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This chapter discusses the elements of a web-induced digital world where the boundaries between what is concrete and relatable are in perpetual jeopardy, with a constant threat to the distinction between what is real and what is ‘fake’. The advent of deepfake software, which can easily alter faces and manipulate screen interactions, and the implementation of the dark web have given rise to new criminological and zemiological realities. From astroturfing (a deceptive tactic in which organizations or individuals fabricate grassroots support for a cause, product, or idea) and sock-puppets (artificial online identities created by an individual or organization to manipulate discussions, promote products, or influence opinions without disclosing the true source) to catfishing (the act of creating a fake online persona, typically on social media or dating platforms, to deceive another individual), these virtual phenomena gain increasing importance as misinformation proliferates rapidly across the internet. This chapter examines the increasing hijacking of reality, the hyperreal elements within artificial intelligence's (AI’s) potential, and the responsibility of indefinitely altering the ‘Onlife’ dimension.
Creeping abnormalities
Most of this book has been authored by AI. Well, no, it has not. But as a reader, you would not necessarily know that – at least not yet, or in this edition. My ‘name’ is on the cover, and you might assume I conducted most of the work and research. However, that's not necessarily the case. While Leonardo da Vinci's original handwritten notes of his various Codex are accessible, contestable, and comparable, the digital authorship of the very words you are reading – printed, shared, and digitized – is about as anonymous as it gets.
In Aleksandr Solzhenitsyn's novel In the First Circle published in 1968 (Solzhenitsyn, 2009), the 1970 winner of the Nobel Prize in Literature explores the lives of prisoners in a Soviet labour camp during the Stalinist era. Rather than dwelling on the stark horrors of the Siberian nightmare, as Arthur Koestler does in the chilling 1940 novel Midnight at Noon, Solzhenitsyn offers a more nuanced perspective focusing on a softer, quasi-gentle reality, depicted over the course of three days within the ‘sharashka’ section of the Gulag. The ‘sharashka’ is a low-guarded area reserved for scientists and intellectuals who benefit from better conditions than those in the hard-labour camps in exchange for working on experimental and ethically dubious scientific and technical projects for the state.
In contrast to their fellow prisoners in the deadly labour camps, Solzhenitsyn utilizes the metaphor of scientists living in a ‘limbo’ state – like the pagan thinkers in Dante's Inferno. They are decently fed, kept warm, and even allowed an element of romance with their guards. However, the subtle burden of living in an ‘ivory tower’ weighs heavily on the main characters, leading them to question their morality and their sense of freedom, which has been reduced to mere survival within the confines of state-approved silence.
Among the research conducted by the secluded scientists, emphasis is given in the novel to the ‘study’ of the human voice and how an agent may precisely identify and correlate an individual to a specific phone call without reasonable doubt.
Recent years have witnessed a blurring between our day-to-day real-world existence and our online presence. We live our lives both online and offline, switching between the two and often interacting with both at the same time. Talk of a metaverse and an Internet of things further blurs these boundaries. In this way it makes less sense to have a neat divide between what is real and what is virtual. Instead, by drawing on Luciano Floridi and colleagues (2015), we can think in terms of an ‘Onlife’ existence, both online and real life, one impacting the other in a hyperconnected reality. In this important book Janos Mark Szakolczai develops this idea and applies it to criminology. While there have been books on cybercriminology, Janos takes this further by considering the harms and/or crimes that are possible in an Onlife world, in those blurred spaces between real world and online world.
Books in the New Horizons in Criminology series provide concise authoritative texts that reflect cutting-edge thought and theoretical developments in criminology and are international in scope. The aim is for them to be written so that the non-specialist academic, student, or practitioner can understand them by explaining ideas clearly before going deeper into the subject. This is the approach Janos has taken with this book. It starts by looking at the evolution of the internet in Chapter 1, from a utopian space to one where there is control, harm, and criminality.
