Classic Maya hieroglyphic writing displays a coherence across time and space that points to intensive, sustained communication among scribes about what they were writing and how. Yet we know little about what scribal transmission looked like on the ground or what knowledge scribes were conveying among themselves. This article examines the monumental hieroglyphic corpora from two communities, at Copan in western Honduras and at Palenque in Chiapas, Mexico, to illustrate local processes of innovation and exchange that shaped participation in regional transmission. I argue that distinct ‘cultures of creativity’ developed at Copan and Palenque from local elites’ varying understanding of their position in the Maya world and the nature of hieroglyphic inventions. These case studies attest to the multi-faceted nature of scribal production and exchange within a hieroglyphic tradition that remained largely coherent despite never being centrally administered. In addition, the study's palaeographic methods suggest possibilities for tracing dynamics of cultural innovation and transmission in the ancient past at multiple scales of society.

This paper provides a framework to highlight the entanglement of discovery and historiography based on the example of the rock-relief figure of Karabel (Turkey), a pivotal monument to recognize the Hittites and the biblical past. I lay out the common narrative of the re-discovery's story that resemble a hagiography, and I put it into perspective with critiques from post-colonial studies. Due to the ongoing damage at the figure of Karabel, I hypothesize that the one-sided role of the monument in the story of the re-discovery of the Hittites by western scholars is insufficient to avoid the radical rejection of the Karabel relief by some people. This article is theory-in-practice: it highlights some pitfalls and tells a story with more diversity, open thought, and considerations beyond traditional narratives of power in passéist oriental archaeology.

Reconstructing the technical and cognitive abilities of past hominins requires an understanding of how skills like stone toolmaking were learned and transmitted. We ask how much of the variability in the uptake of knapping skill is due to the characteristics of the knapping sequences themselves? Fundamental to skill acquisition is proceduralization, the process whereby skilful tasks are converted from declarative memories (consciously memorized facts and events) into procedural memories (sub-consciously memorized actions) via repetitive practice. From knapping footage, we time and encode each action involved in discoidal, handaxe, Levallois and prismatic blade production. The structure and complexity of these reduction sequences were quantified using k-mer analysis and Markov chains. The amount of time spent on tasks and the pattern of core rotations revealed portions of these reduction sequences that are predisposed to being converted into procedural memories. We observed two major pathways to achieve this proceduralization: either a repetitive or a predictable sequence of core rotations. Later Acheulean handaxes and Levallois knapping involved a predictable platform selection sequence, while prismatic blade knapping involved a repetitive exploitation of platforms. Technologies and the portions of their reduction sequence that lend themselves to proceduralization probably facilitated the more rapid uptake of stone toolmaking skill.

The recent discovery of animal carvings in the Early Bronze Age burial cairn at Dunchraigaig (Kilmartin Glen, Scotland) prompts a re-evaluation of current knowledge of rock art in Britain. The deer and other quadrupeds represented in the monument are the first unambiguous depictions of prehistoric animals of prehistoric date in Scotland, and among the earliest identified in Britain and Ireland. This contrasts with the well-known abstract carvings of rock art in this region, characterized by cup-marks and cup-and-rings. The discovery also reinforces the special character of Kilmartin Glen as one of the most original and remarkable Neolithic–Bronze Age landscapes of monumentality and rock art in Britain. This article describes the process of authenticating the Dunchraigaig carvings as part of the Scotland's Rock Art Project (ScRAP) and discusses their implications for our understanding of prehistoric rock art in Scotland, Britain and Atlantic Europe more widely.

Animals were central elements in many early state political economies. Yet the roles of livestock in building and financing the state generally remain under-theorized, particularly in comparison with other major elements such as crop intensification and bureaucratic technologies. We compare the political economies of two highly centralized and expansive states—the Inca in the central Andes and Ur III in southern Mesopotamia—through a deliberately animal-focused perspective that draws attention to the unique social and economic roles of the livestock that underpinned both imperial financing and household resilience. Despite important differences in the trajectories of the two case studies, attention to the roles played by animals in early states highlights several underlying dynamics of broader interest including the translation between modes of production and accumulation, the interplay between animal-based mobilities and territorial integration, and the functions of livestock in state regimes of value and political subjectivity.

