To save content items to your account,
please confirm that you agree to abide by our usage policies.
If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account.
Find out more about saving content to .
To save content items to your Kindle, first ensure no-reply@cambridge.org
is added to your Approved Personal Document E-mail List under your Personal Document Settings
on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part
of your Kindle email address below.
Find out more about saving to your Kindle.
Note you can select to save to either the @free.kindle.com or @kindle.com variations.
‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi.
‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.
Donat's vast expertise provides unique insight into the history and genesis of key works in the chamber music repertoire.
This is the first full-length study in English of an important area of Beethoven's output that has seldom been explored in detail. The principal compositions covered are the violin sonatas, cello sonatas and piano trios of the composer's maturity, ranging chronologically from the three piano trios op.1, to the two cello sonatas op.102 which stand on the threshold of his last period. The repertoire includes some of Beethoven's most famous chamber pieces, among them the 'Spring' and 'Kreutzer' violin sonatas, and the 'Ghost' and 'Archduke' piano trios.
The works are analysed in detail with the help of copious music examples, and are placed in their historical context through extracts from letters and contemporary reviews. The book provides performers, music students and music lovers with an insight into the history and genesis of some of the greatest works in the chamber music repertoire.
How do voters form left–right images of political parties? This Element applies the theoretical framework of ecologically rational heuristic inference to synthesize insights from the extensive literature on the meaning of left and right in politics. It proposes several hypotheses about cues that voters with varying levels of political sophistication use to infer parties' left–right positions. These expectations are tested through seven conjoint and factorial survey experiments in Germany, Denmark, Canada, and the UK. Findings show that many voters develop sensible left–right perceptions of parties by relying on small sets of highly predictive cues. However, voters differ in how they interpret these cues. Less politically sophisticated voters tend to infer party positions mainly from partisan signals, whereas more sophisticated voters rely on a broader range of indicators, including party policies, ideological values, and social group support. This title is also available as Open Access on Cambridge Core.
Develops a method for placing book-historical evidence in dialogue with literary meaning through a detailed investigation of a MS Bodley 851.
How do you read a medieval book? And what is the relationship between the study of manuscripts as material artifacts and the study of their textual contents? This book develops a method for placing book-historical evidence in dialogue with literary meaning. Medieval manuscripts do not simply witness the texts they contain: through the process of their making, they preserve and generate knowledge about literature itself.
Central to the expression of method in this study is a detailed investigation of an immensely complex composite manuscript, Oxford, Bodleian Library MS Bodley 851. This manuscript survives as an important representative of textual cultures popular in late-medieval England: it attests the work of at least eight scribal agents and contains an infamous scribal version of Piers Plowman (Z-text), the sole surviving copy of Walter Map's De nugis curialium, and an array of satirical Anglo-Latin poetry, including the Apocalypsis goliae episcopi, the Speculum stultorum, and the Bridlington Prophecy. Close attention to the production of Bodley 851 underpins critical examinations of fragmentary misogamy, the construction of literary sequences, and the extent of pseudonymous authorship in the manuscript record.
This Element introduces the Existential-Spiritual Psychotherapy framework as a promising clinical and research tool and then integrates it with the three pillars of the Multicultural Orientation framework. Section 1 presents Existential-Spiritual Psychotherapy by exploring how spirituality and religion intersect with existentialism and how all three relate to psychotherapy, psychological symptoms, well-being, and flourishing. Section 2 details the Existential-Spiritual Narrative as a roadmap that offers a process framework and introduces the integration of dynamic and culturally sensitive symbols. Section 3 explores existential-spiritual comfort, encouraging therapists' self-awareness around spiritual themes. Section 4 identifies common existential-spiritual opportunities, helping clinicians recognize and engage culturally embedded spiritual content. Section 5 discusses existential-spiritual humility, promoting a posture of humble expertise when navigating spiritual material. Throughout, the authors offer an empirically informed, culturally attuned framework while promoting a dialectical balance in integrating spirituality and religion into psychotherapy.
The themes of tribalism and medievalism unite this wide-ranging collection of essays.
Essays address queer medievalisms in and around Gwen Lally's historical pageants and Radclyffe Hall's The Well of Loneliness; Robert Glück's 1994 novel Margery Kempe; and forms of gender tribalism in and around Josephine Butler's Catharine of Siena: A Biography. Gender is further explored alongside the central theme, with surveys of tribal gendering of masculinity in C. S. Lewis's Prince Caspian and its film; tribalism in medievalist bandits beyond Robin Hood and his "merry" band; and tribal gendering of femininity in the films Brave and Sleeping Beauty. There are also contributions on colonialist tribalism in the staging of Camelot in Richard E. Grant's film Wah-Wah; nationalistic tribalism in German pride, refracted through American frontier attitudes towards Native Americans; tribal perspectives of Native Americans in Guy Gavriel Kay's Fionavar Tapestry; the death of Optimus Prime in Transformers: The Movie as an act that stirs fans' tribal passions; and Carolingian legends as both reflecting and superseding tribal affiliations in twentieth-century America.
