To save content items to your account,
please confirm that you agree to abide by our usage policies.
If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account.
Find out more about saving content to .
To save content items to your Kindle, first ensure no-reply@cambridge.org
is added to your Approved Personal Document E-mail List under your Personal Document Settings
on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part
of your Kindle email address below.
Find out more about saving to your Kindle.
Note you can select to save to either the @free.kindle.com or @kindle.com variations.
‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi.
‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.
Chapter 2 looks in detail at some of the ways in which Keats directly addresses the question of letter-writing. It proposes that a careful analysis of key letters can bring to light a Keatsian epistolary poetics. Keats is particularly alert both to the materiality and to the practical aspects of epistolarity, and his letters are characterized by frequent moments in which his interest in what letters are and how they work is foregrounded. He is specifically interested in how letters are constructed and in the tools and materials that form them, as well as more generally in the practical circumstances or contingencies by which they are determined and circumscribed. The chapter proposes that in their inventive and often playful explorations of epistolarity, Keats’s letters display an impulse to push against the generic and formal limits of the mode.
This essay explains how Junot Díaz’s stories show the lasting impact of colonialism and dictatorship on everyday life, especially for immigrants and their children living between cultures. I argue that struggles over belonging, love, and identity are shaped by history and power even when characters do not name those forces directly. I interpret Junot Díaz’s fiction as an account of “the other side”: a peripheral perspective produced by migration, racialization, and the enduring afterlife of colonial violence. Dominican and U.S. histories, especially dictatorship, imperial entanglements, and postindustrial economic restructuring, shape the motives, relationships, and moral horizons of Díaz’s characters. Methodologically, the essay combines close reading with interdisciplinary framing: using diaspora theory to parse displacement, decolonial theory (via the concept of coloniality) to track the persistence of power/knowledge hierarchies, and comparative literary analysis to set Díaz alongside Gloria Anzaldúa and Rudolfo Anaya. Díaz’s “third place,” language, and genre play (fabulism, fantasy/science fiction) render colonial history as lived structure. Díaz shows how coloniality distorts intimacy, masculinity, and community through both material constraint and epistemic domination, and that “decolonial love” names a fragile but real form of resistance and healing. I conclude that colonialism is first a material enterprise whose cultural residues persist, and that reading the “carnality of knowledge” in Díaz clarifies how agency can emerge, even in exile, as a world-making practice.
This paper examines the dynamics of religious transformation in North Africa during the second and third centuries AD, challenging traditional narratives rooted in culture-historical models and simplistic cultural labels, such as the purported ‘Africanisation’ of cults under the Severan dynasty. While past scholarship has often framed these changes in terms of cultural permanence, resistance, or renaissance, this study shows that they are instead deeply embedded within the broader social and economic practices of the Roman Empire and, at the same time, reflect local and micro-regional dynamics. The paper adopts a multifold approach to reinterpretation: the onomastic attributes of gods and devotees; the iconography and materiality of divine representations; the architectural forms of temples and their functions. By reanalysing key material corpora, this contribution highlights how cultic patterns were shaped by factors such as economic networks, the proliferation of stone-made monuments, and the involvement of an expanding ‘middle-class’ base of worshippers. A specific focus is placed on the cult of Saturn, often viewed as emblematic of African religious identity or continuity. This study argues instead that the second–third century boom in Saturn worship reflects broader imperial trends, including the rise in monumentalisation and shifting patterns of religious patronage. By dismantling previous assumptions and employing relational and materiality-focused methodologies, the paper offers a revised framework for understanding the interplay between local traditions and imperial dynamics in shaping religious practices in Roman Africa.
This Element describes the most common educational processes of religious communities in the late antique period. Through a combination of historical analysis and examples, it provides an overview of the methods used to teach the alphabet and basic rhetoric, which were central to Jewish and Christian – including Manichaean – knowledge production. It also explains how this knowledge was disseminated through liturgy. Rather than viewing the material remains of these communities in isolation, this Element examines them together, overcoming the usual scholarly focus on differences between religious communities and between religious and secular education. Instead, it highlights the dynamics created by mutual exchange and ambition. Since evidence of education is generally scarce, the synopsis demonstrates that, for example, while one religious community may have a surviving textbook with exercises, another community may only have the final products of those exercises.
