Between the judicial reorganizations of 1924 and 1941, the colonial tribunals in Dahomey heard more than two hundred cases of rape. Teenage or younger girls engaged in street hawking were the most common victims of rape who reported their assaults to these tribunals. Many of the cases stand out because market women played the dominant role in transforming girl hawkers’ experiences of sexual assault into formal grievances. The history of sexual assault in colonial Africa has largely focused on how ‘customary’ and colonial courts have or have not punished the crime of rape. This approach privileges masculine authorities’ views of sex, consent, and gender violence. This article focuses on the investigative processes in cases of sexual assault. In doing so, two gendered histories emerge: firstly, a history of elder female caregiving to girls suffering the aftereffects of sexual assaults and, secondly, a history of the vulnerability of hawkers to quotidian sexual violence.

The gender history of the Lebanese Civil War (1975–90) has so far focused on the study of female figures. In an attempt to widen the scope of analysis, this article reconsiders the role of the Lebanese army in war-torn Lebanon through the lens of gender. Based on interviews with retired officers and noncommissioned officers, I argue that the military—the combat personnel in particular—never relinquished its claim to an exclusive militarized masculinity, despite the rise of contending actors. By maintaining this claim, these men strove to confront both the new standards of masculinity imposed by the militias and the anxiety caused by the disruption of gender roles throughout the conflict. To make sense of this confrontation, the article investigates how the veterans have engaged in a social performance, during both past and present, to (re)enact their manliness in front of an audience. This diachronic approach allows me to further untangle the combat officers’ trajectories during the war, using gender to bring them into conversation with their milieu.

In the thirty years since the publication of ‘An agenda for women's history in Ireland’, the study of women's and gender history has been transformed. The introduction to this special issue contextualises the ‘Agenda’ within this evolving landscape, underlining the significant role it played in stimulating scholarship by outlining some of the major developments in the field since 1992. The introduction also points to developments that the authors, Margaret MacCurtain, Mary O'Dowd and Maria Luddy, could not have foreseen when writing the ‘Agenda’, such as rapid technological advances and the possibilities they have opened up for scholars of women and gender in Irish history. By tracing these developments, the introduction serves as a gateway into the articles that form the special issue: contributions that demonstrate the wide-reaching and multifaceted impact of the ‘Agenda’ and the three pioneering scholars who authored it, and that provide thought-provoking analysis of existing and future scholarship in the field.

For the last 20 years, research on European colonialism has addressed private photo collections. Prior to that, interest was focused specifically on propaganda photography. In the hope that privately kept material could offer new, more ‘authentic’ insights into colonial everyday life, researchers have so far mostly ignored the mass-produced images which are often part of such private collections, too. But especially when the question arises of how mass-produced images functioned as consensus-building tools, of what impact they had on the ground, they seem to be a promising source. Therefore, this paper on mass-produced images of the 1935–41 Italo-Ethiopian War in private photography collections probes how ‘ordinary’ soldiers used images, what meanings they created in the process, and, thereby, how they positioned themselves relative to the Fascist regime's dominant colonial discourse. This article answers these questions by drawing on the private collections of four so-called ‘allogeni’, German-speaking Italian citizens from the province of Bozen/Bolzano, who took part in the 1935–41 Italo-Ethiopian War.

In January 1964, on the heels of its formal independence from Britain, the East African island of Zanzibar exploded in a violent uprising ousting the Al-Bu Saidi sultan—an Omani by descent—and his primarily “Arab” government. Though early reports of the revolution did not indicate targeted attacks against Arabs, it soon became clear that thousands of Arab-identified residents—settlers—were killed, mostly in rural areas.1 Others, including some families I came to know during my years in interior Oman, described being separated from their families or being captured and taken to detention camps, where they stayed a week or two before being reunited. Some found their way to these camps in search of relatives, shelter, and food.2 Decades later, the chaos and violence of that time was recounted to me with unnerving directness. Eventually, thousands of Arabs were deported or fled—to Kenya, Dubai and Abu Dhabi, Egypt, Saudi Arabia, and Muscat and Oman. Muscat, on the coast of Oman, was the seat of the other Al-Bu Saidi sultan—a cousin of the Zanzibar sultan—who had only recently taken control of “Oman proper,” the territory of the Imamate whose ruler was now in exile in Saudi Arabia having been defeated in a war with the Sultan of Muscat. In the meantime, those leaving Zanzibar required ships and documents.

