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This chapter offers an interpretative phenomenology of functional neurological disorder (FND) by attempting to get a sense of ‘what it means’ and ‘what it feels like’ to live with the disorder. Drawing on the author’s own experience as well as first-person accounts from recent qualitative and phenomenologically informed research, the chapter explores the long and difficult journey to get a diagnosis for a neurological disorder that is incompatible with neurological disease and sheds light on how the symptoms of FND can fundamentally alter the meaning-structures that constitute subjectivity. The chapter focuses specifically on the emotion of shame, exploring how shame is both embodied and intersubjective and the extent to which it can disrupt and modify our experience of space and time. The chapter concludes by introducing the concept of ‘vulnerabilisation’ and how the complex, highly specialised, and bureaucratised structure of the healthcare system can cause iatrogenic harm by delegitimising patient experiences and creating unnecessary obstacles for accurate diagnosis and appropriate treatment. The aim is to illuminate the emotional and experiential complexity of the condition, the damaging toll symptoms can take on one’s self-understanding and way of being-in-the-world, and the additional harms the healthcare system can inflict on patients.
This chapter explores the intersection of Aristotle’s virtue ethics and Husserl’s phenomenology within the context of dementia research, emphasising the concept of habits. By introducing curability as the counter-pole to vulnerability, the chapter highlights a shift towards integrating medical and philosophical perspectives. It argues that embodied practices, regarded as meaningful, are key in both preventing and treating dementia. Through Aristotle’s ethics, the chapter examines malign habitualisation in touch with the preventive turn. Here, the vice of intemperance is related to excessive alcohol consumption, alcohol dependence, and Korsakoff’s dementia. Through Husserl’s phenomenology, the chapter examines the power of benign habitualisation, connecting embodiment, narrativity, and affectivity. Drawing on a video of Marta Cinta, a former ballerina with Alzheimer’s, the chapter rethinks influential concepts, such as narrative identity and second nature, through the lens of embodiment. The chapter ultimately demonstrates that embodied habits, when perceived as meaningful, can aid in balancing health, well-being, and eudaimonia. Focusing on the affective sphere, the study contemplates whether we can still feel home in embodied habits despite dementia.
This chapter reconceives core symptoms of schizophrenia by shifting the explanatory centre of gravity from putative structural breakdowns of time-consciousness to its affective distortion as rooted in the living, situated body. Drawing on Heidegger’s existential temporality and Merleau-Ponty’s embodied, social and psychopathological temporality, the authors propose ‘schizophrenic vulnerability’ as a world-involving mode of dysregulation in which affective ‘irruptions’ alter saliency and meaning in past–present–future relations without abolishing structure itself. This argument unfolds across six progressive steps: a critical review of clinical phenomenology’s shift from structural to affective accounts of time, exegetical analyses of relevant notions in Heidegger and Merleau-Ponty, schizophrenia’s prodromal phase, embodied affective temporality in schizophrenia, intersubjective affective temporality in schizophrenia, and a case study of ‘mission delusions’ in which an affectively charged future mandate reorganises existential time. The chapter concludes by emphasising a perspective that situates schizophrenia at the mind–body–world interface, deepening dialogue between phenomenology and psychiatry.
This chapter introduces the philosophical rationale for investigating emotions in their dimensions of embodiment and existential vulnerability, drawing on phenomenology, psychopathology, and psychotherapy as complementary perspectives. Grounded in phenomenology and enactivism, it argues that emotions are essentially embodied, intersubjective phenomena through which we experience the world as meaningful in the first place. According to this approach, emotions cannot be adequately captured by cognitivist or appraisal-theoretic frameworks alone but must be explored in their embodied dimensions and intertwinement with existential vulnerability. This constitutive vulnerability is described as an ontological condition rooted in the lived body, its essential exposure to others and contingency. The Introduction surveys contemporary philosophy of emotion, mapping competing accounts across cognitive, perceptual, feeling-based, and motivational theories, before arguing that all tend to consider the richness of the lived body insufficiently. The volume’s three parts address the experiential richness of the lived body by moving from phenomenological analyses of emotional life and vulnerability, through psychopathological perspectives, to the transformative role of embodied emotions in psychotherapy. The Introduction thereby establishes embodiment as the conceptual bridge integrating emotion theory, psychopathology, and psychotherapy into a unified inquiry of emotions as a central aspect of human vulnerability.