Chapter Three provides a thorough exploration of the multifaceted experience of being Qizilbash within the Ottoman realm and the consequential implications of such an identity within the intricate Ottoman–Safavid geopolitical landscape. By scrutinizing a diverse array of Qizilbash texts, artifacts, and ceremonial practices, the chapter elucidates the complex processes entailed in shaping and perpetuating a collective sense of belonging. Additionally, this chapter seeks to integrate a discussion of the Ottoman state’s surveillance strategies into the analysis of Qizilbash subjecthood formation within the empire.
Chapter 6 tackles the environment in which the social life of the image takes place. The image interpretation is situated within the immediate material environment where the image appears, which includes the medium, genre, and placement of the image. Then the interpretation takes into account the broader time and space surrounding the image, which includes the extended historical, social, cultural, and political context that the image exists within. The method of photo documentation is presented and applied on the case example of graffiti images.
For a long time, Greek sanctuaries were studied from a positivist perspective, that is, in terms of their spatial evolution and the typologies of their architecture and artefacts. At the sanctuary of Dodona, this perspective has also been applied to a great variety of structures and objects. The present paper offers new ways of looking at one of the most intriguing classes of objects found at the sanctuary, the lamellae on which were written the questions for and answers from the oracle. Consistent with the growing interest in the materiality of writing, we discuss the physical properties of the lamellae and the contexts in which they were used with respect to their adoption at the sanctuary during the Archaic period. We argue that the ease with which lead tablets can be inscribed, folded, and transported made this material more suitable for the context of the sanctuary than ostraca, another inexpensive medium often used for writing in ancient Greece.
The essay explores pilgrimage to the sanctuary of Dodona, in Epirus, through a phenomenological lens, aiming to reconstruct the experience of ancient pilgrims. The study highlights the significance of landscape, movement, and motivation, on the basis that Dodona’s natural features and architectural layout deeply influenced pilgrims’ perceptions. The phenomenological approach draws on landscape archaeology, analyzing human interaction with sacred spaces. The analysis examines not only motivations behind oracular activity, but also other purposes, such as attending the Naia festival, and emphasizes the interplay of visibility and movement as pilgrims approached the sanctuary. Although reconstructing individual experiences is challenging, common patterns in collective behavior, such as rituals, processions, and religious practices, offer insights into the ancient pilgrimage experience. In short, the study uses literary, epigraphic, and material evidence to discuss how Dodona’s sacred landscape shaped its visitors’ religious and emotional experiences, contributing to a broader understanding of Greek pilgrimage traditions.
How did the living world – bodies, time, motion, and natural environment – frame the art of early medieval Britain and Ireland? In this study, Heather Pulliam investigates how the early medieval art produced in Britain and Ireland enabled Christian audiences to unite with and be 'dissolved' in an intangible divinity. Using phenomenological and eco-critical methodologies, she probes intersections between art objects, the living world, and the embodied eye. Pulliam analyses a range of objects that vary in scale, form, and function, including book shrines, brooches worn on the body, and reliquaries suspended in satchels. Today, such objects are discussed, displayed, and illustrated as static rather than mobile objects that human bodies wore and that accompanied them as they travelled through landscapes animated by changing weather, seasons, and time. Using the frame as a heuristic device, she questions how art historical studies approach medieval art and offers a new paradigm for understanding the role of sacred objects in popular devotion.
In sociology, aesthetics have become an important lens for exploring the sensory dimensions of political and economic processes, with research on urban aesthetics contributing significantly to this field. However, much of this work focuses on how aesthetic forms serve the interests of political and economic elites, portraying aesthetic value as a direct product of political ideologies. While these approaches have shown that urban aesthetics are shaped by power struggles, they pay limited theoretical attention to less straightforward aspects of aesthetic politics—such as cases where clashing values, imperatives, and commitments meet. This gap is particularly pronounced in places shaped by violent histories, where the value of urban beauty might be inevitably entangled with loss, ambivalence, and co-existence with unwanted materialities. This article proposes an approach that foregrounds the dilemmas and compromises inherent in urban aesthetic politics, focusing on the varied practices through which people negotiate how to care for urban aesthetic value over time. I develop this approach through a case study of Klaipėda, Lithuania—a city shaped by layered aesthetic transformations, from state annexation to socialist modernisation to post-Soviet nation-building and Europeanisation. Using mixed-methods research, the article highlights differences in how people articulate what counts as good and bad aesthetics and which forms of material care—or neglect—are “appropriate” to sustain the city’s desirable aesthetic appeal. In doing so, the article reveals complex gradations of value underlying seemingly coherent aesthetic ideals of Europeanness.
