John D. French's stimulating article, which explores the scope for comparing working-class leaders across time and space, is considered in this contribution by reference to my biography of August Bebel and with a particular focus on the following topics: a) historical actors as shaped by their own particular time and place; b) the importance of personal relationships and networks in making people who they are; c) the importance of psychological elements and the risk in interpreting them in retrospect – recovering them depends upon the sources available; d) how charisma reflects an interdependence between attribution and individual qualities; e) the importance of political milieux for the flourishing of individual working-class leaders; and f) the relationship between political work to both civil society and existing class relations. Using these approaches allows us to write cross-border and cross-temporal “embodied social biographies”, as suggested by French.

In this paper, I consider John French's biography, Lula and His Politics of Cunning: From Metalworker to President of Brazil (2020). French discusses his methodology, which he characterizes as “a social biographical approach”. I argue that this methodology is already in historians’ toolkit. Historians writing biography seem to start with first premises rather than building on what went before. I thus contextualize the methodology, situating French's biography of Lula within more general shifts in approaches to biography.

This article examines the inflectional system of adjectives in Chaucer, Gower and Hoccleve, with particular reference to the adjectives ‘high’ and ‘sly’. Since these poets were careful metrists, scansion allows us to determine the syllabic status of adjectives in their verse. While in Chaucer and Gower, the grammatical system for the inflection of monosyllabic adjectives (final -e for weak and plural adjectives) is generally observed, there is good evidence to show that the system was breaking down in the case of ‘high’ and ‘sly’, which frequently appear without inflection in weak position. The article also shows that in Hoccleve's poetry inflectional -e had disappeared altogether in these adjectives, except at line ending. Editorial emendations that depend on this inflection are therefore incorrect. The explanation for the irregular behaviour of ‘high’ and ‘sly’ is probably related to the vulnerability of schwa after front vowels.

In the wake of the Civil War, Americans contested the relationship between the federal government and states. Conflict over federal authority played out in concrete and surprising terms in a controversy that erupted in 1868 surrounding regulation of international telegraphy. The debate, which has remained largely unexamined, centered on whether a state could authorize a foreign company to land a submarine telegraph cable on American shores without Congress’s permission. Scholars have scrutinized consequences of the revision of federalism for individuals’ rights but have devoted less attention to implications for the nation’s international relations and commerce. The regulation of foreign cables, however, proved a key testing ground for the federal government’s efforts to assert sovereignty before both state authorities and other nations during Reconstruction. The episode revealed varied alliances and sources of opposition that emerged amid attempts to project federal power. It also reflected many Americans’ growing expectations of an expanded role for the national government in commerce and the international sphere—a position the federal government realized only haltingly. Intractable problems of federalism contributed to congressional inaction. While undertaking the formidable work of reconstructing the Union, the United States government struggled to delineate the physical boundaries of its authority.

This essay suggests that the accountability trends explored by Stian Øby Johansen and Gisela Hirschmann in their respective monographs should be viewed as indicating the emergence of a right to justification in global governance. Both Johansen and Hirschmann seek to advance the interdisciplinary conversation about the accountability of international organizations—Johansen by developing a normative framework assessing the quality of IO accountability mechanisms, and Hirschmann by seeking to identify the variables that shape the evolution of what she calls pluralist accountability. Building upon their analyses, I put forward a set of hypotheses about the procedural and substantive dimensions of the right to justification as well as the conditions for its consolidation in global governance.

At least since the middle of the eighteenth-century, salus populi (the people’s welfare) and sic utere (use your own without injuring others) have encapsulated alternative conceptions of regulatory power, with the former associated with continental police regimes and the latter with Anglo-American conceptions of limited government. This article finds the origins of this antithesis in the intersection of two landmark cases addressed by Coke in the fall of 1610: Aldred’s Case, sic utere’s foundational text, and the Case of Proclamations, where Coke disputed the legality of building and starch proclamations. The Crown had provided common-good justifications for these proclamations, but their beneficiaries had included the individual neighbors of smelly starch makers and obstructive new buildings who had been left unprotected by previously existing local law. Rather than acquiescing to centralized legislation enacted via proclamation or parliament, Coke hinted in Aldred’s Case towards common law nuisance adjudication based on the sic utere principle as the desired mechanism for overriding local law that had privileged injurious land uses. Like salus populi, sic utere served a centralizing function. But whereas the former invited expansive regulatory agendas, the latter conditioned interventions on a judicial finding of a nuisance. In this, Coke’s invocation of sic utere in Aldred’s Case presaged the maxim’s eventual role as a substantive limit on the police power.

