Hostname: page-component-77f85d65b8-g98kq Total loading time: 0 Render date: 2026-03-27T19:39:30.901Z Has data issue: false hasContentIssue false

Music as social bonding: A cross-cultural perspective

Published online by Cambridge University Press:  30 September 2021

Ivan Yifan Zou
Affiliation:
Department of Music, The University of Hong Kong, 11.03 11/F Run Run Shaw Tower, Pok Fu Lam, Hong Kong. ivan_yfzou@connect.hku.hk
William S.-Y. Wang
Affiliation:
Department of Chinese and Bilingual Studies, The Hong Kong Polytechnic University, GH144, Hung Hom, Kowloon, Hong Kong. wsywang@polyu.edu.hk; https://www.polyu.edu.hk/cbs/web/en/people/staff_detail/4

Abstract

We extend Savage et al.'s music and social bonding hypothesis by examining it in the context of Chinese music. First, top-down functions such as music as political instrument should receive more attention. Second, solo performance can serve as important cues for social identity. Third, a right match between the tones in lyrics and music contributes also to social bonding.

Information

Type
Open Peer Commentary
Copyright
Copyright © The Author(s), 2021. Published by Cambridge University Press

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Article purchase

Temporarily unavailable