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The most extensive history of punctuation in English literature available, this three-volume set examines the production, context, and impact of punctuation in nearly 100 major authors and texts from the Medieval period to the present. Essays address the complexity, nuance, and significance of punctuation in works of poetry, drama, and prose, using diplomatic quotation to demonstrate punctuation's essential part in literary writing, production, reading, and reception. Topics covered include scribal and textual transmission and genesis ; manuscript and print ; pedagogy ; standardization ; house style ; conventions ; editorial intervention ; reading experiences ; and elocutionary, syntactical, deictic, and spatial punctuation. A general introduction discusses theories and practices of punctuation, while three volume-introductions address the age of manuscript, impact of printing, and subsequent pressures of mechanization, industrialization, and digitization. This History demonstrates that punctuation, far from “accidental,” is a crucial element of hermeneutics, deeply impacting literary practice, meaning, and interpretation.
The most extensive history of punctuation in English literature available, this three-volume set examines the production, context, and impact of punctuation in nearly 100 major authors and texts from the Medieval period to the present. Essays address the complexity, nuance, and significance of punctuation in works of poetry, drama, and prose, using diplomatic quotation to demonstrate punctuation's essential part in literary writing, production, reading, and reception. Topics covered include scribal and textual transmission and genesis; manuscript and print; pedagogy; standardization; house style; conventions; editorial intervention; reading experiences; and elocutionary, syntactical, deictic, and spatial punctuation. A general introduction discusses theories and practices of punctuation, while three volume-introductions address the age of manuscript, impact of printing, and subsequent pressures of mechanization, industrialization, and digitization. This History demonstrates that punctuation, far from 'accidental,' is a crucial element of hermeneutics, deeply impacting literary practice, meaning, and interpretation.
The most extensive history of punctuation in English literature available, this three-volume set examines the production, context, and impact of punctuation in nearly 100 major authors and texts from the Medieval period to the present. Essays address the complexity, nuance, and significance of punctuation in works of poetry, drama, and prose, using diplomatic quotation to demonstrate punctuation's essential part in literary writing, production, reading, and reception. Topics covered include scribal and textual transmission and genesis ; manuscript and print ; pedagogy ; standardization ; house style ; conventions ; editorial intervention ; reading experiences ; and elocutionary, syntactical, deictic, and spatial punctuation. A general introduction discusses theories and practices of punctuation, while three volume-introductions address the age of manuscript, impact of printing, and subsequent pressures of mechanization, industrialization, and digitization. This History demonstrates that punctuation, far from “accidental,” is a crucial element of hermeneutics, deeply impacting literary practice, meaning, and interpretation.
Pythagoreanism stands as one the most influential – and obscure – philosophical movements in antiquity. Most ancients identified Pythagoras as the originator of the concept of philosophy, or “love of wisdom”; but his philosophy is often assumed to fade away with the dispersal of the Pythagorean communities in the fourth century BCE. This pathbreaking book presents the afterlife of Pythagoreanism, identifying the wide range of philosophical views that Pythagoreans developed in the Hellenistic and Roman periods, when the legacy of Pythagoras and his students was contested. Through careful analysis and synthesis of hundreds of ancient Greek passages never before translated into English, as well as extensive subject introductions, it gives shape to later Pythagorean philosophy as a whole, and in its parts, for the very first time.
This extensively illustrated commentary on Darwin's Origin of Species offers a comprehensive, modern analysis of his revolutionary argument, situating his ideas within the evolutionary research and debates they inspired. Building on an unfinished manuscript by the pre-eminent evolutionary biologist Ernst Mayr, the book draws on more than 1,500 scholarly sources to expand on Darwin's revolutionary insights and to assess over 160 years of subsequent scientific progress. Each of Darwin's chapters is examined in detail, clarifying his reasoning while showing how his ideas have been refined, revised, or confirmed by later discoveries. In doing so, this new work highlights the enduring power and sweeping implications of Darwin's theoretical framework. More than 100 historical and scientific images illuminate Darwin's era and the central findings of evolutionary research, bringing the Origin vividly to life. The result is an authoritative analysis and synthesis of the most important scientific book ever written.
This volume offers a clear and authoritative gateway into the world of Hellenistic poetry, presenting the state of the art in a form accessible to newcomers and valuable to experienced scholars alike. Designed for undergraduate and graduate students of ancient cultures, especially those in Classics, as well as instructors and researchers, it distils a complex literary era into an illuminating, concise guide. Moving beyond isolated readings of individual poets such as Callimachus, Theocritus and Apollonius, the book situates Hellenistic poetry within its rich historical, political, cultural, and religious contexts, and discusses its important afterlife in Roman poetry. It highlights how shifting power structures, expanding intellectual networks, and new forms of cultural expression and religion shaped poetic innovation both in Alexandria and in the wider Mediterranean world. Whether used in the classroom or consulted as a research companion, this Companion provides an indispensable, overview of a transformative period in ancient literature.
Machiavelli's Discourses on Livy is a monumental work in the history of political thought, which argues for republican government as the constitutional form best suited to producing a glorious nation. Published posthumously in 1531, the Discourses represent Machiavelli's most extensive treatment of politics, covering the ordering of republics, the governance of kingdoms, the administration of military affairs, the conduct of wars and the expansion of empires. This modern translation accurately explains and contextualises Machiavelli's political and historical vocabulary, with commentary indicating its vast range of classical, medieval and humanist sources, as well as identifying its huge number of historical references. Robert Black's accessible introduction, notes and references offer insights into Machiavelli's implicit concepts, providing a full understanding of the Discourses for English-language readers.