Explores the intersections between two fundamental approaches to medieval literature, shedding new light on texts ranging from The Canterbury Tales to Le Morte Darthur.
This volume identifies new methods and questions for language-based approaches to medieval English literature and literature-based approaches to Middle English by identifying philology as a cross-disciplinary practice shared by literary scholarship and linguistics. How can late medieval cultural perception and social participation be illuminated by literary language? What can language forms tell us about the experience of England's multilingual landscape? Contributors trace the relay between imaginative literature and an expanding Middle English lexicon, the literary affordances of phonological and morphological features of Middle English, and the way that medieval literature engaged with its multilingual sources. Essays also consider how social authority is negotiated in language, with a particular focus on highly charged words such as "corruption", "instability", and "treason" and highly charged phenomena such as language contact, allusion, and genre experiments. Together, they show that literary and linguistic approaches may inform each other to open new avenues of research on a wide variety of texts - including Chaucer's The Canterbury Tales and Troilus and Criseyde, Malory's Le Morte Darthur, Gower's Confessio Amantis, Lydgate's Reson and sensuallyte and Hoccleve's Regement of Princes. The volume thus pays tribute to the influence on both fields of distinguished medievalist Karla Taylor.
Explores the breadth, diversity and significance of the commercial music trade and its communities across Britain during the late seventeenth and eighteenth centuries.
Adding to the existing scholarship on music publishers and instrument makers, mostly based in London and the university cities, the collection challenges this historiography by offering the first collective narrative for the commercial trade in musical goods and services - including the printing, publishing and sale of printed music, the sale of manuscript music, musical instruments and related wares, and the tuning and general maintenance of musical instruments such as organs and pianos.
Contributions draw on evidence from across the country of the trade's activities, networks and communities, and recognize the significance of small cities, market towns and regional hubs in cultural dissemination. The Music Trade in Regional Britain therefore contributes to a growing body of work offering a nationwide account of musical culture. It foregrounds a trade that was far more geographically dispersed, economically significant and culturally broad than has previously been acknowledged.
CONTRIBUTORS: Stephanie Carter, Simon D.I. Fleming, David Griffiths, Nancy A. Mace, Martin Perkins, Christopher Roberts, Roz Southey, Matthew Spring, Robert Thompson
This volume challenges popular assumptions and academic pieties regarding religion and identity on the Iberian Peninsula during the Middle Ages. Its studies of individual works of art and architecture uncoil complex histories from this religiously plural peninsula, intertwining social, cultural, and political identities across seven centuries. Chronicling relationships between religious groups that were neither idyllic nor irreconcilable, these works of art reveal instead expressions of religious separateness balanced within ambivalent and dynamic shared visual identities.
A comprehensive study of the mortality of Norse gods, with close readings of the Prose Edda, Poetic Edda and Saxo Grammaticus' Gesta Danorum.
Divinity usually implies immortality. The very phrase "gods and mortals" highlights an ontological gap between two distinct categories of existence: immortal deities and transient humans. This divide, however, does not hold true in the Scandinavian mythological tradition, where the gods themselves are mortal. This mortality is central to myths such as those of Baldr and of Ragnarøk, and affords the Norse gods narrative potential, that is unparalleled in other traditions, such as those inherited from antiquity.
The first half of this study explores some salient consequences of this attribute, highlighting the striking anthropomorphism of the gods. The second half takes a more diachronic approach, examining the prehistory of the group of gods who became known as the Æsir and arguing that they developed from non-anthropomorphic divine forces shaped by and mobilized in ideologies of leadership and warfare in pre-Christian Northern Europe. By examining how divine mortality not only drives Norse mythic narratives but also reflects wider patterns of thought and belief, including early medieval theories of rulership and the sacralization of human excellence, this book reconsiders the boundaries between godhood and humanity in pre-Christian Scandinavia and, in doing so, questions what it means to be a god.
This is the first comprehensive modern account of the history of the Isle of Man, through the years between the establishment of the Stanley lordship early in the fifteenth century and the Revestment of 1830.