Today's Onlife engagement provides unprecedented levels of communication between otherwise unconnected users. Social media has effectively provided concrete instances of moral panic that underscore the delicate balance of online discussions and their impact on everyday life. Already well-known on the anonymous image-board platform 4chan (Threadgold, 2019; Ball, 2023) hybrid forms of mass raids have gained global attention. These incidents often involve groups of youths, dressed in dark hoods, storming popular shops to steal goods in a swift, coordinated manner – a trend widely reported across the UK in recent years. Similar tactics have also been observed in the US and Brazil, where social media has played a key role in mobilizing pro-Trump supporters (Klein, 2023) and pro-Bolsonaro groups (Malleret et al, 2023), amplifying and organizing such actions. More subtly, social media platforms foster environments where toxic elements mirror traits associated with the ‘Dark Tetrad’ of personality – narcissism, Machiavellianism, psychopathy, and sadism (Craker and March, 2016). These traits are not only visible in the toxic gendered communities of spaces like the so-called ‘manosphere’ or ‘femcels’ but they also serve to ignite and spread harmful ideologies and behaviours that cross races, gender, and the political spectrum (Johanssen and Kay, 2024), with artificial intelligence (AI) chatbots only making the matter more complex and harder to reason with (Alegre, 2024). Despite the damaging nature of toxic communities, intervention by platform moderators often comes too late – banning content and users only after significant harm has already been done (Hoffman et al, 2020; Ball, 2023).
Control of information has become a central element of the everyday use of smart devices. Users consult devices accessible only through strictly individualized biometric features, such as face recognition and fingerprints, inserting keys and opening new screens that unfold our intimate space. They store an increasing amount of information at the tip of our fingers, which includes both vital and trivial matters, from work-related to anything intimate. The content of the device is personal, and the information is not simply private, but secret. By this means, secrecy has for evermore become a key dimension of modern life. It is a pervasive aspect of our technologies and is particularly embraced within smart features and devices (see Knight and Saxby, 2014; Knights and Morris, 2015) To hide is an action perpetually suggested to the user, and they need to constantly generate hidden content. But more than that, our text messages and chats appear to be ‘secret’, protected by encrypted technologies, yet such protection is flawed: we can easily screen-shot conversations and share them online – with serious criminological implications (Lavorgna et al, 2022). Such conditions are in no way marginal, nor marginated.
This chapter looks at technological innovation replicating elements of harm and criminality on a structural and corporal level – with direct effects on users, consumers, and producers. It offers an analysis of profit-based Big Tech misconduct, with particular emphasis on Amazon's web-based dynamics of control over consumers and staff; gig economy abuse (Uber and the like); technological planned obsolescence; and environmental harms and green criminology perspectives.
The ambiguity of contemporary life constantly tackles the existence of ‘reality’ and the multiple dimensions of its ‘essence’. Our Globalized technocracies are fundamentally shared within an online, internet-induced, digital, and, especially ‘virtual’ world, combined with concrete, ‘in real life’ (IRL), away-from-keyboard (AFK), and ‘meatspace’ existence. Mireille Hildebrandt's work emphasizes that our real lives are neither solely online nor offline, highlighting a blended existence that we are still in the process of understanding (Hildebrandt, 2015: 42). Hildebrandt asserts that we are transitioning from an information society to a data-driven society, which has significant implications for the world we rely on, underscoring the extensive use of machine-learning technologies that drive data-driven agency, posing threats to privacy, identity, autonomy, non-discrimination, due process, and the presumption of innocence. For Luciano Floridi, hyperconnected human societies are becoming more and more similar to ‘mangroves growing in brackish water’ (Floridi, 2020: 1). This is the fundamental basis of the Onlife Manifesto, edited by Floridi in 2015, and is a central reference of this book. As coined by Floridi, the term ‘Onlife’ is a blending of the words ‘online’ and ‘life’, implying ‘the new experience of a hyperconnected reality within which it is no longer sensible to ask whether one may be online or offline’ (Floridi, 2015: 1). Floridi and his colleagues drew inspiration from Hannah Arendt's The Human Condition (1958) to explore how information and communication technologies (ICTs) interact with public spaces and contemporary life (Simon and Ess, 2015).