Unlike previous approaches to sustainable investing, focused primarily on excluding companies from problematic sectors such as tobacco, the aim of environmental, social, and governance (ESG) integration is to incorporate the assessment of ESG characteristics within mainstream investment analysis. This aim has given rise to claims that ESG integration is not about value judgments but focuses only on neutral risk–return calculations. Against such framing, this chapter argue that various ethical concerns inevitably arise when considering the quantification process underlying the generation of data used in ESG integration approaches. Drawing on the literature related to quantification and commensuration, the chapter identifies four areas in which ethical concerns can arise: (1) the strong focus on financial materiality; (2) the aggregation of disparate and often incommensurable ESG data; (3) ESG measurement problems; and (4) the treatment of ESG data as a private good. The chapter shows how quantification processes in these four areas give cause for ethical concerns related to which aspects of sustainability are rendered visible or invisible; how power relations between different field actors are structured by quantification; and which organizations have access to the opportunities that prevailing processes of quantification afford.
Within the rich literature on volunteering, the topic of volunteer–user interaction and the mechanisms causing or mitigating inequality in this interaction remain understudied. Moreover, knowledge on how digitalization affects voluntary interaction is scarce. Based on a qualitative study of a Danish organization that offers virtual voluntary tutoring, this paper shows how technological and formal aspects of the organizational context may mitigate the risk of volunteers engaging in paternalistic, intimacy-seeking behaviour. First, reliance on information and communications technology (ICT) and managerial logics sustains a bounded form of interaction in which solving a problem is the focal point, while access to personal background information is limited. Second, the organizational design suspends sociability as a criterion for differential treatment of users. Third, anonymous mediated interaction enables temporal and audio–visual asymmetry, allowing users to perform ‘digitally sustained impression management’.
Grandparenthood is widely understood as a valued identity in later life, associated with treasured grandparent–grandchild relationships. Although scholars highlight the importance of mutuality and bidirectional flows in these relationships, there is a need for qualitative research exploring grandparents’ experiences of receiving care from their grandchildren. Material goods and services are often bound up with practices of intergenerational care, although this has rarely been the focus of research on grandparent–grandchild relationships. Informed by theories of care and consumption practices, and in-depth interviews, this article addresses two questions: how did grandparents experience receiving care from grandchildren during the pandemic, and how were consumption practices bound up with those experiences? Participants described experiencing various kinds of care from grandchildren (toddlers to young adults), suggesting that they experienced grandchildren’s care – and caring consumption practices – as autonomous or embedded within parental caring practices. Both types of care appeared to foster grandparental wellbeing, by highlighting that grandparents matter to younger generations: even small acts of care were experienced in this way. This was a particularly powerful message during the pandemic, when many older people felt physically and emotionally vulnerable and othered by media discourse about their expendability. Beyond offering further insights into the experiences of older people during the pandemic, these findings contribute to understanding of intergenerational care between grandparents and grandchildren. They demonstrate how the complex and multi-directional circulation of care within families is bound up with material practices, and how experiencing even small acts of care from grandchildren can foster grandparents’ wellbeing.
This book retraces the emergence of conceptions of authorship in late-eighteenth-century Germany by studying the material form of Immanuel Kant's 1785 essay, 'On the Wrongfulness of Reprinting'. Drawing upon book history, media theory, and literary studies, Benjamin Goh analyses the essay's paratexts as indices of literary production in the German Enlightenment. Far from being an idealist proponent of intellectual property, Kant is shown to be a media theorist and practitioner, whose critical negotiation with the evolving print machinery in his time helps illuminate our present struggle with digital technology and the mounting pressures borne by copyright as a proprietary institution. Through its novel perspective on established debates surrounding authorship, this book critiques the proprietary conception of authorship in copyright law, and proposes an ethical alternative that responds to the production, circulation, and reading of literature. This title is also available as open access on Cambridge Core.
