthored with her sister Joanna; and Mornings in Florence by John Ruskin), and a forgotten novel (Isolina, which I attribute to Susan Horner). Across these genres, syncretism emerges as a temporal form capable of defining liberty democratically so that Florence potentially serves as a model of egalitarianism internationally in response to nineteenth-century revolutions and wars.

This chapter challenges the supposed transformation “from Baal Hammon to Saturn” in North Africa one of the chief grounds upon which narratives of cultural continuity are predicated. It argues that instead of simple syncretism or the persistence of a god, the material signs used to construct and identify the deity to whom stelae were dedicated underwent important transformations in the second and third centuries CE, changes closely tied to the experiences and practices of empire. Stelae of the third and second centuries BCE made a god present indexically; stelae of the imperial period embraced iconicity in ways that were entangled with empire, including new divine epithets tied to imperial authority and new road systems in the province. And by the end of the second century CE, this iconic system could even work to perpetuate clear social hierarchies.

Born in the year of the liberation Korea from Japanese colonisation, Younghi Pagh-Paan (*1945) grew up during the Korean war and the subsequent division of her homeland. Although she trained in Seoul, her career as a composer properly started with her move to Freiburg in Germany in 1974. The result was a culture shock, and, throughout much of her career, Pagh-Paan struggled with her displacement and endeavoured to reconcile her gender and cultural identity as an Asian woman with Western modernism; vowing, in her own words, ‘[n]ot [to] write music that distances me from what […] I perceive inside me as the root of our culture’. This chapter discusses Pagh-Paan’s career and her aesthetic beliefs, such as her commitment to the student movement and democratic opposition in her country and her syncretistic religiosity that embraces the different spiritual traditions of her country, such as Shamanism and Taoism, as well as her fervent Catholicism. Analysing the reflection of these ideas in her music I conclude that, transcending notions of cultural contrast or ‘East-meets-West fusion’, Pagh-Paan’s work is a response to more than a century of intimate entanglements between Western and Korean culture.

This chapter surveys the market for popular works on world religions that exploded in Britain during the 1890s. Critics have explored how scholars like the Oxford Sanskritist F. Max Müller laid the groundwork for religious studies in the twentieth century by mapping global religions onto a global hierarchy of languages and cultures. Such work tends to confirm our view of Orientalism as an extension of imperial power-knowledge. However, middle-class liberals, evangelical missionaries, and occult enthusiasts all had their own reasons for exploring the religions of the world. Their fascinations unfolded against the backdrop of imperial power but were seldom reducible to it. In addition, studying these publications can challenge our association of the “Naughty Nineties” with radicalism and subversion by showing the importance that middlebrow religious culture played in broadening religious horizons. Popular Victorian publications on Buddhism, Islam, Zoroastrianism, and Hinduism would lay the basis on which Anglo-American religious liberalism could flourish into the postwar period.

Christianity was a growing religion in Britain from the 330s onwards, and Chapter 3 tackles the difficult question of the relationship between Christianity, Christianisation and godlings. The chapter examines the phenomenon of Christian demonisation of pagan cults, arguing that it was a more complex process than mere condemnation and suppression, which inadvertently produced the potential for the survival (and even reinvention) of some of the beings it targeted. Through comparisons with the better evidenced Christianisation of other cultures in Europe and further afield, the chapter develops an interpretative framework for the likely changes undergone by popular religion in Britain’s lengthy conversion period. The framework includes the likely ‘undemonisation’ of formerly demonised entities and the creative ‘re-personification’ of supernatural forces to account for the survival and reinvention of godlings in a Christianised society – where godlings should not be seen so much as ‘pagan survivals’ but rather as non-Christian artefacts of Christianisation.

This essay examines the textual representation of creole religiosity as it developed in the sixteenth and seventeenth centuries during its transition from a transplanted, transatlantic belief system into a hybrid American faith. Various textual genres attest to this Creole faith in transition including spiritual life writings, chronicles of religious orders, sermons and tracts dealing with miracles and portents, as well as more formal literary genres including theater and poetry. Creole religiosity was a highly gendered phenomenon, and these texts reveal the contours of the exemplarity the Church demanded from men and women as well as the challenges launched against these ideals. Authors studied here include the canonical like Sor Juana Inés de la Cruz and Carlos de Sigüenza y Góngora, as well as nuns and clerics whose names are less familiar but whose texts bring New Spanish devotional culture to life.

This chapter introduces the volume by offering a reflection on the notion of transition within and across Latin American literary production from 1492 to 1800. This period is defined by a series of transitions as, motivated by personal ambitions or brought by force, Europeans and later Africans and Asians crossed oceans to inhabit the already inhabited lands of the Indies. Native societies and the emergent European colonial societies were transformed by these interactions and the processes that underlay them. This introductory essay explores the broad historical context for this period of transition as it was registered on local and global scales. The book is organized around six thematic areas, which in turn are introduced.

The present study explores the learnability of complex morphological patterns, specifically number and gender categories. The typology of morphological systems suggests that infrequent, complex, and structurally marked categories such as the dual are more likely to show neutralization or syncretism than unmarked categories. In two artificial language learning experiments, adult English speakers were exposed to a language with noun class categories both for gender and number. Results suggest that syncretism of gender across dual forms allows for greater learnability of the dual form. However, overall learnability was not affected by whether syncretism occurred in the singular, dual, or plural. These results further the understanding of the cognitive mechanisms that shape complex morphological patterns.