Mortuary rituals are conservative and transformative. As practices of hands-on and conceptual learning, memory making, and inter-generational knowledge transfer they take place within Communities of Practice, where emotionality and temporalities shape learning about death, interment, and commemoration. Drawing on mortuary, ethnographic, and archaeothanatological evidence, this paper explores how inhabitants of the provincial Tiwanaku site Omo M10 (eighth–twelfth centuries ce) in southern Peru experienced and learned death and burial. The reconstruction of three stages of funerary ritual—body preparation, interment, and remembering—represents distinct episodes of bundling. During each stage, increasingly more diverse participants, materials, spaces, and activities differentially shape episodic memory formation and knowledge transfer. I propose that coming to understand the constituent participants, practices, and knowledge of mortuary ritual as emergent and heterogeneous Communities of Practice has important implications for the interpretation of synchronic and diachronic mortuary variability.

Thus far, most researchers have focused on the cognition of fire use, but few have explored the cognition of firemaking. With this contribution we analyse aspects of the two main hunter-gatherer firemaking techniques—the strike-a-light and the manual fire-drill—in terms of causal, social and prospective reasoning. Based on geographic distribution, archaeological and ethnographic information, as well as our cognitive interpretation of strike-a-light firemaking, we suggest that this technique may well have been invented by Neanderthal populations in Eurasia. Fire-drills, on the other hand, represent a rudimentary form of a symbiotic technology, which requires more elaborate prospective and causal reasoning skills. This firemaking technology may have been invented by different Homo sapiens groups roaming the African savanna before populating the rest of the globe, where fire-drills remain the most-used hunter-gatherer firemaking technique.

San forager populations in nineteenth-century southern Africa were forced to adapt to greatly destructive aspects of the colonial project. Forging new societies from heterogeneous sources, they engaged in prolonged armed insurgency, recording their exploits, presence and beliefs in the rock-art archive of the Maloti-Drakensberg. These images reference conflict and trauma, conventionally interpreted as visions of spiritual warfare. However, viewed through the lens of post-traumatic stress disorder (PTSD), deeper dimensions emerge. PTSD is the culturally subjective experience of generalizable neuropathologies which develop following a traumatic event. Diagnosable in diverse communities worldwide, it nonetheless requires insider idioms to understand its local expressions. We explore how PTSD manifested in this historic and cultural context; how its symptomatic social dysfunctions would have been understood in forager aetiology, and how its intrusive flashbacks would have intruded on altered-state experiences induced to heal the consequences of violence. We find that the artists were not passive victims of trauma, but rather used art symbolically to reconsolidate individual and collective understandings of traumatic events.

In this paper, we discuss the occurrence of lions, bears and leopards in south Levantine archaeological assemblages between the last glacial maximum (c. 25,000 years ago) and the Iron Age (c. 2500 years ago). We argue that the occurrence of these large carnivores constitutes a significant long-term cultural feature that begins with the first settled hunter-gatherer communities of the Natufian culture. Importantly, we show that carnivoran species representation in the archaeological record shifts through time, with leopards common during the Neolithic and lions and bears during the Bronze and Iron ages. These shifts, we suggest, are best understood as reflecting the interplay between costly signalling and symbolism as they interacted through processes of increasing socio-political complexity.

Architectural reuse was common in ancient Egypt. Modern interpretations of this practice, particularly in royal contexts, usually ascribe it either a practical or ideological function, only rarely considering it possible that different motivations were involved. This type of approach is particularly true for the reuse of Old Kingdom blocks by the Middle Kingdom king Amenemhat I in his pyramid at Lisht, a case often classified as solely utilitarian. However, an approach that prioritizes not only the ancient Egyptian worldview and royal ideology, but also how this case of reuse fits into cross-cultural considerations of monumentality, demonstrates the necessity to look at this practice more holistically. This study focuses in particular on the possibility that the transportation of reused materials by Amenemhat I was a spectacle of construction used to showcase the king's legitimacy and authority at the start of a new dynasty.