Underwater robots conducting inspections require autonomous obstacle avoidance capabilities to ensure safe operations. Training methods based on reinforcement learning (RL) can effectively develop autonomous obstacle avoidance strategies for underwater robots; however, training in real environments carries significant risks and can easily result in robot damage. This paper proposes a Sim-to-Real pipeline for RL-based training of autonomous obstacle avoidance in underwater robots, addressing the challenges associated with training and deploying RL methods for obstacle avoidance in this context. We establish a simulation model and environment for underwater robot training based on the mathematical model of the robot, comprehensively reducing the gap between simulation and reality in terms of system inputs, modeling, and outputs. Experimental results demonstrate that our high-fidelity simulation system effectively facilitates the training of autonomous obstacle avoidance algorithms, achieving a 94% success rate in obstacle avoidance and collision-free operation exceeding 5000 steps in virtual environments. Directly transferring the trained strategy to a real robot successfully performed obstacle avoidance experiments in a pool, validating the effectiveness of our method for autonomous strategy training and sim-to-real transfer in underwater robots.
Our family album is often the first medium through which we encounter war: nestled in the heart of home life and revisited throughout childhood, its pages intertwine peacetime photos of vacations and gatherings with wartime images featuring smiling soldiers and pastoral landscapes from missions abroad, blending these contrasting realities into one familiar story. This article introduces, for the first time, this overlooked heritage, tracing its roots to WWI – the first conflict photographed by the public. With the outbreak of war, the amateur photography industry, focused on leisure and holidays, came to a halt. Kodak found an unexpected solution: rebranding the camera as a tool to transform harsh realities into peaceful moments by capturing images that portrayed war as joyfully as a summer vacation. It marketed the zoom as a way to avoid violence by keeping it out of the frame while promoting one-click shooting as a means to preserve fleeting moments of beauty amid chaos. The flash was positioned as a source of optimism in dark times, and the family album was framed as a nostalgic object creating a view of the ongoing war as if it had already ended. Capitalizing on witnesses’ longing for peace, this campaign achieved unprecedented success, establishing norms for amateur war photography. This article defines this model that shapes how we see, capture, and share the experience of war, acquiring renewed significance as amateur war photography expands from family albums to the global reach of social media.
This study investigates the applicability of generative artificial intelligence (AI) in early-stage architectural design by evaluating the daylight performance of AI-generated sustainable housing plans across five distinct climate zones. A three-phase methodology was implemented: (1) Plan generation using text-to-image diffusion models (ChatGPT, Copilot, and LookX); (2) digital reconstruction in AutoCAD; and (3) daylight simulation via Velux Daylight Visualizer. Climate-adaptive prompts were formulated to guide the AI tools in producing context-specific floor plans with passive strategies. Out of 31 initial plans, eight valid outputs (five from ChatGPT and three from Copilot) were reconstructed in AutoCAD and simulated. Quantitative simulations were conducted on equinox and solstice dates, and average illuminance values were analyzed for key interior spaces (living room, kitchen, and bedroom). ChatGPT-generated plans demonstrated higher spatial clarity and more balanced daylight performance, whereas Copilot outputs varied significantly, and LookX was excluded due to insufficient architectural legibility. Results revealed that none of the models consistently integrated solar orientation or seasonal lighting considerations, indicating a gap between generative representation and environmental logic. The research contributes a replicable workflow that bridges generative AI and performance-based evaluation, offering critical insight into the current limitations and future potential of AI-assisted architectural design. The findings underscore the need for next-generation AI systems capable of semantic, spatial, and climatic reasoning to support environmentally responsive design practices.