This textbook builds up General Relativity in a modern way that shows the marvellous unity in physics. Einstein's gravity can be understood as the theory of matter interacting with a massless spin-2 particle (the graviton), just as electromagnetism is the theory of charges interacting with a massless spin-1 particle (the photon). Starting with scalar gravity and electromagnetism, General Relativity is developed step by step, highlighting all the key ideas and equations. The text develops many applications of enduring interest, including solar-system effects and cosmological expansion, as well as important cutting-edge topics such as black hole imaging and gravitational wave detection. In-chapter exercises and end-chapter problems allow readers to test their understanding, with selected solutions available to instructors online. The textbook provides essential material for the beginning – and experienced – physicist or astronomer interested in modern developments in gravitation, astrophysics and cosmology, and their connections to particle physics and fundamental physics.
The Cambridge History of Mythology and Mythography offers a comprehensive overview of the history, theory, and practice of mythic analysis. From antiquity to the present day, and from the Americas to Africa, Eurasia, and Oceania, it demonstrates how mythic traditions have played a seminal role in a variety of cultures and civilizations. It also traces the origins and earliest expression of various mythic traditions, their similarities and differences, mutual influences, and their evolution. In addition, this History explores the key roles that literary figures, oral traditionalists, ethnologists, and cinematographers have played in collecting, cataloguing, interpreting, and reinterpreting the mythic traditions. It demonstrates how their work has influenced the transmission and perception of those traditions and enables an appreciation of the similarities and differences between mythological traditions. This comprehensive reference volume also brings an inter- and multi-disciplinary perspective to the topic, revealing how the interaction of various approaches contributes to the study of mythology across the world.
Drawing on a number of key case studies, this innovative book develops a novel model that highlights how experiments are one of the most important empirical data sources in cognitive linguistics. It covers three problem areas: the uncertainty of experimental data, contradictory experimental results and the relationship between experimental data and theories. It provides metascientific tools which make it possible to (re-)evaluate the reliability and the usability of experiments as data sources, to reveal the relationships between closely related experiments and to summarise their outcomes. By increasing meta-scientific awareness, this book allows researchers to conduct systematic and comprehensive re-evaluations of experiments, which will contribute to more conscious and transparent experimental practices of experimenting in cognitive linguistics, as well as in other fields of research. It is essential reading for researchers and advanced students in cognitive linguistics, psycholinguistics and other areas that involve the study of experimental linguistic data.
The Cambridge History of Mythology and Mythography offers a comprehensive overview of the history, theory, and practice of mythic analysis. From antiquity to the present day, and from the Americas to Africa, Eurasia, and Oceania, it demonstrates how mythic traditions have played a seminal role in a variety of cultures and civilizations. It also traces the origins and earliest expression of various mythic traditions, their similarities and differences, mutual influences, and their evolution. In addition, this History explores the key roles that literary figures, oral traditionalists, ethnologists, and cinematographers have played in collecting, cataloguing, interpreting, and reinterpreting the mythic traditions. It demonstrates how their work has influenced the transmission and perception of those traditions and enables an appreciation of the similarities and differences between mythological traditions. This comprehensive reference volume also brings an inter- and multi-disciplinary perspective to the topic, revealing how the interaction of various approaches contributes to the study of mythology across the world.
Multiple-choice questions are a cornerstone of postgraduate medical education, valued for their reliability, efficiency, and ability to assess a wide range of clinical knowledge. This innovative book offers over 2,200 advanced, evidence-based questions, peer-reviewed and aligned with international clinical guidelines and contemporary research. Complementing OSCEs in Obstetrics and Maternal-Fetal Medicine, it provides a unique and comprehensive resource for trainees preparing for certification, as well as for clinicians and educators seeking topic-specific, high-quality questions. Designed to support self-assessment, peer learning, and teaching across multiple levels, this book helps readers deepen their understanding of medical and clinical sciences essential to patient care and professional competence.
This guidebook, the first of its kind, summarizes the state of the art in the field of epistemic gossip protocols. Gossip protocols are peer-to-peer communication protocols intended to maximize information dissemination while respecting network or transmission constraints. This comprehensive reference begins by presenting classical results on gossip protocols from networks and combinatorics from the 1970s and progresses through results in distributed computing up to the work on epistemic distributed gossip protocols of the past decade. In epistemic gossip protocols, agents make information-based choices to speed up information dissemination and allow smarter and more involved forms of distributed communication. Topics covered include various call semantics, reachability of secret distributions, dynamic gossip where secrets and numbers are exchanged, optimality, protocol knowledge, and higher-order epistemic goals. Featuring numerous exercises, this book from a lead researcher is an ideal resource for graduate students and researchers in logic, computer science, artificial intelligence, and cognitive science.
Jack Boss's third book on the most famous member of the 'second Viennese School', this work offers an intriguing revisionist history of Schoenberg's early music. It provides close readings of six pieces from Op. 1 to Op. 9, illustrated by detailed motivic analyses as well as Schenkerian graphs, to show how tonality and motive work together to project the 'musical idea,' and how Schoenberg's tonal style gradually became more dissonant, leading to atonality. Boss's earlier books argued that the atonal and twelve-tone works were part of a consistent development tied together by the expression of a common narrative-the conflict, elaboration, and resolution of what Schoenberg himself called the 'idea.' This book completes the circle by showing that the early, tonal works also project musical idea narratives. It justifies Schoenberg's preference for setting music to text early in his career, by showing how his chosen texts helped shape these narratives of conflict and resolution.