In 2021, the decision to close the last Norwegian coal mine on Svalbard was made, and with that, the Norwegian coal adventure on the archipelago came to an end. This was a result of a political process, which is the focus of this article. Drawing on fieldwork conducted during the fall of 2022, I argue that the political process of phasing out coal changed from a conflict over interests to a contest over symbolic capital. The article contributes to the understanding of Norwegian Svalbard politics and the “balancing act” that this represents. I focus on how power, in the form of shaping people’s perceptions and as prestige, influenced what interests prevail and why. The article addresses (1) why the decision to phase out coal was not made earlier, (2) what ultimately made this decision possible and (3) why and over what the key actors were still competing after the decision to phase out coal was made.

This article links the study of transnational and imperial fascism in the context of the Italian occupation of Albania by examining how Italian authorities sought to turn Albanians abroad into assets rather than liabilities. Organising and monitoring Albanians occurred through conferences, youth institutions and consular activities. Studying such concrete contacts and negotiations allows us to explore the practical issues latent in expanding fascist political subjectivity in transnational and imperial contexts. On the one hand, Italians hoped to verse Albanians in a fascist identity by using existing organisational strategies while silencing or converting potential anti-Italian critics. On the other, many Albanians expressed and offered support for these Italian efforts, though with reservations and conditions, raising questions as to what it meant to be an Albanian nationalist and/or fascist in the years of occupation. The Albanian case therefore contributes to our understanding of the tensions inherent in ‘universalising’ fascism for colonial subjects.

The Paris Agreement, related intergovernmental decisions, and transnational climate change governance initiatives mobilize data as a means of measuring, managing, and addressing changing climatic conditions. At the same time, the Paris Agreement formally acknowledges the human rights implications of the unfolding climate crisis. Given the reliance on data and rights in climate change governance, the aim of this article is twofold. Firstly, it analyzes how processes of datafication at transnational and local levels promise, yet struggle, to render the climate governable. Secondly, the article critically reflects on the capacity of human rights to complement datafied governance processes meaningfully – specifically, in what ways rights can (and cannot) alleviate local concerns regarding datafication. Methodologically, the article develops a perspective that foregrounds situated sense-making and experience in place. It is based on an empirical case study of the Global Covenant of Mayors for Climate & Energy, a transnational alliance of cities that have committed to working towards the goals of the Paris Agreement; and it engages with ethnographic literature that conceptualizes rights as lived forms of meaning-making, articulation, struggle, and resistance. Attending to place, the article confronts problematic assumptions about the universality, neutrality, and representativeness of data and rights, raising critical questions about their capacity to ‘govern’ climate change.

The long careers of Carl Philipp Emanuel Bach and Joseph Haydn coincided with fundamental transformations in how keyboard instruments were built and played and how composers wrote for them. Haydn's keyboard music probably saw the more profound changes in compositional style, yet C. P. E. Bach and others preceded him in discovering ways to incorporate new keyboard idioms into pieces written for new types of instruments. Bach gradually shifted from writing generic keyboard music to composing in idioms most appropriate to two-manual harpsichords, unfretted clavichords or fortepianos. Haydn likewise began writing in a generic idiom; many works that have been posited as having been meant for the clavichord cannot in fact be assigned clearly to that or any other specific instrument. Although Haydn did eventually turn to writing specifically for the fortepiano, he too made a gradual, and relatively late, transition from a generic approach to one that centred on the grand fortepianos of the late eighteenth century. Bach's influence on Haydn is inseparable from the matter of the keyboard instruments. Although the precise nature and extent of Bach's influence cannot be determined, compositional elements derived by Haydn from Bach's music range from superficial thematic and notational parallelisms to fundamental conceptions of what keyboard music could be or could express.

In June 1791, having composed almost no church music for ten years, Mozart wrote the short motet Ave verum corpus, k618, a setting of the Latin medieval eucharist hymn. The theological teleology in the text introduces a process-like aiming at a goal that cannot, however, be reached. This study is about how teleology operates in the motet – the ways in which the text's ultimately unfulfilled goal-directed processes operate in Mozart's music. The music is approached from a variety of analytical perspectives that reflect different aspects of this theme: the new Formenlehre and phrase structure, topic theory, and the analysis of voice-leading structure, register and hypermetre. Together, these approaches elucidate the multiplicity of musical processes that, as in the motet's text, announce a goal but fail to reach it.