This chapter provides a critical reflection on past and current research on ethnic and racial discrimination and youth development with recommendations for future research directions. First and foremost, I emphasize the need for positionality, reflexivity, and representational ethics to avoid advancing false or problematic narratives and to advance research that is more transparent and accountable. It also is necessary to distinguish and better contextualize ethnic discrimination (rooted in ethnocentrism) and racial discrimination (rooted in modern imperialism and White supremacy) rather than conflate these two constructs and measure them in ahistorical ways. These considerations require researchers to select or develop critically appropriate measurement tools, moving beyond commonly used measures that may not be relevant or appropriate to all racialized groups. Ethnic and racial discrimination during youth development requires special considerations, as discrimination coincides with identity formation and pubertal development. Yet there remains limited research on the ways in which these developmental tasks and experiences interplay. Given the complexities of how ethnic and racial discrimination manifest during youth development, researchers may want to consider novel methods like storytelling to embody discriminatory experiences and strengthen ecological validity.
This volume explores the interrelations between emotions, embodiment, and vulnerability through a phenomenological perspective. Scholars of philosophy, psychology, and psychiatry investigate how the fragilities of embodied existence shape emotions, how these vulnerabilities become visible in psychopathological conditions, and how they figure in therapeutic contexts. A central theme is that emotions can be understood as experiences lived through and enacted – not merely endured – showing them as fundamental to human selfhood and agency. Integrating phenomenological analyses with clinical insights, the text illuminates fluid boundaries between ordinary and pathological emotional experience. Across twenty-one chapters contributed by established researchers, this book builds a framework for understanding how emotions reveal and modulate human vulnerability.
Mary’s disembodied place in the structure of a complementary anthropology and ecclesiology is enmeshed with an inadequate female sexual theology in the Catholic Church. Inattentive to females’ actual experiences of reproductive bodies and sexualities, their vulnerability is masked within the sense of the Marian aspect of the church—the female, the feminine—as somehow exemplary, with diminished agency or authority within the church or over their own bodies. This understanding of Mary impedes females’ sexual flourishing, not least because it is an impossible standard for womanhood but also because it is constructed, monitored, and controlled primarily by a select group of men. This article examines the theological influences on recent papal perceptions of Mary (Popes Paul VI, John Paul II, Benedict XVI, and Francis), the papal perceptions themselves that have fed the construction of her as a nonsexual, disembodied ideal female, and the ecclesiological repercussions of the complementary Marian/Petrine dichotomy applied disparately within the church.
This paper examines virtual reality gaming as a form of embodied interaction at the intersection of digital mediation, improvisation, and agency. In VR environments, players act through avatars, and their actions are shaped in real time by shifting relations among embodiment, disembodiment, subjectivity, and intersubjectivity. The analysis brings together Gilles Deleuze and Félix Guattari’s concept of the Body without Organs, Charles Goodwin and Marjorie Harness Goodwin’s work on cooperation and multimodal interaction, and Alessandro Duranti’s account of improvisation. Focusing on Population: One and Richie’s Plank Experience, I argue that improvisation emerges through the unstable relation between the biophysical body and the digital body. Glitches, misalignments, and other breakdowns create moments in which participants must adjust ongoing action spontaneously, thereby destabilizing established physical and linguistic categories. These moments reveal a continuing process of deterritorialization and reterritorialization through which bodies, joint action, and agency are continuously reconfigured.
This article investigates multisensory listening, ecological approaches and embodiment in videomusic and audiovisual performance. Rooted in practice-based research, autoethnography and phenomenology, it explores how interactions between sound, image, bodies and intersubjective encounters within the triad of space, place and environment condition transmodal perception. The study identifies scenophony, affect and imagination as constitutive vectors of immersion, highlighting the porosity between physical sites and virtual environments where sensory boundaries dissolve. Synchresis is analysed as a primary mechanism of audiovisual transmodality, while the process of habitation facilitates the transformation of the technical dispositif into a lived place. Texture is established as a foundational compositional principle to organise sensory experience, using the analysis of Nuées (2016) to demonstrate how these dynamics operate through perceptual deviation and transmodal textures in motion. This research defines audiovisual creation as an ecological practice shaped through fluidity, intersubjectivity and situated modes of inhabiting space.
