Florence, Bibliotheca Riccardiana MS 996 is an interesting miscellany of late fifteenth- and early sixteenth-century texts. Among the manuscript's curious content is Dominici Cerbonii Tifernatis TERtheus Magus (‘The Triple God Magus of Domenico Cerbonio from Città di Castello’, fols 7r–10v). Evenly written in a neat humanistic cursive, with rubrication for the titles and a single marginal note (interpreted here as a stage direction), these folios form an account, in Latin prose and verse, of a necromantic ritual performed by members of the Roman Academy in which the shades of Cicero and Virgil are conjured from the pagan underworld to admire the Renaissance city. It is tempting to take this pagan rite as proof of the charges of heresy levelled at members of the Academy for which they were arrested and imprisoned in Castel Sant'Angelo on the orders of Pope Paul II Barbo (r. 1464–71) during Lent, 1468. However, this paper argues that the texts are evidence of a dramatic performance with scenery (or at least a theatrical backdrop) staged by the members of the reformed Academy as part of their annual celebrations of the Palilia (or Parilia) on Rome's birthday 21 April c. 1501.

Over the past decade, the literacy rate of the pupils I teach has been declining. This has led to some problems with GCSE Classical Civilisation, where pupils are not strong enough readers to fully access the prescribed sources. To counter this, one of my former colleagues suggested that we use the Classic Tales resources as the basis for our Year 9 course (students aged 13). The aim is to teach the pupils as much mythology as possible, which is an excellent foundation for the myth and religion unit, and to get them to read as much as we can, using the interactive reader, pdf transcripts, and recordings of the stories to engage all pupils in the class. The aim of this paper is to discuss the successes and failures of this strategy.

This interdisciplinary study contributes to the understanding of the use of raw materials and pottery production techniques in Late Punic–Late Republican Malta, focusing on the Tas-Silġ sanctuary and the Żejtun Villa. Plates, bowls and cooking vessels were described typologically, and their fabrics were characterised using polarised light microscopy and Energy Dispersive X-Ray Fluorescence. The aims were to classify these vessels into integrated and coherent fabric groups based on all analyses, to better understand the local production of vessels and to assess a possible local provenance.

Four integrated fabric groups were identified and represent local productions using distinct raw materials or production techniques. These groups can be distinguished typologically, macroscopically, petrographically and chemically. Multivariate techniques, including the chemical analysis of Maltese clays, were produced to enhance the fabric classification and discuss their raw materials. The raw materials identified are consistent with what is known in Maltese geology. One group is distinctive, and the results suggest the possible use of a previously unidentified raw material, Terra Rossa, found over the Upper Coralline Limestone. This new classification provides the basis for further studies of Late Punic–Roman sites in the Maltese islands and the future identification of imports and exports from the Maltese islands.