The Grothendieck construction establishes an equivalence between fibrations, a.k.a. fibred categories and indexed categories and is one of the fundamental results of category theory. Cockett and Cruttwell introduced the notion of fibrations into the context of tangent categories and proved that the fibres of a tangent fibration inherit a tangent structure from the total tangent category. The main goal of this paper is to provide a Grothendieck construction for tangent fibrations. Our first attempt will focus on providing a correspondence between tangent fibrations and indexed tangent categories, which are collections of tangent categories and tangent morphisms indexed by the objects and morphisms of a base tangent category. We will show that this construction inverts Cockett and Cruttwell’s result, but it does not provide a full equivalence between these two concepts. In order to understand how to define a genuine Grothendieck equivalence in the context of tangent categories, inspired by Street’s formal approach to monad theory we introduce a new concept: tangent objects. We show that tangent fibrations arise as tangent objects of a suitable $2$-category and we employ this characterisation to lift the Grothendieck construction between fibrations and indexed categories to a genuine Grothendieck equivalence between tangent fibrations and tangent indexed categories.
This text accompanies the performance A Foot, A Mouth, A Hundred Billion Stars, which premiered at the Lapworth Museum of Geology in the United Kingdom on 18 March 2023, as part of the Flatpack film festival. It includes both the text and a film version, developed during a residency at the museum. Over 18 months, I had full access to the collection and archives, selecting objects that served as prompts for stories about time and memory. A central theme of the work is slippage – misremembering and misunderstanding – as a generative methodology for exploring the connection between the collection, our past, and possible futures.
A Foot, A Mouth, A Hundred Billion Stars combines analogue media and digital technologies to examine our understanding of remembering and forgetting. I used a live digital feed and two analogue slide projectors to explore the relationships between image and memory. This article does not serve as a guide to the performance but instead reflects on the process and the ideas behind the work. My goal is to share my practice of rethinking memory through direct engagement with materials. In line with the performance’s tangential narrative, this text weaves together diverse references, locations, thoughts, and ideas, offering a deeper look into the conceptual framework of the work.
Earth’s forests play an important role in the fight against climate change and are in turn negatively affected by it. Effective monitoring of different tree species is essential to understanding and improving the health and biodiversity of forests. In this work, we address the challenge of tree species identification by performing tree crown semantic segmentation using an aerial image dataset spanning over a year. We compare models trained on single images versus those trained on time series to assess the impact of tree phenology on segmentation performance. We also introduce a simple convolutional block for extracting spatio-temporal features from image time series, enabling the use of popular pretrained backbones and methods. We leverage the hierarchical structure of tree species taxonomy by incorporating a custom loss function that refines predictions at three levels: species, genus, and higher-level taxa. Our best model achieves a mean Intersection over Union (mIoU) of 55.97%, outperforming single-image approaches particularly for deciduous trees where phenological changes are most noticeable. Our findings highlight the benefit of exploiting the time series modality via our Processor module. Furthermore, leveraging taxonomic information through our hierarchical loss function often, and in key cases significantly, improves semantic segmentation performance.
A wrist-hand exoskeleton designed to assist individuals with wrist and hand limitations is presented in this paper. The novel design is developed based on specific selection criteria, addressing all the Degrees of Freedom (DOF). In the conceptual design phase, design concepts are created and assessed before being screened and scored to determine which concept is the most promising. Performance and possible restrictions are assessed using kinematic and dynamic analysis. Using polylactic acid material, the exoskeleton is prototyped to ensure structural integrity and fit. Manual control, master-slave control, and electroencephalography (EEG) dataset-based control are among the control strategies that have been investigated. Direct manipulation is possible with manual control, nevertheless, master-slave control uses sensors to map user motions. Brain signals for hand opening and closing are interpreted by EEG dataset-based control, which manages the hand open-close of the exoskeleton. This study introduces a novel wrist-hand exoskeleton that improves usefulness, modularity, and mobility. While the numerous control techniques give versatility based on user requirements, the 3D printing process assures personalization and flexibility in design.