The emotion triggered by emotion words is usually reduced in a second language (L2) compared with a first language (L1). In L1, several features contribute to the representation of affective meaning in highly emotion prototypical words (e.g., valence, arousal), particularly feelings and interoception (internal bodily sensations). We had English-Spanish L2 users to rate Spanish words on various features to examine whether the prototypicality of emotion words is determined by the same features in L1 and L2. Prototypicality obtained higher ratings in L2 than in L1, in contrast, all the other features had lower ratings in L2. Interoception predicted prototypicality significantly less in L2 than in L1, suggesting that L2 users do not rely on body sensation as much as L1 users when evaluating emotional prototypicality and supporting the theory of disembodied emotion in L2. The ratings provide a database of emotion words in L2 Spanish with new features like prototypicality, feelings and interoception.
Calvin and Perception in Early Modern Visual Culture is the first monograph to return John Calvin's Institutes of the Christian Religion (1559) to its original visual culture. AnnMarie Bridges draws on early modern optics, art theory, rhetoric, psychology, and religion to reconstruct the perceptual assumptions of Calvin's earliest readers. Her study reveals the Institutes' unrecognized concern with 'perception'-pre-conscious processing believed to occur in the imagination, capable of distorting sense experience before conscious thought could even occur. Illuminating Calvin's most striking visual metaphors-from the spectacles of scripture to the factory of idols-and through close readings of topics like accommodation, idolatry, faith, and Calvin's Latin prose, Bridges advocates a paradigm shift in how we read Calvin's most cited work, displacing 'knowledge' in favor of 'perception versus delusion.' In so doing, her study invites reflection on perceptual instability in our own cultural moment, where the challenge is not only to know what is true, but even to perceive what is real.
How can words capture what it feels like to be a body moving through space? In charting how the aesthetics of motion mattered to eighteenth-century literature, print culture, theatre, and legal debates, Sara Landreth refocuses the period's fascination with the abstraction of 'selfhood' toward embodied kinetic processes that reveal the fictionality of selfhood altogether. This important study makes the case for wantonness as an aesthetic category in its own right, one that captures quasi-intentional actions and vital but indeterminate forms of agency in a wide range of genres, from it-narratives and harlequinade flipbooks to travel novels and fiction about slaveocracy. Fresh readings of works by Cavendish, Hogarth, Dennis, Johnson, Diderot, Sterne, Smollett, and Wilberforce illuminate how authors from 1650 to 1810 radically redefined how characters and plots could and should move.
This book showcases the current state of the art of research on rhythm in speech and language. Decades of study have revealed that bodily rhythms are crucial for producing and understanding speech and language, and for understanding their evolution and variability across populations-not only adults, but also developmental and clinical populations. It is also clear that there is perplexing dimensionality and variability of rhythm within and across languages. This book offers the scientific foundation for harmonizing physiological universality and cultural diversity, fostering collaborative breakthroughs across research domains. Its fifty chapters cover physiology, cognition, and culture, presenting knowledge from neuroscience, cognitive science, psychology, phonetics, and communication research. Ideal for academics, researchers, and professionals seeking interdisciplinary insights into the essence of human communication. This title is also available as open access on Cambridge Core.
Two approaches dominate the literature on the construction of emotions: transitory role theory and the more recent Conceptual Act Theory. We identify two ways in which these approaches would benefit from correction, revision, or further development. First, they tend to downplay the body, insisting that social forces work primarily at a conceptual level. That is, culture is considered to primarily impact the conceptualization of emotion, not emotional embodiment. Second, they tend to neglect the impact social norms have on emotions. We include relevant work in traditions outside philosophy and psychology (sociology, anthropology, and queer theory) that may shed light on the impact of social norms on emotions, as well as the relationship between socialization and embodiment. We propose an account of emotions as constructs that combine sociality and corporeality—an account that understands social norms and bodily responses as interdependent. Our proposal is to understand emotions as constructed via societal norms that materialize in bodily states. This advances the debate on the nature of emotions by integrating different theoretical strands (construction and embodiment), and it also contributes to the emerging literature on emotional injustice by shedding light on the role the social plays, for example, in shaping whose body gets to express which emotions.
