The mobilization of women pursued by the Women's Advisory Committee (Funü zhidao weiyuanhui 婦女指導委員會) during the war against Japan (1937–1945) has mainly been associated with the wider war effort in the country and resistance to the enemy. This article takes a different viewpoint and argues that the programs implemented by women activists in this committee looked beyond the immediate wartime necessity and tried to secure also long-term gains for women. The mobilization transcended traditional gender roles of wives and mothers and paid particular attention to the involvement of middle- and lower-class women. This article examines women's activism and mobilization in the context of three main areas: first, the women's cadre training in the wartime capital Chongqing and in provinces and counties across China; second, the national economic production; and third, the literacy campaigns conducted among women factory workers. It concludes that women activists knowingly used the wartime crisis to provide fellow women with the tools for securing economic and social independence while addressing the wartime emergencies.

This article examines the links between the music of Anglo-Jamaican organist and composer Samuel Felsted (1743–1802) and his environment of late eighteenth-century Kingston, building on research published since the 1980s. Although Felsted, a person of English-American heritage who was born in Jamaica, was part of the island's European-origin community, most of his local contemporaries were people of African descent. Like many of his friends, family members and acquaintances, Felsted was a slave owner, and, as I argue here, his various literary and artistic outputs demonstrate how he was influenced by the kinds of issues – such as slavery, servitude, sovereignty and nationhood – that surfaced in the public and private discourses of his time. Considering what Felsted's cultural legacy might mean today, I turn to his undated and virtually unknown oratorio The Dedication, for which he wrote both the text and the music. The Dedication contains literary themes that allow its connections to Felsted's world and its setting of ancient Babylon to be explored. I also suggest the early 1790s as a possible time of composition for this work.

This article explores social dancing as the setting for moral struggles related to the urban night. Based on analysis of Estonian-language newspapers, I look at the historical context and expressed viewpoints linked with nocturnal public dance events in Estonian cities from 1880 to 1940. The established moral order was endangered by those staying out dancing late into the night. In the context of the multinationalism of urban areas and the national emancipation movement of the ethnic Estonian population, I investigate the transgressions and hazards that night dancing was perceived to bring, most significantly, threat to productivity, health and virtue.