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The recent discovery of animal carvings in the Early Bronze Age burial cairn at Dunchraigaig (Kilmartin Glen, Scotland) prompts a re-evaluation of current knowledge of rock art in Britain. The deer and other quadrupeds represented in the monument are the first unambiguous depictions of prehistoric animals of prehistoric date in Scotland, and among the earliest identified in Britain and Ireland. This contrasts with the well-known abstract carvings of rock art in this region, characterized by cup-marks and cup-and-rings. The discovery also reinforces the special character of Kilmartin Glen as one of the most original and remarkable Neolithic–Bronze Age landscapes of monumentality and rock art in Britain. This article describes the process of authenticating the Dunchraigaig carvings as part of the Scotland's Rock Art Project (ScRAP) and discusses their implications for our understanding of prehistoric rock art in Scotland, Britain and Atlantic Europe more widely.
Durante la época prehispánica, la obsidiana se caracterizó por ser una materia prima de primera necesidad para la elaboración de gran variedad de objetos. La tecnología de talla para la extracción de diversos artefactos fue una importante actividad económica. En el occidente de México, la obsidiana resultó un recurso fundamental debido a su abundancia y a la diversidad de yacimientos presentes. Sin embargo, no todos los vidrios volcánicos disponibles tienen las características idóneas para la talla especializada. En la región Valles, dentro de las cuencas centrales del estado de Jalisco, se encuentran dispersos nódulos de obsidiana, con un alto grado de inclusiones, que ha sido referida meramente como “obsidiana de baja calidad”. Hasta ahora, en pocas ocasiones se le ha dado la importancia debida en cuanto al estudio de su composición geoquímica, a pesar de que este sirva para contrastarlo con aquellas que sí fueron empleadas como materia prima. El siguiente trabajo busca establecer las características de la obsidiana disponible en el sitio Atitlán, ubicado en la antigua Cuenca de Magdalena, para compararla con los desechos de un espacio en el que son evidentes talleres especializados de talla intensiva para la extracción de láminas que sirvieron para elaborar piezas útiles. Entre los objetivos primordiales del artículo, es comparar sus particularidades con las de la obsidiana empleada en el proceso productivo proveniente del sitio La Joya. Gracias a esta investigación, demostramos que la obsidiana disponible en la isla no fue aprovechada debido al tamaño de los nódulos disponibles y al alto grado de porosidad e inclusiones.
Excavated over two centuries ago, the Upton Lovell G2a ‘Wessex Culture’ burial has held a prominent place in research on Bronze Age Britain. In particular, was it the grave of a ‘shaman’ or a metalworker? We take a new approach to the grave goods, employing microwear analysis and scanning electron microscopy to map a history of interactions between people and materials, identifying evidence for the presence of Bronze Age gold on five artefacts, four for the first time. Advancing a new materialist approach, we identify a goldworking toolkit, linking gold, stone and copper objects within a chaîne opératoire, concluding that modern categorisations of these materials miss much of their complexity.
This chapter synthesizes the book's arguments in a concluding discussion that brings the world of Archaic Cyprus into more substantive conversation on approaches to human-environment relationships writ large, from the horizons of eighth- and seventh-century BCE transformation across the Mediterranean to our contemporary struggles to conceptualize future triangulations of social and environmental change. It first summarizes the explanations for the settlement and land use patterns discernible in the material records from the Vasilikos and Maroni valleys, articulating local heterogeneities with signs of social inequality at the coastal town of Amathus. It then provides a hypothesis for the growth of social complexities during the Iron Age, driven by land management. Finally, Kearns contends that the Archaic countrysides of Cyprus also matter to conversations happening amongst scholars of the humanities, social sciences, and natural sciences, as well as broader public audiences, on the seemingly threatening mediations of society and inequality that our current climatic regimes, and the unruly Anthropocene, present.
In this chapter, Kearns traces the novel politics and communities developing in the neighboring Vasilikos and Maroni river valleys, to the east of the town of Amathus. Their commonly described position as a marginal hinterland provides an opportunity to explore rural dynamics at multiple registers. Survey data and rescue excavations form an evidentiary dataset with which to interrogate the generative ties between clusters of settlements and Amathus that produced unruliness across variable and interconnected scales. One critical theme is continuity and impermanence, and the differentiated patterns of access, appropriation, and management taken up by groups returning to sites of prehistoric and protohistoric occupation. Another is social stratification, which entails the development of local autonomous figures, potential community leaders, or members with elevated status. These actors advanced special relationships with Amathusian authorities and local groups through the construction of gathering places such as cemeteries and shrines. The chapter situates these dynamics in habitation, non-quotidian activity, and land use within a framework of a small near-shore world entangling rural sites with maritime economies.
In the introductory chapter, Kearns begins by looking closely at the Idalion Tablet, one of the surviving inscriptions from fifth-century BCE Idalion, on Cyprus, which lists land property in the territory of the town. She uses the inscription to introduce the main themes and arguments of the book. These include a focus on rural settlements and histories to complement studies of urbanism and attention to environmental changes and human experiences with climate through concepts of weathering and unruliness. To build a critical landscape archaeology, the chapter outlines approaches to ancient countrysides and human-environment relationships that push beyond narratives of societal collapse. Kearns also introduces the case study of Archaic Cyprus, a period of transformative social and environmental change, with which she will examine unruly landscapes. The chapter closes with a guide to the remaining chapters as well as a note on periodization.
This chapter adopts a more granular view to examine three places within the Vasilikos and Maroni region that illustrate the complexities of emergent rural landscapes. Three vignettes center on assemblages of environmental materials, site-level processes, and land use practices, from the copper mines and gypsum outcrops of the Vasilikos Valley to the littoral soils of the Maroni watershed.These landscapes mediated the shifting society-environment interactions taking shape alongside the associated growth of rural networks and the town of Amathus. The chapter presents the methodological integration of survey data, excavated materials, paleoenvironmental data, and geoarchaeological analyses that build a holistic picture of emerging vernacular landscapes and their historically contingent ambiguities and complexities.
Ancient Egyptian art features many carefully observed depictions of wild animals and birds. A famous example is the late Eighteenth Dynasty (fourteenth-century BC) wall paintings of the Green Room in the North Palace at Amarna, where naturalistic depictions of birds feature prominently. Their taxonomic identity, however, is not resolved in all cases. Here, the authors revisit the facsimiles produced in the 1920s by Nina de Garis Davies. Mindful of previous works, taphonomy and the interplay between naturalistic observation and artistic licence, they employ ornithological resources to conduct a qualitative assessment and propose a parsimonious scheme of identifications, relating the results to long-standing questions concerning ecological and stylistic aspects in the artwork.
This chapter provides a survey of the close of the Late Bronze Age and the rise of Iron Age towns, and delivers an updated synthesis of existing evidence and arguments for climatic shifts across the eastern Mediterranean from the twelfth to fourth centuries BCE. Kearns then undertakes an island-wide comparative analysis of ruralization and urbanization apparent in survey records by the mid-first millennium BCE. Focusing on legacy and recent survey data, the chapter argues for oscillations in sedentism across the island as communities experienced environmental changes and cultivated new weathering practices, and situates the re-emergence of social differentiation in the relationships between households and land and new spaces for public gathering at tombs and shrines.
The authors present the results of a drone-based airborne LiDAR survey of the fifth century AD Tsukuriyama mounded tomb group in Okayama Prefecture, Japan, revealing the relationship between tomb building and the surrounding landscape during Japan's period of ancient state formation.