Chapter 2 discusses the soteriological nuances of Blake’s preformationist imagery. From the seed in the husk to the larva in the chrysalis, preformationist science offered Blake potent images with which to present the idea that the soul might persist beyond the death of the body. This chapter examines these symbols as they appear across Blake’s corpus, from early illuminated books such as The Book of Thel (1789) and Vision of the Daughters of Albion (1793) to later works such as The Four Zoas and Jerusalem. The chapter also shows how the ecological aspect of this paradigm further provided Blake with the vocabulary to articulate how life after death is ultimately a communal affair. The final section of the chapter, reading Blake through Alfred Gell, explores how attending to the preformationist language of exuviae and shells can shed new light on how to approach the exuvial materiality of the Blakean book.
The brief conclusion summarises the book’s argument about Blake in relation to the critical terms of humanism and posthumanism. It argues that Blake’s nuanced representation of the body, which, in his universe, is simultaneously preformed and self-organised, aligns him with a distinctly Romantic humanism while also allowing him to anticipate the insights of posthumanism. Finally, it suggests that Blake’s works offer the concept of elasticity as an alternative to plasticity – a concept which acknowledges the complexities of embodiment while insisting on the importance of resilience and identity.
John Locke’s influential account of personal identity emphasizes the importance of consciousness. This had led many commentators to argue that Lockean selves just are consciousnesses. Charles Taylor has mounted persuasive critiques of this “punctual” Lockean self; such a conception of the self is too thin and stands divorced from our values and moral agency. This chapter shifts the focus from Locke’s views on personal identity to his views on personhood in an effort to show that Locke is sensitive to the kinds of worries raised by Taylor. Lockean persons are more than consciousness. In particular, the chapter focuses on Locke’s exploration and analysis of the complex faculty psychology undergirding consciousness and on the ways in which persons can be embodied. This allows for a richer conception of the self. It then argues that this richer conception better aligns with Locke’s own views about the value and importance of the self and with what he says regarding our moral agency and our duty of self-improvement. Finally, the chapter shows that understanding Locke’s examination of human cognition as contributing to an analysis of the self allows us to resituate him with respect to some of his predecessors in seventeenth-century England.
This chapter introduces the reader to the understanding of the human person articulated by Gregory Palamas (1296–1357) during the late Byzantine Hesychast controversy. The notion of the self elaborated and defended by Palamas is notable for its stress not only on the practice of inner prayer and stillness (“hesychia”) as crucial for the true cultivation of the self, but likewise for its robust defence of the embodiment of the self. Before discussing Palamas’ approach in detail, some background on the question of the relationship of body and soul in Greek patristic thought is offered, with special reference to Maximus the Confessor. This sets the scene for Palamas’ argumentation regarding the body as constitutive of the self together with the soul. Several ways in which Palamas both adopts and challenges classical views of the human self are presented. For instance, while the human soul might be detachable from the body, the human self, or person, is not. In some sense, moreover, every activity of the human self can be understood as a “common activity” of soul and body. The interweaving of body and soul in Palamas’ thought ultimately challenges a straightforward hylomorphic conception of the human being, notwithstanding certain commonalities.
Mary Astell (1666–1731) relies on a Cartesian account of the self to argue that both men and women are essentially thinking things and, hence, that both should perfect their minds or intellects. In offering such an account of the self, Astell might seem to ignore the inescapable fact that we have bodies. This chapter argues that Astell accommodates the self’s embodiment along two main dimensions. First, she tempers her sharp distinction between mind and body by insisting on their union. The mind and body are united in such a way that they exert reciprocal causal influence and form a whole together. Second, she argues that the mind–body union is good, that the union has its own distinctive form of good or perfection, and that the mind should pursue this good alongside its own.
The introduction outlines the main thesis that metaphor is not only for understanding abstract concepts but also for understanding human bodily experience. If the body itself is understood as metaphor, this gives a completely different view of how metaphor functions in thinking, language, and action.