From 1873 to 1876, the Fisk Jubilee Singers, an African-American choral troupe from Nashville, Tennessee visited Ireland three times. This article details their experiences and impressions of the country, focusing especially on the relationship they forged with their Irish evangelical sponsors and audiences. While the Jubilee Singers’ story is typically told as an inspirational tale of triumph over adversity, this article argues that there is another way of framing the narrative that emphasises the centrality of evangelical Protestantism to the Jubilee Singers’ mission. The Irish tours brought this dimension into full relief, demonstrating how evangelicalism fostered a degree of mutual understanding between the singers and Irish Protestants while also serving to exclude Irish Catholics. This article also examines audience responses to the Jubilee Singers, particularly the racial and aesthetic concepts they used to describe them. For all that the singers were familiar on account of their faith, they were unfamiliar on account of their race; this tension structured not only Irish responses to the singers, but also the singers’ responses to Ireland.

A century ago, the Ottoman Empire finally ceased to be after a long reign that stretched back to the late medieval period, and, ostensibly, nobody really missed it. It was once possible to write about the fall of the Ottoman Empire as the overdue culmination of a process that gave rise to independent nation–states. But, increasingly, the empire casts a long shadow on the historiography of the Middle East, and its last days emerge among its most consequential for the future of the region. The same political actors who reshaped late Ottoman politics were integral to the struggle for the post-Ottoman landscape. These individuals included provincial elites from nondominant ethnic groups who, rather than embracing ethnic nationalism, remained Ottomanist in their vision of the region's future until the final moment. Newer scholarship rejects the teleology of the nations that emerged from postwar fracturing, demonstrating that the map was not redrawn by the victors in an instant. It was forged, instead, through armed struggles against European imperial powers and among rival movements that lasted for years. One hundred years after the Ottoman Empire's collapse, historians are still excavating its long-ignored relevance for understanding the modern Middle East, which was buried under the weight of nationalist and Orientalist metanarratives that never questioned the inevitability of its demise.

Iran handed the world a surprise in 1951. That spring, its parliament voted to nationalize the country's lucrative petroleum industry. Euphoria spread as young Iranians tore down Anglo-Iranian Oil Company (AIOC) signs and watched mighty Britain cower (temporarily) before the hero of Iran's oil nationalization, Mohammad Mosaddeq. Stunned by this brazenness, an American summary posed the question on the minds of many diplomats: “How did nine Persian politicians win sufficient power to destroy the concession of the Anglo-Iranian Oil Company?” For the next two years the West tried to figure out how to confine this enormous shock to the petroleum market by focusing on the man it held responsible for the crisis. An aristocrat and seasoned politician, Mohammad Mosaddeq garnered the support he needed to break through the monopoly of the AIOC. With the world's attention on Mosaddeq and oil at the time, it was unclear to many (although not to Mosaddeq himself) that another monumental battle for the future of Iran was taking shape: the fight for women's suffrage.

This article performs a multimodal digital discourse analysis to examine how the 2020 social media political campaign called ‘Settle for Biden’ successfully encouraged young Progressives to vote for Joe Biden. In contrast to previous US presidential campaigns that highlight the extraordinary capabilities of their candidates, this campaign utilized the scalar and chronotopic production of normativity to highlight Biden's ‘mediocre’ capabilities. The campaign's focus on ‘settling’ for a mediocre candidate was feasible only in the sociopolitical context of 2020, at a time when Donald Trump's leadership had come to be perceived as chaotic and dangerous. While using humor to make salient the normal nature of Biden, the campaign used semiotic strategies appealing to interconnected unmarked normativities associated with class, age, race, and gender. To draw on Hall (2021), the campaign produces ‘language in the middle’, constructing Biden as neither extraordinary nor reprehensible yet preferable to the abnormality of his competitor. (Normativity, scales, chronotopes, multimodality, intertextuality, politics, social media)*

This study sheds light on the largely unknown trajectories of the emergence of Yuan non-Han ancestry in late Qing North China. Focusing on the case of a Yuan Mongol minister's enshrinement, the article argues that the commemoration of non-Han ancestries seems to have been aroused by the two-century-long imperial project of compiling the Gazetteers of the Great Qing Empire, over the course of which the state reiterated extensive surveys of local worthies, chaste women, and martyred loyal subjects, including those from previous dynasties. Importantly, the surveys coincided with the rise of epigraphic studies that featured exhaustive epigraphic fieldwork, which gave rise to the reinterpretation and replication of Yuan epigraphy, rendering Yuan steles one of the most adamant testimonies of ancestral claims. The ancestries classified during the Qing came to coexist with modern ethnic identities classified by the Ethnic Classification Project during the mid-twentieth century.

In the aftermath of the First World War, Henri Verbrugghen founded the first Australian branch of the British Music Society. The BMS – a product of post-First World War cultural renewal – was established in London to ‘champion the cause of British composers at home and abroad’. In Sydney, these aspirations extended to promoting music from Australia, and through affiliation with the International Society for Contemporary Music, music of the rest of the world. This article explores the activities of the Sydney BMS, situating these within contemporary discourses of nationalism and internationalism in the construction of interwar Australian cultural identity. It argues that the sometimes conflicting aims of the society reflect a wider political and social ambivalence about Australia's place in the international landscape. While its primary goal was to champion local composers, this was held in uneasy balance with a desire to promote British music ‘proper’.

This research focuses on the dissidence of Michif French, an endangered variety of Laurentian French spoken by a number of Métis in Western Canada. We examine the vernacular use of [tʊt] (tout/tous ‘all, every’) in a corpus of around 50 interviews collected in the Métis community of St. Laurent, Manitoba, in the 1980s. On the one hand, the internal analysis supports the hypothesis that it is related to the other varieties of Laurentian French. On the other hand, the external data reveal that [tʊt] is widely used, confirming the highly vernacular character of Michif French compared to the other varieties. Finally, the analysis of several interview extracts illustrates that the intensive use of vernacular variants acts as an identity marker, enabling speakers to lay claim not only to their culture, but also to a language they consider distinct from that of other French speakers.

This paper motivates institutional epistemic trust as an important ethical consideration informing the responsible development and implementation of artificial intelligence (AI) technologies (or AI-inclusivity) in healthcare. Drawing on recent literature on epistemic trust and public trust in science, we start by examining the conditions under which we can have institutional epistemic trust in AI-inclusive healthcare systems and their members as providers of medical information and advice. In particular, we discuss that institutional epistemic trust in AI-inclusive healthcare depends, in part, on the reliability of AI-inclusive medical practices and programs, its knowledge and understanding among different stakeholders involved, its effect on epistemic and communicative duties and burdens on medical professionals and, finally, its interaction and alignment with the public’s ethical values and interests as well as background sociopolitical conditions against which AI-inclusive healthcare systems are embedded. To assess the applicability of these conditions, we explore a recent proposal for AI-inclusivity within the Dutch Newborn Screening Program. In doing so, we illustrate the importance, scope, and potential challenges of fostering and maintaining institutional epistemic trust in a context where generating, assessing, and providing reliable and timely screening results for genetic risk is of high priority. Finally, to motivate the general relevance of our discussion and case study, we end with suggestions for strategies, interventions, and measures for AI-inclusivity in healthcare more widely.