Focusing on social and economic aspects, it traces developments in society, economy, religion and the Island church, education and literacy, daily life, arts and culture, and landscape and the built environment. Generously illustrated, it explores demographic changes, charts the growth of trade, and surveys social and cultural change including the changing status of the Manx language. It discusses disputes over land ownership, considers improvements in agriculture and fishing, and examines the encouragement of industry. Throughout the book emphasises the distinctiveness of the Manx experience, connected to, but different from the history of England, and of Scotland and Ireland.
Every president in the last century has launched his own strategy of federalism, and with every launch, presidents have tried to characterize their own approach as newer and better. Most of these approaches have swung like a pendulum along a continuum from centralization to decentralization. Donald Trump's version of federalism, however, has proven to be radically different, not only in its politics and administration but also in its disconnection from the themes that have long characterized the debate about American democracy, shaped by French intellectual Alexis de Tocqueville in the middle of the nineteenth century. Trump has relied on both finance and force as tools to redefine power in the intergovernmental system. That, in turn, poses enormous challenges not only for the execution of domestic policy but also for the conduct of democracy in America.
'Colonial Senses' explores how Portuguese late colonialism and its afterlives are experienced and resisted through the senses. Moving beyond a purely textual analysis, the Element examines the insurgent optics of Amílcar Cabral, the feminist haptics of Paulina Chiziane and the sonic politics of Black female activists in post-colonial Lisbon. The Element posits that Portuguese late colonialism's sensory regime prioritised proximity and aesthetic contact in order to mask violence and stifle dissent. Using social theory, literature and ethnography, we analyse a variety of visual, tactile and auditory registers. We offer a new hypothesis on the sensory architecture of empire: that the Portuguese colonial empire developed a distinctive multisensory regime structured around aestheticised contact, intimate violence and the suppression of autonomous sensory expression. Combining historical and sociological analysis, this Element demonstrates how sensory colonial legacies endure into the present and contributes to sensory and postcolonial studies.
There are worldwide concerns about the quality of elections and democracy. There is also an ambiguity in academia, the international community and popular discourse about how to define and measure good elections. This Element develops an original concept of electoral integrity based on human empowerment. Elections serve a purpose: They should give citizens a voice, empower the everyday citizen against the powerful and act as mechanisms for political equality. Secondly, it argues that there have been major societal 'megatrends,' meaning that the holding of elections has moved from the modern era to an age of complexity. This describes an era of demographic, technological, legal, economic and political complexity and fluidity. The greater connection between nodes of activities in the electoral process means that elections held in one part of the world can be very quickly affected by actors and developments elsewhere. Thirdly, it provides new measurement tools to assess election quality.
This Element critically explores the notion of climate education in the humanities and how it should embrace the teaching, learning, and research of second and heritage languages (SL/HL), starting with basic language programs. Because language is inseparable from the spheres where climate narratives and discourses circulate. The interconnectedness between language (as discourse), sociolinguistics, culture, social justice, and the climate crisis entails an approach to Climate Humanities that requires a paradigmatic and epistemological turn. By addressing how SL/HL education works and whom it serves, the Element proposes a root-level curricular and program transformation for advancing an equitable language classroom with a focus on climate and sustainability. Comprehensive sections delve into three applied teaching principles: (1) critical analysis and decentralization of climate discourse, (2) contextualization of language teaching, and (3) transdisciplinarity. Examples for classroom implementation showcase praxis in action to practitioners and researchers, and emerging questions and future directions are discussed.
Accessible and reliable introduction in English to the earliest vernacular lyric poetry in the Iberian Peninsula.
Dating to the tenth century, the earliest vernacular lyric poems in the Iberian Peninsula have been seen as evidence of an even older, oral, folk tradition and attest to the multicultural, multilingual nature of the genre from its very beginning. Primarily preserved in manuscript and printed songbooks, these poems were widely diffused across the Hispanic world.
This Companion offers an accessible, reliable introduction in English to early Iberian traditional lyrics from a comparative and interdisciplinary perspective, paying special attention to their multicultural origins and their complex nature as both oral and written compositions. The opening chapters discuss the importance of understanding this dual essence in studying traditional lyrics today, provide an outline of their structure and formal features, and offer a contemporary overview of the field. The volume then examines the kharjas, the cantigas de amigo, and the tradition of Catalan lyricism before turning to a comparison of popular lyrics with the poetry of the cancioneros and romanceros and the preservation of the tradition in Sephardic ballads. The final chapters examine the survival of popular lyrics into the modern era and explore a new means of interpreting these poems through musical archaeology and musicological studies.
Charts choral traditions in Britain, evolution, sociological composition, engagement with and place within cathedrals and secular spaces.
