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In 1902, shortly after Pastor Willis Hoover took charge of the Valparaíso Methodist Church, an intense revival began that eventually gave rise to the Chilean Pentecostal movement. The Valparaíso revival reached its climax in 1909, but in August of that year, the sudden charismatic leadership of “Sister Elena” (Nelly Laidlaw) attracted the attention of the pastors of the First and Second Methodist churches in Santiago (Rice and Robinson). On September 12, when Elena visited both churches, the pastors refused her request to address the congregations, becoming a pivotal moment in the history of the movement. According to local accounts, Chilean Pentecostalism was born that day. Juan Kessler (1967) offers the most rigorous and influential academic reconstruction of the events of that day, although he provides a very negative evaluation of Sister Elena as well as the reasons for the Pentecostal schism. However, Kessler did not consider the story or the reflections put forth by Enrique Jara in the newspaper Chile Evanjelico (Concepción, November 19, 1909), published under the title “Echoes of awakening in Santiago.” This chapter will introduce and revisit Jara’s account of the events of that fateful day.
José Victorino Lastarria (1817–1888) was a Chilean writer and politician closely aligned with the opposition to the three consecutive governments of Joaquín Prieto (1831–1841), Manuel Bulnes (1841–1851), and Manuel Montt (1851–1861). A liberal, he later turned into a Comtean positivist. As a politician, he served in the Congress and later in government as diplomat and cabinet member. A prolific writer, he was the author of Recuerdos literarios (1878), one of the best, if biased, accounts of Chilean intellectual life in the nineteenth century. He was also the author of La América (1865), Lecciones de política positiva (1874), and numerous contributions to the press. The fragment included here is the introduction to his work on the legacies of the colonial past, which he presented at the first anniversary of the inauguration of the University of Chile (1844). He promoted a view of history that saw in the past the guidance for shaping the present and future, meaning specifically the demolition of colonial institutions and ideas. This presentation became a part of a significant debate on the writing of history in the 1840s.
Francisco Bilbao (1823–1865) was a Chilean writer and political activist educated at the Instituto Nacional. He rose to notoriety when he published an essay, the “Sociabilidad chilena” (1844), condemning the role of both the Catholic Church and the legacies of colonialism in Chile. He was brought to trial for violating the laws regulating press freedoms. As a result, he left Chile for Europe, where he established contact with Edgar Quinet and Hugues-Félicité Robert de Lamennais and witnessed the European revolutions of 1848. Returning to Chile, he founded the Society of Equality in 1850 and participated in the uprising of April 1851, which led to his exile in Peru, Europe, and Argentina, where he died. His principal works, in addition to “Sociabilidad,” are La América en peligro (1862), and El evangelio americano (1864). The essay included here is representative of his views regarding the radical contradiction between Catholicism and republicanism, which was in turn an expression of his views on the struggle between despotism and freedom.
Valentín Letelier (1852–1929) was a Chilean educator, philosopher, and jurist who, after an assignment in Prussia in the early 1880s, contributed to the reform of the Chilean educational system, particularly through the creation of the teacher-training institute, the Instituto Pedagógico attached to the University of Chile. A committed positivist and leader of the Radical Party, Letelier was a chaired professor of law who became rector of the University of Chile for two periods beginning in 1906. His principal works include Filosofía de la educación (1892), La evolución de la historia (1900), Génesis del Estado (1917), and Génesis del derecho (1919). As a member of Congress, he joined the opposition to the government of José Manuel Balmaceda, signing the articles of impeachment that led to his arrest and exile in 1891, the year of the Civil War that ended with the victory of the congressional forces. The current selection provides Letelier’s rationale for the opposition to Balmaceda and advances a passionate defense of the role of organized political parties in a democracy, the rule of law, and the meritocratic selection of public officials.
This Element introduces a new conceptualization of policy experiments. Beyond their mainstream understanding as randomized trials, policy experiments are seen as speculative instances for testing innovative policy instruments to address public concerns. Drawing on Science and Technology Studies, this conception of policy experiments comprises four interrelated processes. First, there is an encounter with a charismatic foreign policy instrument, generating imaginaries of future success. Second, a local issue is problematized, presenting the instrument as its ultimate solution. Third, an experimental mesocosm is assembled to test this problematization empirically. Finally, evaluations of this test are conducted, usually leading to further experiments. The book exemplifies these processes with case studies from Chile, a world leader in policy experimentation in the last decades. The ongoing troubles of public governance worldwide prompt us to conclude by arguing for careful modes of policy experimentation, more tentative, ethical, and inclusive forms of acting in our fragile worlds.
