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This paper publishes for the first time two apparently unprovenanced Westland cauldrons in the collections of the Society of Antiquaries of London. An argument is made that these vessels are two of the three cauldrons from the lost Halkyn Mountain hoard found c 1760.
Cultural inheritance is a central issue in archaeology. If variation were not inherited, cultures could not evolve. Some archaeologists have dismissed cultural evolutionary theory in general, and the significance of inheritance specifically, substituting instead a view of culture change that results from agency and intentionality amid a range of options in terms of social identity, cultural values and behaviours. This emphasis projects the modern academic imagination onto the past. Much of the archaeological record, however, is consistent with an intergenerational inheritance process in which cultural traditions were the defining characteristics of behaviour.
Between 1899 and 1902, Anglo-French archaeologist George Bonsor carried out an exploration of the Scilly Isles (United Kingdom). At that time the archipelago was believed to be the Cassiterides or Tin Islands mentioned by authors such as Strabo, Pliny the Elder and Ptolemy – an idea first posited by William Camden in his Britannia (1586). Adopting Camden’s theory and guided by ancient literature on the Cassiterides – which refers to the Phoenicians as the first controllers of this trade route – Bonsor sought traces of the Phoenicians and their tin trade in the Scilly Isles, becoming the first person to conduct such research from an archaeological perspective. Not having found any evidence, his exploration remained unpublished and went mostly unnoticed in debates about the Tin Islands over following decades. This paper presents a brief historiographical account on the Cassiterides before and after the explorations, as well as a critical analysis of Bonsor’s field notes regarding his use of ancient sources and his archaeological method. The analysis carried out suggests that Bonsor’s archaeological exploration has been overlooked thus far and that a new assessment of his work is required.
Religious practice in the Roman world involved diverse rituals and knowledge. Scholarly studies of ancient religion increasingly emphasise the experiential aspects of these practices, highlighting multisensory and embodied approaches to material culture and the dynamic construction of religious experiences and identities. In contrast, museum displays typically frame religious material culture around its iconographic or epigraphic significance. The author analyses 23 UK museum displays to assess how religion in Roman Britain is presented and discusses how museums might use research on ‘lived ancient religion’ to offer more varied and engaging narratives of religious practices that challenge visitors’ perceptions of the period.
I thank Bentley and O'Brien (2024) for their cogent review of issues associated with inheritance and intention in cultural evolution. Intent is, of course, present in cultural process and that begs the question as to when and how we concern ourselves with it as a factor in cultural evolution (Rosenberg 2022). Intent underlies our understanding of both micro- and macro-scale processes of cultural evolution. Lamarckian microevolutionary process depends on decision-makers choosing whether or not to accept and sometimes alter cultural traits (Boyd & Richerson 1985). Zeder (2009, 2018) points out that even long-term change may be affected by conscious infrastructural investments that alter capacity for socioeconomic production and, subsequently, canalise later developments.