Schmid and Mullins present what they call ‘the Aloneness Argument’ for the inconsistency of four theses from classical theism: the doctrine of divine simplicity, the doctrine of divine omniscience, the claim that God is free to create or not to create, and the claim that it is possible that God and nothing but God exist. We deny that they have shown an inconsistency between these theses. We maintain that, depending on how certain premises are interpreted, one or another premise is false. We also offer a positive proposal regarding a simple God's knowledge that he is alone in a world where he doesn't create anything.

In contemporary methodological thinking, replication holds a central place. However, relatively little attention has been paid to replication in the context of complex dynamic systems theory (CDST), perhaps due to uncertainty regarding the epistemology–methodology match between these domains. In this paper, we explore the place of replication in relation to open systems and argue that three conditions must be in place for replication research to be effective: results interpretability, theoretical maturity, and terminological precision. We consider whether these conditions are part of the applied linguistics body of work, and then propose a more comprehensive framework centering on what we call substantiation research, only one aspect of which is replication. Using this framework, we discuss three approaches to dealing with replication from a CDST perspective theory. These approaches are moving from a representing to an intervening mindset, from a comprehensive theory to a mini-theory mindset, and from individual findings to a cumulative mindset.

Research on complementizer selection has shown that the presence of a negative particle in a subordinate complement clause influences complement choice, leading to a relatively higher proportion of finite complementation patterns by increasing the complexity of the syntactic environment. Studies have also shown that different types of negation, namely not- and no-negation, increase the tendency towards more explicit complementation options (Rohdenburg 2015). The current study focuses on the effect of not- and no-negation on the complementation profile of the verb regret, which allows variation between finite that/zero-complement clauses and nonfinite (S) -ing clauses. The GloWbE corpus was used to create a data set of more than 4,000 examples from 16 varieties of English. The results of the analysis support previous findings that the presence of a negative marker in the complement clause increases the preference for finite patterns, especially in L2 varieties of English. However, contrary to the expectations of this study, no-negation was found to have a stronger effect on complement choice than not-negation.

The article offers a detailed analysis of the debates at the All-Russian Democratic Conference and in the Provisional Council of the Russian Republic (the Pre-Parliament), which followed the proclamation of the republic on September 1, 1917, and predated the Bolshevik-led insurgency on October 25. The two assemblies were supposed to help resolve the multilayered political, economic, and military crises of the First World War and the Revolution by consolidating a Russian postimperial political community and establishing a solid government. The debates demonstrated that grievances and antagonism, which were articulated in terms of class and nationality, made the idea of a broad nationalist coalition unpopular, since it would halt agrarian and other reforms and continue the negligence of non-Russian groups. Furthermore, those who still called for all-Russian national or civic unity split on the issue of community-building. The top-down, homogenizing and bottom-up, composite approaches proved irreconcilable and precluded a compromise between non-socialist and moderate socialist groups. The two assemblies hence failed to ensure a peaceful continuation of the postimperial transformation and did not lead to a broad coalition against right and left radicalism. The divisions, which were articulated in the two assemblies, translated into the main rifts of the Russian Civil War.

This paper assesses the functioning of law and legal institutions in Palestine/Israel through the lens of settler colonialism by analysing two thematically interconnected decisions issued by the Supreme Court of Israel, the first involving the starvation of besieged Palestinian civilians and the second involving the force-feeding of Palestinian prisoners. Following a discussion regarding the role of law in settler colonialism, it proceeds to argue that the Court enabled, legitimised and legalised state-sanctioned violence that targeted the native Palestinian population by and through a jurisprudence of elimination in order to facilitate the attainment of Israeli settler-colonial objectives. By so doing, the paper provides further evidence in support of the appropriateness of settler colonialism as a theoretical framework for the case of Israel, including in legal matters.

The 2013 collapse of the Rana Plaza in Bangladesh brought global visibility to the human rights abuses experienced by women workers in the garment sector. As the spotlight on this incident dims, the need to hold the fashion sector accountable remains. In this article, we suggest that greater accountability could be achieved through the application of a human rights-informed understanding of the Sustainable Development Goals (SDGs) to promote gender justice in the sector. By drawing on international women’s rights law and sustainable fashion, we demonstrate how sustainability and gender justice are intimately connected, and illustrate what role the SDGs can play in promoting sustainable outcomes that are gender-just. The article unpacks concepts such as sustainability, the circular economy, social responsibility, and ethical fashion, and places the experiences of women workers within this context. Its principal contribution is a set of six requirements to ensure a gender perspective to the fashion industry’s role in implementing the SDGs.

Although much has been written about divine knowledge, and some on divine beliefs, virtually nothing has been written about divine credences. In this article we comparatively assess four views on divine credences: (1) God has only beliefs, not credences; (2) God has both beliefs and credences; (3) God has only credences, not beliefs; and (4) God has neither credences nor beliefs, only knowledge. We weigh the costs and benefits of these four views and draw connections to current discussions in philosophical theology.

What is the practical relevance of the Non-Identity Problem (NIP) for our climate change-related duties? Climate change and the NIP are often discussed together, but there is surprisingly little work on the practical relevance of the NIP for the ethics of climate change. The central claim of this article is that the NIP makes a relatively minor difference to our climate change-related duties even if we pursue what has become known as the ‘bite the bullet’ strategy: endorse a person-affecting view threatened by the NIP and not modify it in such a way as to evade the NIP. In particular I will argue that a harm-based view can justify the big-picture call for action emerging from the field of climate ethics. The key to reaching this conclusion is pointing out the consequences of our climate change-related decisions for people whose existence does not depend on these very decisions.

This article locates social relationships within late-nineteenth-century German orchestral music by examining orchestration practices and aesthetics. Wagner's innovations in tone colour, Liszt's use of programmes, and Hanslick's formalism all took attention away from orchestra performers and forged a more direct relationship between audience and composer. This article argues that commercial exchange of serious music displaced social relationships between composer, performer and audience into aesthetic dictums. In particular, the widely agreed upon subordination of orchestration and colour to compositional ‘content’ was a manifestation of the social subordination of performers to composers and resulted in the decreased visibility of performers to consumers.

In ultimately breaking from both New German and formalist conventions, Strauss's Don Juan and Mahler's First Symphony brought unwanted attention to orchestration and a renewed focus on performance and performers. In contrast to Wagner's use of doublings, which created timbres without clear instrumental provenance, the orchestration choices of Strauss and Mahler emphasize distinctions between instruments and themes, further highlighting the virtuosic demands they place on performers. Strauss and Mahler made performers into co-producers of their music and raised orchestral colour to the status of content. By employing Marx's concept of commodity fetishism, which Adorno himself largely obscures, this article goes beyond Adorno's and Dahlhaus's analysis of the ‘emancipation of colour’ to show how concert consumption objectified social relations and hierarchies as issues of mere aesthetic form, while compositions themselves became imbued with life-like subjectivity.