This article explores the role of Chilean electroacoustic music as a medium for articulating cultural memory, particularly in response to significant historical events and unresolved traumas of the past 50 years. It examines five relevant works by Iván Pequeño (*1945), Leni Alexander (1924–2005), Federico Schumacher (*1963), José Miguel Candela (*1968) and Rodrigo Cádiz (*1972), analysing their engagement with voice, historical memory, trauma and political testimony through the lenses of acousmatic theory, sonic phenomenology and trauma studies. The article argues that Chilean electroacoustic music serves not only as a record of historical violence but also as a performative space where memory can be inhabited, archived, transformed and made audible again. It highlights the use of human voice recordings as vehicles of memory, the integration of radio art and testimonial narratives and the concept of ‘acousmatic storytelling’ to engage listeners in a multi-valent listening experience that blurs the lines between abstract sound and historical index. Ultimately, the article demonstrates how Chilean electroacoustic music functions as ‘embodied historiography’, using sound to write history and engaging listeners’ imagination, cognition and empathy to embrace through sound experiences of memory, political statements and justice.
This paper re-evaluates the significance of José Vicente Asuar (1933–2017), a pioneering figure in Latin American computer music, shifting the focus from the hardware construction of his COMDASUAR system to the innovative software he developed for algorithmic composition. While Asuar’s hybrid digital-analog computer is noteworthy, the true core of his contribution lies in his original machine language programs designed for the Intel 8080 microprocessor. This study examines how Asuar thought about and designed algorithms specifically created for generating musical structures, processing symbolic data in real-time, and enabling interactive performance. By analyzing newly discovered handwritten notebooks containing his meticulous code documentation, we uncover Asuar’s deep engagement with low-level programming to express complex musical ideas. His approach, focused on the computer as an “amplifier of the imagination,” prioritized the development of software to facilitate generative composition and real-time manipulation of musical parameters. This paper argues that Asuar’s legacy rests not solely on the COMDASUAR hardware but primarily on his visionary software architecture, which transformed the computer into a dynamic compositional partner. In doing so, he anticipated later developments in interactive music systems, demonstrating a pioneering approach to computer music that placed software innovation at its center.
This article examines the most renowned electroacoustic music festival in Chile so far, from its first edition in 2001 to 2012, when its continuity was interrupted. It focuses on two aspects that appeared relevant and took place consistently during the period under study: (1) the generation of networks, circulations and aesthetic crossovers that were favoured by the festival; and (2) the perspective of the electroacoustic concert as a space for research and experimentation in devices and formats deemed appropriate for a particular experience of music. To this end, primary and archival sources of the article’s author as well as other direct participants in the festival’s organisation were reviewed. Based on this, the relevance of these types of activities in the dissemination of these art forms is determined, as well as the need for proper management to grow and consolidate these spaces.
This chapter analyzes Pablo Neruda’s engagement with the English-speaking world. Neruda’s presence made an indelible mark on the cultural spheres in the United States, United Kingdom, and other countries where English is used, notably through his English translations, international travels, and engagement with Anglophone literature. His Nobel Prize in 1971 solidified his status globally, yet his reception in the United States and United Kingdom was affected by Cold War politics. Neruda’s vast literary network, knowledge of Anglophone poetry, and cultural exchanges shaped his impact in the United States and United Kingdom, in particular. Exploring these aspects, supported by the poet’s own memoirs, literary studies, translations, and lasting influence in popular culture, highlights his legacy in the English-speaking realm. Neruda’s intercultural interactions therein emphasize the complex political atmosphere during many major events of the twentieth century in which Neruda played a crucial role and became well-known as both Chile’s greatest poet and a hero for the political Left.
This chapter encompasses Neruda’s poetic production during his latest years, which has been divided into two sections: late and posthumous poems published in books. Neruda’s literary fame was cemented in his previous work, Veinte poemas de amor y una canción desesperada (Twenty Love Poems and a Song of Despair, 1924), Residencia en la tierra (Residence on Earth, 1933, 1935, 1947), Canto general (1950), and Odas elementales (Elemental Odes, 1954–57). In general, critics and general readers have overlooked Neruda’s late body of work, which reflected a post-millennial futurity. He announced this visionary approach in both Aún (Still Another Day, 1969) and Fin de mundo (World’s End, 1969), but the best summary of his take on futurity can be found in his posthumous 2000 (1974).
