There is an ongoing debate in bioethics regarding the nature of suffering. This conversation revolves around the following question: What kind of thing, exactly, is suffering? Specifically, is suffering a subjective phenomenon—intrinsically linked to personhood, personal values, feelings, and lived experience—or an objective affair, amenable to impersonal criteria and existing as an independent feature of the natural world? Notably, the implications of this determination are politically and ethically significant. This essay attempts to bring clarity to the subjective versus objective debate in suffering scholarship by examining the history of the concept of “objectivity,” and putting that history in conversation with physician Eric Cassell’s famous theory of suffering. It concludes with a novel, albeit tentative, definition of suffering: suffering is the experience of a gap between how things are and how things ought to be.

Established studies show that after the fall of the capital-based elites during the end of the Tang dynasty, the Northern Song literati became active in serving the central government. However, after the century-long Interregnum (878–978), during which literati from the South remained beyond the rule of the Central Plains dynasties, how did they establish a cooperative relationship with the emerging Song court? Taking Puyang in Fujian as an example, this article analyzes the writings of Puyang literati to illustrate how their narratives shaped political relationships between the center and periphery. It demonstrates how literati responded variously to specific political contexts, sometimes showcasing their own local identity and at other times extolling the rule of the Central Plains. The case of Puyang reveals that the challenging political environment of the Interregnum actually stimulated and accelerated cooperation between the Central Plains and the local literati through civil service examinations.

Bob Morris was elected as president of the European Association for Urban History (EAUH) ahead of its 2002 conference in Edinburgh. Bob’s presidency, and the Edinburgh conference specifically, took place at an important point in the development of urban history within Europe and further afield. First, the programme reveals several emerging themes and topics of interest that have since shaped the sub-field in new and innovative ways. Second, Bob’s informal and collegial approach towards networking is reflected in the decision to place the EAUH on a quasi-formal constitutional basis. Both of these developments reflect, in part, Bob’s own research interests, as well as the sub-field’s welcoming approach to younger researchers, including taught and research postgraduate students, interested in networking with more established scholars.

Ulrich von Hutten (1488–1523), a renowned sixteenth-century German humanist, documented the symptoms of the epidemic that swept through Europe starting around 1495, commonly known as the French Disease. While it has traditionally been associated with venereal syphilis, Dutch tropical physician Willem F. R. Essed proposed in 1933, largely unnoticed to this day, that this new disease might instead be tropical yaws. This study establishes a clear link between Hutten’s reported symptoms and yaws, especially in its secondary and tertiary stages. The skeleton discovered in 1968 on Ufnau Island in Lake Zurich where Hutten died and was buried, exhibits distinct bone manifestations of ancient treponematosis with a pattern more consistent with yaws than syphilis. Furthermore, the correspondence between Hutten’s main symptoms and the lesions observable on the 1968 skeleton further confirms the identification of these human remains. The historical evidence of yaws significantly contributes to our understanding of this early modern epidemic.

This article discusses early modern North Indian ways of expressing how barrenness could be mapped onto a woman’s maternal identity. Scholars have engaged with the historical evolution of women’s identities, focusing overwhelmingly on their economic and political potential. This article is the first to use medical and erotological sources from the seventeenth and eighteenth centuries to study women as procreative agents, and the socio-sexual anxieties prompted by infertile female bodies. Through a critical study of a wide range of medical material, I demonstrate that by the eighteenth century, several transformations in medical discourses can be mapped onto textual transmissions from Sanskrit (and Braj Bhasha) to Persian, as well as between competing but conterminously flourishing medical paradigms, Ayurveda and Yunani. While cures for childlessness have a much longer history, a new genre of ‘anonymous’ sources, particularly focused on the sexual diseases of men and women emerged in early modern North India. Lastly, my comparative methodological approach to different textual genres will complicate our understanding of early modern medical episteme and its intended audience.

In 1811, Beethoven opted for ‘Allegretto' for the second movement of his seventh symphony, to which he added the metronome mark crotchet = MM76. Ever since the work's inception, however, this has been mitigated by taking it as ‘Andante'. By investigating the purpose, rationale, and background, this article attempts to clarify why the original tempo made performers, listeners, and commentators uncomfortable. Exploring the tension between what Beethoven prescribed and what is taken to be good musicianship, three historical processes are evaluated: (i) performances of the symphony during Beethoven's lifetime; (ii) the activities by Beethoven’s one-time companion Anton Schindler in the 1830s and 40s; and (iii) a vast landscape of interpretational enterprise from the early nineteenth century to the present day.

Following the historical record, the article inquires into the conundrum of Beethoven's intentions, in pursuit of a broader perspective. The case is made that ‘Allegretto' inhered within it an immediacy of performance and that it expressed a repudiation of romantic aesthetics. It is argued that there are good prudential reasons to do away with ‘Andante', an encrustation of romantic error, and to acknowledge, affirm, and valorize ‘Allegretto’ as a thumbprint of style.

