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Anticorruption audits may deter corruption and signal to citizens that institutions are proactively combating it. However, by detecting and reporting corruption, audits might also unintentionally erode trust in institutions. Therefore, the impact of audits potentially hinges on whether they uncover corruption. Audit institutions, not implicated in the corruption they uncover, might be less likely to experience a decline in trust compared to auditee institutions. This study uses survey and administrative data from Brazil, leveraging a federal anti-corruption program that randomly selects municipalities for auditing. Results do not support the claim that audits boost institutional trust. Individuals in audited municipalities show no different levels of trust in local government or the audit institution than those in non-audited municipalities, and the coefficients may even indicate a negative effect. Additionally, audit institutions may not be better insulated from the corrosive effects of uncovering corruption than the institutions they audit.
The English, and later British, settlement of Bencoolen was first established in 1685 and remained in British hands, barring French wartime occupation, until 1825, when it was handed over to the Dutch in a territorial exchange. Bencoolen was even elevated to the status of a Presidency in the second half of the eighteenth century. Why did the English East India Company and British officials maintain a presence in Bencoolen for so long? This article makes the case that multiple, overlapping visions of commercial and agrarian transformation, including projects focused on pepper and sugar cultivation, sustained British efforts to govern and maintain Bencoolen as part of a larger, trans-oceanic network of territories. Such visions of Bencoolen's economic and imperial potential evolved in sync with equally persistent concerns about Bencoolen's failure to become a thriving settlement. Yet even amid constant anxieties about producing enough pepper, maintaining a sizeable population, and generating sufficient revenue, numerous British imperial agents located in London and Calcutta as well as Sumatra argued over whether the settlement was likely to remain a permanent failure and how the problems that dogged it might be resolved. Thus, even in moments when Bencoolen appeared to be a failed outpost on the periphery of a growing British Empire, its success or lack thereof commanded the attention of British ministers and East India Company servants. In calling for Bencoolen's elevation, subordination, or even abolition as a settlement, Britons contributed to a wide-ranging discussion of what constituted a valuable colony and, indeed, empire.
At Dura-Europos, homes were architecturally adapted across the late 2nd and 3rd c. CE by different religious groups to serve the needs of their communities. Although the Synagogue, Mithraeum, and Christian Building all began as domestic structures and share a similar architectural development, the origins of the latter have received unique attention through its classification as a domus ecclesiae or house church. This (hyper)focus on the structure's past use as a house does not do full justice to the archaeology of the building. Through an analysis of architectural adaptations, including before-and-after 3D reconstructions and daylight simulations, the authors show how the renovations significantly differentiated the Christian Building from its domestic antecedent and from Dura's houses more broadly. This approach is meant to shift attention away from more generalized, translocal, evolutionary models of Christian architectural development to micro-level archaeological analysis that situates structures within the spatial vernacular of their local contexts.
This article explores medical diplomacy as a means of navigating distinct but related nation-building and internationalist projects during the Cold War. It examines how medical professionals from the Democratic Republic of Vietnam (DRV) utilized their expertise to bolster foreign relations and assert national independence. This article focuses on how three tuberculosis (TB) specialists – Đặng Đức Trạch, Phạm Ngọc Thạch and Phạm Khắc Quảng – adopted, adapted and circulated techniques of TB control, including a modified version of bacillus Calmette–Guérin (BCG) vaccine. Amidst these endeavours, these medical-doctors-cum-diplomats navigated various forms of internationalism while soliciting medical assistance. Their roles within the DRV's state apparatus were prominently showcased from the 1950s to the 1970s, particularly at international gatherings such as the conferences of Ministers of Health of the Socialist Countries (MOHOSC). Because of the political complexities inherent in socialist internationalism, these conferences provided a crucial platform for dialogue among socialist nations when other avenues were limited. Consequently, the DRV's medical experts cultivated goodwill and garnered political support, despite encountering mixed results in their TB control initiatives.
This contribution examines social practices in the Central Bathhouse in Jerash in Late Antiquity based on the ceramic assemblage, vessel glass, faunal remains, and small finds retrieved from two sections of the bathhouse's sewer. We argue that although the bathhouse underwent significant architectural alterations from its construction in the 4th c. CE to its abandonment in the late 7th, the activities taking place inside the building remained largely the same. Our study shows that even towards the end of the bathhouse's lifespan, bodily grooming remained integral to the bathing experience, while food and drink were consumed on the premises even though the bathing facilities had been reduced to a bare minimum. The faunal remains indicate the type of food consumed, while the small finds illustrate a lively environment where gaming and gambling took place in a social space frequented by men, women, and children.