This paper focuses upon alterity and how we can more fully embrace intimations of otherness in our dealings with prehistoric monuments. Taking as its inspiration recent attempts to explain such structures, and the landscapes of which they were part, it makes two arguments. First, that while ethnographic analogies offer a vital point of departure for thinking through the possibilities raised by alterity and otherness, we may well have been overlooking a rich set of data—derived from careful excavation and painstaking metrical analyses—that has been sitting in front of us for a very long time. Second, despite over a decade of sustained critical debate, we seem remarkably timid when it comes to seeing where these data might take us. Through the lens of two Late Neolithic stone circles from southern Britain (one big, one small), research into measurement units and alignments is allied with recent excavation and survey data in order to explore ideas of hybridity, nomad-geometry and the arresting/manipulation of time and motion. Placing these glimpses of alterity front and centre, they are then used to establish new starting-points for the interpretation of these structures.

In this article we put forward an alternative account of the famous wristguards, or bracers, of the European Early Bronze Age. Combining new materialism with empirical microwear analysis, we study 15 examples from Britain in detail and suggest a different way of conceptualizing these objects. Rather than demanding they have a singular function, we treat these objects as ‘multiplicities’ and as always in process. This, in turn, has significant implications for the important archaeological concepts of typology and object biography and our understandings of material culture more widely.

The issue addressed in this article is essentially whether the same cognitive processes are at work for mimetic prehistoric graphic productions and schematic ones. Holocene schematic rock art is one of the main graphic expressions of European prehistory, from the Iberian peninsula to Italy. Despite its wide distribution and the incomparable insight it may provide on the functioning of prehistoric human groups and the cultural geography of the western European Neolithic, this rock art's imprecise chronology and geometric and schematic nature has often led to its exclusion from research on these societies, particularly in France. This paper proposes a study of schematic rock art from the perspective of the pragmatic and cognitive semiotics of visual culture and suggests that the production and purpose of diagrams, which compose so-called schematic rock art and which are common to all human societies, are different to those of figurative images, as is their cognitive origin. This demonstration sheds a new light on schematic rock art and the social practices it involved and invites us to rethink its coexistence with the Levantine imagery from the Spanish Levant.

This work aims to apply the theories of new materialities to the study of the material culture of the Formoso stilt village, a pre-colonial settlement from the ninth–tenth centuries ad, located in the Baixada Maranhense. Appliqués of the pottery bowls at this archaeological site present cosmological information regarding the transformation or metamorphosis of bodies, aspects that are fertile for the discussion of shamanism in the lowlands of South America, especially the Amazon. Classic concepts of anthropological ethnography applied to archaeology are used, contributing to the discussion on the diversity of ways to manufacture the body in the Amazon in its easternmost portion, such as that of the Master of Animals, a supernatural entity metamorphosed by the shaman and who could also have been part of the cosmology of the lake peoples of Maranhão, Brazil. Two artifacts depicting beings that have their feet turned backwards may be associated with the Curupira, thus evidencing a long-lasting history of this supernatural being that was recorded both in colonial documentation and in indigenous ethnography.

At the time of the Spanish invasion, central Andean society was organized around ayllus. These extensive social units, bound together by kinship, reciprocity, land claims, honoured ancestors and other criteria, are an example of the kin-based sodalities that have long been seen in political science as impediments to state development. Class should replace kin when large and complex polities like the Inca Empire form, and groups like the ayllu should fade away. This article seeks to re-evaluate the role played by kin-based sodalities in early state formation and expansion through a case study of the Wari State (ce 600–1000). We argue that the decades-long development of ayllus was a reaction to incipient urbanization, surging interregional interaction and the other challenges associated with Wari's rise. Ayllu development created a more heterarchical political structure that would endure some 200 years into the polity's existence. Elite efforts to consolidate power in the ninth century ce ultimately led to the polity's decline and highlight the need to develop more dynamic models of urbanization and state formation in the Andes and elsewhere.

Theories derived from the ontological, posthumanist, or the new materialist turn have been increasingly employed in various fields within archaeology in the past decade. Recently, Roman archaeology also picked up on these theories: however, critical integration as well as more theoretical refinement is necessary to show the real potential of such theories. New materialism is not about writing a ‘history of objects’, but about a better ontological positioning of the non-human and human otherness. For Roman archaeology it can therefore be a powerful tool to broaden our perspectives on material culture and diverse social issues such as inequality, marginalized communities, slavery and coloniality. In this paper I will show how we can regard ontological fluidity in the Roman world through a new theoretical lens.