This study examines Luciano Berio's integration of twentieth-century linguistic and semiotic concepts in his works Sinfonia and Coro, focusing on the interplay between sound, meaning, and structure. It highlights Berio's exploration of the unconscious mind and the idea of ‘universality of experience', suggesting that humans may possess an innate musical ability similar to that of language. The article also discusses the concept of the ‘theatre of the mind', where Berio combines musical and textual elements to evoke images or situations for the audience's interpretation. Through an analysis of the third movement of Sinfonia and Coro, the study illustrates how Berio implicitly develops a system of signification that evokes meaning, showcasing both musical and textual productivity, along with the notion of ‘the infinite use of finite means’. This exploration contributes to understanding how twentieth-century linguistics and semiotics can inform contemporary music and signify meaning within it.

Critical approaches to research on war-affected societies emphasize the necessity for a more empirically grounded approach to the production of knowledge. Presently, research on war-affected societies is undergoing a shift toward localization with a call for more “voices” with local knowledge and expertise. This research is an attempt to analyze the challenges of reliable knowledge production in war-affected societies and their circulation in academia, the policy-making community, and feeding media discourse. The research focuses on the Russian war against Ukraine since 2014 as a prism through which to examine the main challenges for localized knowledge production. We consider several aspects of knowledge production including the problems and issues of framing and wording that define the character of the conflict, challenges of research design and data collection, researchers’ positioning dilemmas, participants’ responses, differences between policy and academic research, and the role of the media. The purpose of this study is to engage with and attempts to advance the literature on knowledge localization. We argue that a move toward the localization of fieldwork requires a more sensitive and transdisciplinary approach to knowledge production. Based on our own experience of fieldwork during wartime, we point out possible ethical and methodological challenges and offer workable responses to them.

Southwest China is a region that has been perhaps uniquely shaped over the longue durée by mutual appropriations of status, authority, land, material culture, genealogies, and cultural-historical identities. Drawing on both ethnographic fieldwork and the official and unofficial Chinese and Nuosu-Yi textual evidence, in this article I offer a new view of how, during the Ming and Qing dynasties, native officials were shaped by their efforts at appropriating elements of officialdom (responsibility towards the court) and nativeness (adherence to local customs). My historical textual-cum-anthropological analysis builds on C. Patterson Giersch’s notion of the “middle grounds” between the Chinese state and its borderland peoples to reveal “further ways” of uncovering the history of their history. I show that mutual appropriations of officialdom and nativeness have led to specific forms of acculturation that are neither linear nor irreversible. Cultural hybridizations underpin the current Yi core identity and culture in Liangshan today.

In this article I bring Henry James's novella The Turn of the Screw, Benjamin Britten and Myfanwy Piper's opera based on the novella, and elements of the 2011 Glyndebourne production of the opera into interaction with theories of the uncanny to wonder about the act of reading. This novella and opera thematize reading in connection with the uncanny and the ghostly, providing an opportunity to pursue what might be at stake and what might be possible when boundaries blur and meaning is put in motion. I begin to explore uncanny reading as a tool to unsettle binary logics and one-to-one mappings. I consider the uncanny as connective tissue between theoretical makings related to identity, relationships, and the potentialities of fiction. And I put these ideas into interactive practice as I self-consciously read this opera, to connect to and challenge normative and oppressive forces, impulses, and systems, including cultural scripts, social power structures, and ways of knowing and interacting.

John Harris has made many seminal contributions to bioethics. Two of these are in the ethics of resource allocation. Firstly, he proposed the “fair innings argument” which was the first sufficientarian approach to distributive justice. Resources should be provided to ensure people have a fair innings—when Harris first wrote this, around 70 years of life, but perhaps now 80. Secondly, Harris famously advanced the egalitarian position in response to utilitarian approaches to allocation (such as maximizing Quality Adjusted Life Years [QALYs]) that what people want is the greatest chance of the longest, best quality life for themselves, and justice requires treating these claims equally. Harris thus proposed both sufficientarian and egalitarian approaches. This chapter compares these approaches with utilitarian and contractualist approaches and provides a methodology for deciding among these (Collective Reflective Equilibrium). This methodology is applied to the allocation of ventilators in the pandemic (as an example) and an ethical algorithm for their deployment created. This paper describes the concept of algorithmic bioethics as a way of addressing pluralism of values and context specificity of moral judgment and policy, and addressing complex ethics.

This article uses the postwar trial of Fascist Italy’s most prominent general, Rodolfo Graziani, to examine issues of transitional justice and the formation of popular memory of Italian Fascism and colonialism after 1945. During the Fascist ventennio, the regime constructed Graziani as the nation’s colonial ‘hero’ despite his leading role in genocidal measures during Fascist Italy’s colonial wars in North and East Africa. His position as minister of defence in Mussolini’s Nazi-backed Salò Republic in 1943–5, however, threatened his heroic reputation as he worked with Nazi commanders and became responsible for atrocities against Italian civilians. After the Second World War, Graziani was tried for Nazi collaborationism at the Supreme Court in 1948, but his colonial conduct was left unquestioned. Unlike in the Nuremberg Trials in post-Nazi Germany, few Italians were tried for war crimes after 1945. This historical inquiry analyses the legal proceedings, transnational representation and outcome of Rodolfo Graziani’s 1948 trial as an emblematic case study to explore de-fascistisation and decolonialisation initiatives and their limitations in post-Fascist postcolonial Italy.