This paper explores the role of World Health Organization (WHO) medical experts in ambitious projects for substance control during the Cold War in Thailand and India. The circumstances surrounding opium production in these two nations were very different, as were the reasons for requesting expert assistance from the United Nations. Whereas the Thai military regime was concerned with controlling illicit traffic to secure its borders, the Indian government wanted to direct its opium raw materials towards domestic pharmaceutical production. Overlapping and sometimes competing agendas of country governments and international agencies converged upon each project, complicating the consultants’ work and requiring careful navigation. In both cases, medicine as a science concerned with human health and well-being was subordinated to more pressing agendas. At the same time, the article argues that WHO consultants left an important impact, though not necessarily due to their skills and training in medicine. Instead, they provided exemplars of sound governance and delivery of public health in a politically stable and economically developed country.
The 1st-c. CE Roman siege system of Masada exhibits a high degree of preservation due to its remote location and the arid climate. However, unlike the thoroughly excavated Masada fortress, the siege system has not received due attention. This article is part of a research project aimed at advancing our understanding of the conflict landscape around Masada using contemporary archaeological methods. Following a comprehensive surface survey and photogrammetric 3D modelling, we show that the circumvallation wall stood to a height of 2–2.5 m and served several functions – as an obstacle, a means of psychological warfare, and a platform from which to mount counterattacks. Based on our measurements and workload estimations, we argue that the construction of the siege wall and the camps around Masada occurred fairly quickly.
This short article describes the content and impact of the files related to the Watson Commission, a commission of enquiry empowered by British colonial government officials to investigate the causes and consequences of the riots that rocked the city of Accra (Gold Coast Colony) in 1948. They comprise a collection of reports and testimonies from a wide range of people from across the social, economic, and political spectrum of the colonial Gold Coast. In a colonial archive that often privileges the voices of British government officials, technocrats, and African politicians, this collection of 32 files represents an unprecedented insight into the lived experience of a wide range of individuals and communities, and documents the processes that led to independence for the nation-state of Ghana.
First used in 1980, “new romantics” was a term applied to describe a British youth culture recognized initially for its sartorial extravagance and penchant for electronic music. Closely associated with the Blitz nightclub in London's Covent Garden (as well as milieus elsewhere in the UK), new romantics appeared to signal a break from the prescribed aesthetics and sensibilities of punk, rejecting angry oppositionism for glamour and aspiration. In response, cultural commentators have often sought to establish connections between new romantism and the advent of Thatcherism and “the 1980s.” This article challenges such an interpretation, offering a more complex analysis of new romanticism rooted in nascent readings of postmodernism. It also shifts our understandings of the periodization of postwar British history and the concept of “popular individualism,” arguing that youth culture provides invaluable insight both to broader processes of sociocultural change and to the construction of the (post)modern self.
Dans le présent article, nous proposons une analyse de la mise en scènes de la (non-)réalisation du ne de négation et du il impersonnel dans un corpus de onze bandes dessinées de l’auteur franco-syrien Riad Sattouf. Notre objectif est double: d’une part, il s’agit de confronter cette mise en scène aux résultats des études de corpus oraux et, d’autre part, nous voulons la situer par rapport aux résultats d’autres études sur la mise en scène de l’oralité dans la bande dessinée. Pour ce faire, nous examinons des variables internes (p. ex. le type du forclusif ou les verbes impersonnels) et externes (p. ex. l’âge du personnage) et catégorisons nos résultats selon le modèle de proximité et de distance communicatives de Koch/Oesterreicher (22011). Le corpus utilisé se compose de toutes les bandes dessinées hors-série et d’une bande dessinée par série de Sattouf publiées entre 2003 et 2021. Notre article montre qu’il existe des similitudes entre la mise en scène sattoufienne et les pratiques orales au niveau des variables internes. Nous constatons cependant de grandes différences en ce qui concerne la variation de la (non-)réalisation du ne et du il en fonction des variables externes.
The game of fifty-eight holes is one of the longest recognized games of antiquity, but also one of the least understood. New evidence from the Caspian littoral points to an early adoption of the game by Middle Bronze Age seasonally pastoral cattle herders in the late third millennium and early second millennium bc. Six boards bearing this game's distinct pattern were found at sites on the Abşeron Peninsula and Gobustan Reserve in Azerbaijan. Their presence there not only indicates that the region was connected to societies to the south, but also demonstrates the game's popularity across cultures and socioeconomic groups. Its supposed first appearance in Egypt is questioned in favour of a south-western Asian origin.
This paper considers the question of how to find “women's space” in the Roman house by looking at a painting of the myth of Pero and Mycon in a small cubiculum off the atrium of Pompeii's House of Marcus Lucretius Fronto. It argues that the combination of the image with an ecphrastic poem functions to draw viewers into the enclosed room, so that they experience the painting from a position of interiority. This echoes the interiority which is thematized in the myth and presented as an important aspect of the virtuous femininity it celebrates. By communicating gendered meaning through both images of place and the viewer's physical experience, the painting offers a way of understanding women's space as simultaneously material and representational.