This chapter examines Pablo Neruda’s deep and complex relationship with the Soviet Union, as reflected in his memoirs Confieso que he vivido: Memorias (I Confess That I Have Lived: Memoirs, 1974). It explores the poet’s encounters, reflections, and evolving perceptions of the country, its people, and their connections to Chile. It analyzes Neruda’s initial fascination with Soviet socialism and communism and his gradual disillusionment with certain aspects of the regime under Stalin’s leadership. The chapter delves into the complexities of the poet’s political and personal allegiances reflected in his encounters with the prominent figures of the Soviet intelligentsia, such as Ilya Ehrenburg. The comparative analysis of Neruda’s memoirs and poetry allows us to shed light on the intertwined histories of Chile and the Soviet Union, highlighting the enduring impact of Neruda’s Soviet odyssey on his literary work and political convictions.
Pablo Neruda’s Nobel lecture “To the Splendid City” was a summary of his poetic practice as well as a consummate presentation of his literary persona to the world stage. Although highly conscious of the political context of his utterance, and hugely laudatory of the recently elected socialist Allende administration, Neruda devoted most of his lecture to evoking the breadth and beauty of the Chilean landscape and the creativity and the imagination of the Chilean people. Evoking the panoramic and eulogistic register of Canto general, Neruda proffered a buoyant and empathetic vision of his homeland, even though some aspects of his approach might seem insufficiently critical to a twenty-first-century literary sensibility. Neruda used the platform of his lecture to give a convincing statement of his identity as a Latin American writer.
Pablo Neruda lived in the crossroads of the cultural Cold War and its influence in Latin America. At once an ardent defender of the Soviet Union and the policies dictated from the Politburo, but also falling prey to the tensions that those directions generated in Latin America, the Chilean poet made the attempt (and ultimately failed to bring it to completion) to reconcile his views on democracy with the more radical members of Salvador Allende’s government. After the coup, amid the raids against all members of the political left, Neruda became a thorn in the side of the junta, and a potential menace that needed to be neutralized. The ensuing controversy regarding the judicial process to find the real cause of his death, not complete in its totality as of yet, contextualizes the rest of this essay.
Despite more than a century of continuous migration from China to Chile, there is little public acknowledgement of the existence of several generations of Chileans of Chinese descent. A Chinese presence in Chile dates back to the late 19th century, with the arrival of Cantonese men who worked in guano mining and agriculture in South America. Based on an ethnographic study of diverse Chileans of Chinese descent based in northern and central Chile, this article illuminates the factors conditioning the contemporary desire of some Chileans to claim a Chinese ancestry that their parents or grandparents sought to deny or downplay. We show how they employ history and temporal distance to articulate a specific sense of Chineseness that legitimates their territorial and national belonging to Chile while at the same time excluding contemporary Chinese migrants. A historical and ethnographic analysis of Chinese racialization in Chile contributes to our understanding of how racial categories are reproduced, transformed and refracted over time.
Chile is a paradigmatic transitional justice case illustrating the sequencing, coexistence, and intermingling of the types of victim engagement that this book examines. This chapter traces active (co)-creation by relatives in the search for the Disappeared in dictatorial and post-dictatorship Chile. It outlines the gradual accretion of different forms of engagement: denunciation and resistance, legal activism and political lobbying, and protagonism in calling for, and calling forth, a new state policy response in the form of a National Search Plan, launched in 2023. Analysing relatives’ participation in design of the Search Plan meanwhile reveals divergent and changing views about the relative importance of trials, truth, recovery, and identification of those still disappeared. Overall, Chile’s trajectory shows how many now-familiar categories of transitional justice demands were originally hard won from below. It also suggests the state may at times be needed to mediate between contrasting or contradictory victims’ voices.
We study electoral participation in the provinces of Chile from 1932 to 1950, a time when electoral democracy and a competitive party system coincided with the adoption of import-substitution industrialization and growing migration into urban areas. Drawing on provincial-level data, we assess the effect of institutional, economic, and sociodemographic factors on voter turnout. The enfranchisement of women for municipal elections in 1935 unexpectedly reduced participation, as few women initially joined the electoral rolls. Higher literacy levels were associated with lower turnout, challenging modernization theory expectations. Urbanization, in contrast, was positively linked to participation. Surprisingly, provinces with strong mining and manufacturing sectors did not exhibit higher turnout, suggesting limited mobilization by leftist parties and barriers faced by informal workers and recent migrants. The findings underscore that suffrage expansion alone is insufficient to increase participation without targeted mobilization efforts. The study contributes to understanding the complexities of democratization and highlights the importance of bottom-up political engagement to complement institutional reforms in expanding political inclusion.