Archaeologists have long identified quarries as a ubiquitous part of the landscape in which precolonial Maya populations built their world. Yet, it is only recently that scholars have begun to move away from viewing these quarries simply as places where stones were extracted to recognizing them as important nodes in the social, political, and cultural fabric of the Maya Lowlands. The four articles in this Special Section discuss some of the most recent insights into the lives of those who intimately worked with limestone, inhabited the cratered landscapes created by its extraction, and crafted their worlds through the relationships forged and maintained in the practices of quarrying, processing, and utilizing this material. In this introductory paper, we set the scene by reviewing previous research and outlining the main approaches involved in the documentation, analysis, and interpretation of Maya limestone quarries and production loci. We continue with a discussion of the relevance of quarry investigations for the general study of precolonial Maya societies. We conclude with a brief overview of current methodological trends, followed by a look ahead to the ways in which researchers could take such investigations forward and integrate them into future research agendas.
This article considers people’s relations with ruins in the Mesoamerican past from the perspective of two approaches within the ontological turn. The first examines ruins drawing on Indigenous ontologies, while the second involves the application of a new materialist perspective that incorporates Peircean semiotics. Both approaches view matter as animate and share a relational, nonbinary, and nonessentializing position. Research drawing on ethnographic and ethnohistoric accounts of Native American perspectives considers ruins as living entities often inhabited by divinities, ancestors, or pre-Sunrise beings, which could require propitiation and reverence or provoke denigration and erasure. A new materialist perspective allows archaeologists to better recognize what ruins did beyond holding meanings imposed on them by people. Ruins in ancient Mesoamerica had the vibrancy and power to gather people, offerings, shrines, and the dead in ways that constituted community and temporality, contested or legitimated authority, and invoked the cosmic creation.
Akbari describes what it means to have a human body in the digital age and argues that datafication has transformed the materiality of the body in its very flesh and bone. This transformation is especially dangerous in uncertain spaces, such as borders and refugee camps, where identity becomes crucial and only certain categories of human bodies can pass. The consequences to those experiencing datafication of their bodies at the border are harsh and severe. However, the deliberate unruliness of the border paves the way for these spaces to become technological testing grounds, as evidenced by the development of technologies to track fleeing populations for the purposes of contact tracing during the COVID-19 pandemic. Akbari’s text oscillates deliberately between academic thinking, autobiographical accounts, pictures, and poetry, thus clearly denoting the discomfort of the human being living in a Code|Body.
Dimitri van den MeersscheThis chapter traces the many entanglements between international organizations and private actors in the space of global security governance. By analysing the controversies surrounding the mandate of Europol and the contribution of private actors in countering terrorism online, it describes three modalities of entanglement: (i) private actors as sites of data collection and providers of sources of information that are increasingly relied upon by international institutions, (ii) enrolment of private platforms in the implementation of governance projects by international organizations, and (iii) alignment of such governance projects to the logic of tech companies and platforms – what Johns has described as a ‘lean start up’ mentality. Having traced these multiple points of influence, interaction and interdependence, the chapter proposes an infrastructural approach to the study of such public–private cooperation. This implies a recognition of how law and materiality are entangled in the production of social order and attentiveness to the role of digital infrastructures and socio-technical protocols in redrawing the public–private divide and constituting, mediating and materializing the exercise of international institutional authority. These observations crystalize in an urgent call to direct our thinking on rights and regulation towards these infrastructural formations and the political affordances that they entail.
This chapter explores an overlooked aspect of Bloomsbury’s contradictory relationship to embodiment, materiality, and empire: their simultaneous embrace of early twentieth-century nudity and their condemnation of undress when it is expressed by the lower classes and colonial subjects. By focusing on the Studland beach photographs archived in the Berg Collection at the New York Public Library, this chapter considers the wider cultural context regarding nude images, both in terms of historical representation and practices of nakedness asks. Ultimately, the chapter asks: how might we understand Bloomsbury’s fascination with both photography and nudity at a time when nakedness and race together influenced colonial thinking and civilizing imperatives? The chapter argues that a consideration of Bloomsbury’s relationship to nude photography cannot be severed from the history in which whiteness is the normative racial marker for early twentieth-century Britons.
This chapter provides an overview of manuscript production and reception in the OE and ME periods. It focuses on how manuscripts were produced, the cognitive copying practices of its scribes, the subsequent use of manuscript texts by their readers, and the implications these issues have for the texts and data that survive. It considers the methodological issues arising from working on manuscripts in both their physical and edited forms. The chapter argues for the importance of considering manuscript evidence – including material aspects of the text – when using such texts as data for linguistic enquiry, and the value of this overlooked material for increasing our understanding of diachronic change. Finally, the chapter highlights and demonstrates some fruitful approaches to medieval textual material from the disciplines of historical sociolinguistics, dialectology, pragmatics and philology.