There are at least two kinds of design arguments for theism: fine-tuning arguments and biological design arguments. Dougherty and Poston (2008) have argued that the success of one requires the failure of the other, and vice versa. The reason is that the success of these arguments hinges on the following crucial probability: the probability that biological life exists somewhere in the universe given that (a) our universe is finely tuned and that (b) biological development is unguided by intelligence. According to Dougherty and Poston, fine-tuning arguments require that the crucial probability is high while biological design arguments require that the crucial probability is low. As a result, at most one of these design arguments can factor into a cumulative case argument for theism. I argue that this is mistaken. Specifically, I show that fine-tuning arguments can succeed even if the crucial probability is low.

This article investigates dynamics of mobilization over environmental and human rights norms in the context of undemocratic governments. We test the suggestion in norm diffusion theories that the success of domestic struggles in this context depends on the level of internalization of norms brought about by international pressure. We find that the internalization (or lack thereof) of global norms by the Government of Sudan does not explain its recognition of environmental justice claims in this case. Furthermore, the various litigation efforts pursued by affected people outside Sudan did not influence their campaign. However, a combination of the political climate in the country and a unique political interplay between the government and a distinct group of the affected people may have led to the singular success of their campaign. We use a combination of discourse analysis, legal analysis, norm mapping, and semi-structured interviews to reach conclusions.

This paper challenges what it calls the semantic determinist hypothesis (SDH) of argument licensing, according to which the syntactic realisation of a verb’s arguments is a function of its semantic properties. Specifically, it takes issue with ‘event schema’ versions of the SDH applied to the English ditransitive alternation (give/send {Jesse the gun/the gun to Jesse}), which claim a systematic, syntactically predictive distinction between ‘caused possession’ and ‘caused motion’. It is first shown that semantic and syntactic irregularities among the alternating verbs disconfirm such a mapping. More crucially, however, it is argued that ‘non-prototypical’ (metaphorical and idiomatic) usage (The news report gave Walt an idea, Walt’s actions gave the lie to his promises, The discovery sent Jesse into a fury) is fatal to the SDH, since the hypothesis entails the existence of semantic constraints on argument realisation which these expressions violate.

Based on an analysis of the semantically-related verbs give, send, and put, it is claimed that prototypical, metaphorical and idiomatic expressions of a verb can all be licensed straightforwardly, but only if theory maintains separate syntactic and semantic representation of arguments in lexical entries, observing the ‘parallel architecture’ of Jackendoff (1997, 2002), and only if argument tokens are licensed by the syntactic representation alone. A type of structure called a Lexical Argument Construction is proposed, which can describe all the relevant properties of verbs and verbal idioms.

In Early Modern English, verbal negation was commonly expressed by the addition of not directly after a lexical verb, a construction which subsequently underwent a pronounced decline in frequency as part of broader changes in verbal syntax. Even after the rise of the auxiliary do, however, constructions with the same surface form as the earlier pattern have continued to be used as a stylistically marked alternative. Data from the Hansard Corpus are presented here to show an increase in the frequency of these constructions since the mid twentieth century. The syntactic environments in which contemporary postverbal negation occurs are compared to the patterns existing in Early Modern English, and evaluated in the light of trends within constituent negation. The interpretation proposed is that a lexical split has occurred to produce two separate lexemes of the form not, with different syntactic properties. Postverbal negation would thus occur in Present-day English when speakers choose to make use of the new lexeme.

What is the difference between advertising and news? This essay examines the rise of this dilemma and its precarious resolution in the formative era of modern advertising and press commercialization in Britain, c. 1848–1914, with particular attention to legal powers mobilized in the process. The essay traces a dialectical process, which began with the midcentury campaign to repeal taxes on the press, one of which was the advertisement duty. The campaign framed advertising as a communication of essential information. Its success gave full reign to advertising in the newspaper press, but also triggered a readjustment: Newspaper owners soon faced a threat to their effective control of the medium; their proprietary power to differentiate advertising from their self-proclaimed business - news - was put to the test. Owners' responses established a hierarchic distinction between news and advertising, along an informational metric: advertising was framed as an inferior kind of information, more biased than news. The hierarchy became embedded as a common sense to the point that the process of historical creation has been forgotten; yet, it asserted a difference between news and ads which had little to hang on in theory and practice, giving rise to challenges which still resonate today.

This article engages with a wide range of existing literature relevant to understanding the artist persona in popular music, and advocates a view of personae as multiply constructed through sound recordings, music videos, live performances, interviews, social media posts, and a variety of other means. In an initial effort to theorize pop personae as transmedial phenomena, I merge a critical musicological understanding of the performative potential of aesthetics with perspectives from celebrity studies and media studies to produce new insights into how personae are articulated across a variety of disparate but intersecting spaces. Through a case study of Sam Smith, I demonstrate how the signs and symbols scattered across numerous platforms are aggregated in the pop persona, and elucidate the interpretive possibilities afforded by different points of contact between artist and audience. I conclude that the task of reading pop personae amounts to an assessment of the conglomerate of texts and contexts that shape both the production and the reception of pop expressions.

Academic Medical Centers (AMCs) offer patient care and perform research. Increasingly, AMCs advertise to the public in order to garner income that can support these dual missions. In what follows, we raise concerns about the ways that advertising blurs important distinctions between them. Such blurring is detrimental to AMC efforts to fulfill critically important ethical responsibilities pertaining both to science communication and clinical research, because marketing campaigns can employ hype that weakens research integrity and contributes to therapeutic misconception and misestimation, undermining the informed consent process that is essential to the ethical conduct of research. We offer ethical analysis of common advertising practices that justify these concerns. We also suggest the need for a deliberative body convened by the Association of American Medical Colleges and others to develop a set of voluntary guidelines that AMCs can use to avoid in the future, the problems found in many current AMC advertising practices.