Chile’s pension privatization represents one of the most radical neoliberal experiments in social security reform, reshaping welfare from a collective right into a market-driven, property-based entitlement. This Article examines how the constitutionalization of pension privatization entrenched inequalities, shielding the system from democratic contestation and embedding a logic of over-propertization, where private property rights supersede social rights. Drawing on a Law and Political Economy (LPE) approach, explicitly concerned with the distributional consequences of legal design, this study traces how, during the Pinochet dictatorship (1973–90), Chile’s 1980 Constitution, and Decree Law 3500 institutionalized financialization and individual responsibility, transforming social security into an asset class managed by private pension fund administrators (AFPs). By legally structuring private capitalization accounts as financial assets with attributes such as ownership, transferability, and enforceability, these frameworks granted private actors control over investment management and risk distribution. The analysis highlights challenges to reversing this model, as judicial claims, pension fund withdrawals during COVID-19, and two failed constitution-making processes reveal legal and political constraints on reform. It examines legislative efforts, judicial interpretations, and collective mobilizations—such as the No+AFP campaign—seeking to restore solidarity. It also explores legitimation strategies, including the discourse of “popular capitalism” and the institutional entrenchment of AFPs within Chile’s political economy. By framing pension privatization as a constitutional and legal project rather than mere economic policy, this Article underscores the global consequences of over-propertization and the urgency of reimagining social rights. In doing so, it contributes to a growing body of LPE scholarship that treats constitutions as terrains of economic power, exposing how legal frameworks both encode and contest neoliberal orders.
This chapter presents case studies of Indigenous peace agreements in the Andes region. It begins with an introduction that highlights the significance of understanding legal geography and its relevance to Indigenous peoples. It then explores the legal frameworks that protect Indigenous rights, focusing on international instruments such as declarations and conventions. It then examines specific agreements in the Andes that enact these legal frameworks, with a spotlight on the National Agreement for Development and Peace in La Araucanía, 2018, in Chile, and the Agreement Between the Bolivian Government and the Confederation of Indigenous peoples from the East, Chaco, and Amazonia in 2010. These case studies showcase the intersection of legal, social, and political dynamics in promoting Indigenous rights and fostering peace. By analysing the legal geographies of these agreements, the chapter contributes to a deeper understanding of the complex challenges and opportunities Indigenous communities face in achieving sustainable development and peace in the Andes region.
Chile has undergone two consecutive failed attempts at constitutional replacement (2021–2022 and 2023), positioning it as a globally interesting case. While existing literature identifies macropolitical and institutional factors underlying such failures, certain key causal mechanisms remain unexplored. This article addresses the central question of why majority-controlling political actors, aware of the need for broad national consensus, ultimately fail to achieve it. Framed as a two-level process—one at the elite negotiation level and the other at the electoral ratification level—this study elucidates the mechanisms operating at each stage that contributed to this dual failure. By analyzing these dynamics in detail, the article offers valuable lessons for future efforts to replace a constitution in a democratic setting.
This paper explores the paradox of secularism in Chile’s 2022 constitutional proposal, celebrated as the “world’s most progressive” yet decisively rejected in a national referendum. The drafters sought to secularize Chile’s political institutions by curbing the influence of mainstream religions—above all, Catholicism—while simultaneously granting broad recognition and autonomy to Indigenous worldviews, including their spiritual and ritual dimensions. This dual strategy raises the question of whether the constitution merely substituted one religious framework for another under the guise of decolonial justice. To explain this apparent contradiction, the paper distinguishes between two axes of division: a first-order cleavage of oppressors vs. oppressed, which shaped the draft’s core commitments, and a secondary secular vs. religious cleavage, which played a subordinate role. The analysis concludes that Indigenous worldviews were embraced not as religious doctrines but as expressions of historically wronged communities deserving redress, whereas institutional religion was sidelined as a marker of colonial oppression. The paper contributes to debates on constitution-making and secularism in non-European contexts, illustrating how secular projects can entangle with alternative substantive doctrines in pursuit of historical justice.