Choirs are living organisms and ever changing. This book tells the story of British choral singing (not choral music) and deals with both sacred and secular choirs and institutions from the medieval era through to the Covid pandemic and its aftermath. A series of different choral traditions has emerged over the centuries. The oldest is that of the all-male cathedral choir, while the secular choral society evolved from the eighteenth century onwards. Although there are many histories of individual cathedrals and choral societies, this is the first general history of British choral traditions. While English matters predominate, those of Scotland, Wales and Ireland are also considered. Even though British choral traditions have penetrated many parts of the world, there has also been much cross-fertilization of late with the rich choral cultures of other nations in Europe and beyond. Choral singing inevitably involved matters of social class, and a much more nuanced story is told here than the current view of choirs as being a largely middle-class phenomenon might suggest.
Scholarly in method while highly readable, the book offers invaluable background to choral practitioners. When choral activity is reviving healthily after the Covid 19 pandemic, such a volume appears timely, reminding the reader of the essentially communal and social nature of the choral experience.
Archaeologists increasingly rely on philosophical principles, as evidenced in the Ontological Turn, yet often only engage Western philosophers, which is unfortunate as Indigenous scholars, particularly Native American authors, have provided alternatives applicable to archaeological research. Within this volume, we introduce readers to Native American scholars whose work we apply to major topics in archaeology, including landscapes and knowledge, kinship and extended personhood, and cosmology and ceremonial practices. By contrasting with traditional, Western-based interpretive approaches, we demonstrate the transformative potential of relying on Native American philosophers not only in terms of better understanding the archaeological record but also in how archaeologists and practitioners approach issues such as repatriation, archaeological collections care and handling, and sovereignty. In all, this volume presents a powerful new approach to archaeological research that provides readers with an introduction to Native American philosophers, relevant case studies, and real-world examples that they can use in their own works.
Driven by advances in data science and machine learning, photonics has evolved rapidly in recent years and has transformed into a highly interdisciplinary field, connecting fundamental research with cutting-edge applications. Inspired by recent Nobel Prizes in Physics in 2021 and 2024, Conti highlights the interplay between photonics and spin glasses, a key concept for understanding the link between photon propagation and complex systems. Beginning with a study of black-body radiation, the book then revisits laser theory using techniques from non-equilibrium statistical mechanics. Through a step-by-step exploration of important photonic experiments, it bridges foundational concepts and advances in optical computing, with a focus on developing efficient hardware for classical and quantum artificial intelligence. This reveals the profound ties between complexity, photonics, and the future of AI technologies. The book will be a valuable resource for advanced undergraduate and graduate students and more practised researchers.
This Element explores the transnational dynamics of Italian fascism and its reception in the Nordic countries from the foundation of Mussolini's Fasci di Combattimento (Combat Fasces) in 1919 to the onset of the Second World War. Although Italian fascism found fertile ground among far right movements and organisations in the Nordics, reactions varied significantly across Denmark, Norway, Sweden, and Finland. The Element emphasises the ideological influence of the March on Rome and highlights how the Nordic far right drew inspiration from Mussolini's regime while also adapting to local contexts. By examining the intricate connections between Nordic and Italian fascisms, this Element aims to provide a nuanced understanding of the complexities of fascism's international appeal, illustrating how local political situations shaped the diverse expressions of fascism in the region and the interplay between fascist ideologies and anti-Bolshevism.
Presents Wagner as a serious philosopher and offers a fresh perspective on the Ring and its unique fusion of myth, human drama, and philosophical insight.
Few figures of the nineteenth century were more influential than Richard Wagner, and few works of art have the scope and historical significance of The Ring of the Nibelung. Wagner himself said that it expressed his entire philosophy of life. Yet little attention has been paid to him as a philosopher, aesthetic theories aside. Instead, the Ring has been viewed in the light of Schopenhauer, Feuerbach, or even Hegel. Wagner's own ideas do not deserve this neglect, and this book addresses that omission. It starts with the more widely read philosophers of his day, such as Fichte; in their context Wagner's often fragmentary thoughts reveal a coherent "materialist idealism" that constitutes a late but significant contribution to Classical German philosophy. His acute social and psychological insights are still relevant, and so is the philosophical history that he saw prefigured in Greek tragedy.
Wagner's philosophy also illuminates the structure of the Ring and offers fresh insights into the characters and conflicts of that endlessly interpretable work. Approachable and engagingly written, balancing narrative, philosophical analysis, and a detailed consideration of the Ring's four music dramas, The Philosopher's Ring shows the cycle to be a work of unparalleled philosophical depth, one reason that it continues to challenge audiences even now, a century and a half after its premiere.