Over the last decade, network analysis has developed as an approach within digital humanities as a wider array of tools has become available to humanities scholars, and these approaches are now beginning to make an impact on the disciplines of history and English. This article presents an overview of different ways of approaching network analysis. It assesses recent projects to see how they accounted for gender in their datasets and what can be learnt about early modern women from these projects. It then looks at how projects in Ireland are engaging with network analysis, discussing the approaches used by RECIRC and introducing MACMORRIS's analysis of the Dictionary of Irish biography (D.I.B.) and the Bardic Poetry Database (B.P.D.), looking at how the latter is attempting to overcome the unconscious gender bias inherent in the D.I.B.'s selection of early modern lives from the period between 1541 and 1660. Finally, it points to some of the wider issues we as scholars face when engaging with this methodology, such as access to the required training and collaboration, arguing that while these are not unique challenges to the study of gender history in Ireland, they are important debates that can enhance scholarship in the field.

Available essays on Pashtunwali describe this system of customary laws and ethics for the most part as a static model of ideal conduct, without a diachronic perspective. Offering a historical approach to Pashtunwali, this article introduces and analyzes fragmentary data on the nənawāte custom from early modern Pashto sources—historiographical narratives of the Khatak chieftains in the Tarikh-i Murassaʿ (finished 1724) and the romantic poem Adam Khan aw Durkhaney (1706/7). Recorded cases of resorting to nənawāte, considered among the main pillars of Pashtunwali but still variously interpreted, prove that this is a complex legal custom based on the right to appeal for protection, mediation, and reconciliation. As a common means of dispute settlement, nənawāte originates with a binding request for help and favor in a conflict situation. The discussion of nənawāte is preceded by a brief overview of the existing scholarly definitions of Pashtunwali, underscoring its emic perception as an ethnic identity marker.

In this article, we explore the “probate regime,” an administrative field of government activity of legally transferring, taxing, and administering bequests. As an example, we study the changes of the Egyptian probate regime in a longue durée perspective, with a focus on the nineteenth century when Egypt was a sub-Ottoman “khedivate.” We argue that the rationalization and expansion of the previously Ottoman administration of bequests, unlike Western bureaucracies, retained religious norms in the 1850s-1860s. In the context of Egyptian legal transformation, the change in the probate regime represents a case when Islamic norms became contested between administrative bodies of the government and the Muslim judge (qadi). Drawing on novel archival research in Egypt and elsewhere, we first consider the institutions of the Ottoman probate regime (probate judge, fees, and a probate bureau). Next, we zoom in on the way the khedivial probate bureau became a large, de-Ottomanized, Muslim administration of death by the 1870s in a partnership between khedives and local jurists. The khedives also considered the orphans’ wealth under the care of the bureau a source of government capitalism. Despite the abolishment of the probate bureau in 1896, the khedivial transformation ensured that Muslim principles remained normative during the British occupation which ushered in a new division of law into “religious” and “civil” legal domains.

This article assesses our much-expanded view of the texts produced by early modern women in Ireland, surveying what is available to present-day researchers and considering emerging methodologies for the analysis of early modern female voices. The range of genres with which we now know early modern women engaged owes much to feminist literary historians’ capacious approach to defining literature, expanding beyond traditionally elite genres (drama, poetry, fiction) to encompass writing in all its forms. Thus, the present corpus includes letters and petitions, life writing, devotional prose, legal depositions, as well as all kinds of verse and song, in multiple languages. Moreover, where the primary evidence in Ireland sometimes seems sparse, international perspectives have illuminated the currents of women's writing. Interpretative paradigms from other fields — book history and the history of reading, culinary and medical history, network analysis — are being applied to yield fresh insights about this material. The question of how early modern Ireland was experienced by women has been explored in studies that address such texts as articulations of subjectivity, in the light of the history of emotions. The wide range of situations and genres of women's writing in early modern Ireland is now firmly evident, inspiring a host of new approaches.