Some critics of the doctrine of penal substitution have alleged that the doctrine is incoherent because punishment entails an attitude of condemnation or censure towards the person punished, which is impossible in the case of Christ. It is shown that this objection is multiply flawed and that a number of viable ways of avoiding the alleged incoherence are available to the penal substitution theorist.

In 2016, we marked the 25th anniversary of the signing of the Protocol on the Environmental Protection to the Antarctic Treaty, or the Madrid Protocol. The Protocol signalled a commitment to address issues of climate change and the protection of the Antarctic resources. Russia exerted appropriate efforts pursuant to scientific research programmes, tourism and all other governmental and non-governmental activities. In the light of the commemoration of the anniversary, this paper highlights major steps of the Russian Federation toward the implementation of the international agreement and application of scientific principles for environmental protection and management in Antarctica.

This article explores the trajectory of the Italian comic archetype, ‘The Opportunist’, and how it illuminates, and allows us to draws connections between, numerous junctures of modern Italian history. The caricature ‘Arlecchino’, deriving from the masked ‘types’ of the commedia dell’arte of the fifteenth and sixteenth centuries, is an historic exemplar of the Italian ‘everyman’ who simultaneously evades and exploits the established order in order to ‘get by’, ‘get ahead’ and survive. Filmmakers of la commedia all’italiana such as Mario Monicelli, Dino Risi and Lina Wertmuller, employed this caricature of the wily – yet ultimately harmless – petty crook in their work. They did so not in order to reinforce prejudices of Italians as self-serving and apathetic, but in order to examine what it meant to ‘survive’ 20 years of Fascism and the socio-political turmoil of post-war Italy. Examining how this caricature has historically evolved according to its ever-shifting social milieu illuminates not only certain defining moments of Italian history, but also how this archetype has contributed to popular understandings about Italy’s past and its people.

In December 1805 a violent anti-French rural insurgency broke out in the mountainous area around Piacenza, in the States of Parma. Castell’Arquato was one of the centres of this rebellion: local leaders devised a strategy that, using to advantage the dominant French imperial discourse of competent and progressive government, saved the town from the anticipated reprisals. Close reading of this particular case of narrative ingeniousness brings into focus the larger issue of agency local Italians were able to derive from the French quest for stability in the region.