There were times – not so long ago – when it seemed that historical processes could be dissected as though human action did not matter. Those times have changed. Nowadays, scholarly biography is enjoying broad interest, also among social historians, as is shown in this issue of the IRSH, in which John D. French explains how biography can contribute to a better understanding of global labour history. This contribution addresses three issues. Firstly, the relationship between agency (subject) and structure, or the role of the personality in history and society; secondly, the question of charismatic leadership, and finally, the question of how to deal with issues of necessity and coincidence and with the selection of leadership.

Kuhn (1933) proposed that the evolution of Germanic syntax began with a need to restore acceptable sentence rhythm after a shift to fixed initial stress. Kuhn found support for his hypothesis in ‘laws’ for word placement that applied in alliterative poetry but not in prose. Kuhn assumed that his laws were syntactic rules of Proto-Germanic maintained by conservative poets. Here I argue that Kuhn's Laws were rules of poetic meter that obscured basic word order. Adopting the universalist approach in Russom (2017), I integrate Kuhn's Laws with the metrical constraints observed by Sievers (1893) and explore the interaction between meter and syntax. When there are no adverse metrical consequences, subject-object-verb order is employed with remarkable consistency in Beowulf, our most valuable source of poetic evidence. My analysis receives independent support from Smith (1971), a study of the earliest Germanic texts that focuses primarily on prose.

This article assesses Italy's participation in the Expo du Sahara in Paris in 1934, placing it within the framework of European colonial culture, exhibitions, and international relations during the 1930s. Hitherto, the Expo du Sahara has been largely ignored by historiography, but it offers important insights into Italo-French relations in the years immediately preceding Italy's invasion of Ethiopia, as well as the ways in which Fascist Italy sought national and international legitimacy through the medium of exhibitions. The Paris exhibition, staged by the European powers after years of clashes, was also a physical representation of the so-called ‘colonial concord’ and ‘peaceful’ partition of North Africa, processes in which Italy's role was fundamental.

This article examines the creation and early dissemination of John Field's nocturnes, tracing this œuvre through initial publications in St Petersburg by Dalmas (1812; H24–25) to the posthumous collected editions by Schuberth and Liszt first released in the 1850s. Inspired by discourse on music and environment, I take the peculiar qualities of Russian night landscapes as a key factor in understanding how these works were composed and then marketed internationally. Although little documentation remains of Field's Russian experiences as described in his own voice, it is possible to reconstruct the place in which he worked through his musical publications, related contemporary descriptions, images and recollections of friends and admirers. These sources shed fresh light on his shift in musical style on relocation from England to Russia. Viewing Field's nocturnes through the lens of this landscape, both real and as imagined by later promoters such as Liszt, offers the opportunity to reach a newly nuanced understanding of Field's array of national identities – Irish, English and Russian – and of his nocturne as a Russia-based idiom.

In this paper, I argue for the following points. First, all of us have a presumptive moral obligation to be organ donors if we are in the relevant medical circumstances at the time of death. Second, family members should not have the right to interfere with the fulfillment of that obligation. Third, the ethical basis for that obligation is reciprocity. If we want a sufficient number of organs available for transplantation, then all must be willing donors. Fourth, that likelihood is diminished if individuals are entirely free to refuse to be organ donors but still would demand to be organ recipients. Fifth, although individuals would be ethically obligated to be organ donors, we still need to permit them to refuse to be organ donors. Sixth, to encourage individuals to stay within the organ donation system, we should have as a just and ethically justified policy denying individuals an organ transplant in the relevant medical circumstances if they have chosen to exit the organ donation system. Individuals would not be permitted to be organ recipients if they were unwilling to be organ donors. This is what it means to be part of what Rawls in Political liberalism (15-22) would refer to as a “fair system of social cooperation.” We refer to this as the “reciprocity requirement.”

This essay advocates for the wholesale reevaluation of the process used by American medical schools for selecting physicians, examining fundamental questions such as the purpose of physicians and the nature of meritocracy. It raises questions about the size of medical school classes, the specific academic requirements, and the inadequacy of current efforts to increase diversity. Ultimately, the essay argues for consideration of a range of reforms that will focus on the community-empowering aspects of medical admissions decisions.