In the Roman imperial worldview, masculine, civilized Rome saw a duty to control and care for uncivilized, feminine foreigners—a gendered power dynamic shared by more recent colonizing states as well. However, it is a methodological challenge to catch sight of the way such a worldview may have impacted colonial subjects. I examine the impact in Roman Britain and Gaul by applying a symbolic anthropological approach to a well-suited body of evidence, votive offerings: widely accessible and highly individual, each represents a single symbolic act. Taking up archaeological questions of material symbolism, I analyse the confluence of gender and offering material categories. Analysis of objects men and women offered at 10 sanctuaries in Britain and Gaul, and of the materials in which men and women were portrayed, reveals a permeability–impermeability binary: women are associated with breakable clay, porous bone and translucent glass, and men with strong, durable metal. This binary reflects Roman understandings of femininity and masculinity, shedding light on the fraught relationship between colonial rule and gendered understandings of the world.

The East African coast has long been recognized as a cosmopolitan region, where different cultures and peoples met and exchanged ideas, goods and knowledge. The culture that developed there from the seventh century ce was shaped by these relations, often referred to under the term Swahili, and many of the coastal residents engaged in Islamic practice, long-distance trade, conspicuous consumption of valued goods, and spoke a common language. This paper investigates the presence of slaves and migrants from the East African interior, through pottery assemblages uncovered at two eleventh- to fifteenth-century ce sites in northern Zanzibar: Tumbatu and Mkokotoni. These are groups of people not usually discussed in relation to medieval Swahili towns, and slavery has been especially difficult to study archaeologically on the coast. Through a material culture of difference, I argue that enslaved and non-elite migrants can be recognized and allow for a fuller understanding of socio-economic and cultural complexity in Swahili towns.

In the Sámi worldview, reindeer herders perceive the herd as a social unit consisting of individuals who vary in characteristics and social roles. Age, sex, physical appearance, personality and other social roles are acknowledged and recognized by the herders, who maintain their relationships with animals in different ways within herding tasks. Archaeological data, too, show that ancient reindeer herders were in contact with different kinds of reindeer, including wild reindeer, working reindeer and ‘ordinary’ herd reindeer. This paper uses zooarchaeological and ethnoarchaeological perspectives to examine the variety of life on the hoof at two fourteenth- to seventeenth-century Sámi sites in northern Finland. Archaeological data and zooarchaeological analyses will be used to assess hunting and herding practices as well as the characteristics of herd structure. Ultimately, the aim of this paper is to examine critically and characterize the variety of the relations prevailing between reindeer and ancient Sámi herders, thus contributing both to the study of culturally specific ontologies and the analytical possibilities of archaeological research to understand such ontologies.

What happens to material knowledges and practices in the aftermath of involuntary uproot and relocation? How do displaced newcomers weave their lifeworlds, knowledges and practices into a novel context in the early stages after arrival? Anchored in a contemporary prism case in Zimbabwe, this archaeological study employs a temporally layered approach to displaced communities in southern Africa experiencing intense mobility in a dense political landscape with one or more dominant political entities. Extending the temporal scope and analytical relevance back to at least the early nineteenth century ce, our primary aim is to understand craftspeople’s practical problem-solving when coping with loss and absence while seeking to re-weave their social webs. The case examples share a common focus on earth materials (mud, soil, clay), stone and wood—easily available, low-cost or cost-free materials frequently used by displaced and refugee communities. Key analytical concepts are epistemic encounters, social memory, resistance and Achille Mbembe’s necropolitics. The approach seeks to merge two domains that are rarely combined: craftspeople’s engagements with their socio-ecological landscapes and the relevance of ancestral commemoration.

From the fifth century onward, the creation of monumental ‘Big’ Buddhas (dafo 大佛), carved from living rock, became a significant cultural and religious phenomenon across Asia. This paper takes the Sichuan Basin as a case study, given its high concentration of rock-carved religious (RCR) sites. Notably, the number of monumental Buddha sculptures in the region increased significantly between 700 and 1200 ce. This paper examines the extent to which the construction of these Big Buddhas represents the appropriation of Buddhist RCR sites by non-local political and religious elites as a form of social control, and it is herein proposed that these social and religious elites commissioned and maintained such projects to reinforce authority and integrate local religious practices into institutional Buddhism. Since the construction of Big Buddhas required vast resources, labour and coordination, this paper examines those Big Buddhas which were left unfinished in order to understand the criteria for both success and failure, while also considering how these sculptures, as acts of social appropriation, mediated between the mundane and the divine, the imperial periphery and the centre, functioning as both spiritual symbols and political instruments.

An enduring challenge for the human evolutionary sciences is to integrate the palaeoanthropological record of human evolution and speciation with the archaeological record of change and differentiation in hominin lifeways. The simplest hypothesis, and therefore an attractive hypothesis, is that change is made possible by, and reflects, evolutionary change in the capacity of individual humans. The very long-term trend of increasing diversity and sophistication of technical and social lifeways (albeit with noise and periods of stasis) reflects long-term trends of increasing cognitive capacity linked to bipedality, followed by body size increase, encephalization and slow life history. We suggest instead that the long-term trend sees a gradual decoupling of human lifeways from the intrinsic capacities of individual people. We develop this view through an analysis of the Middle Stone Age and behavioural modernity, arguing that these depend on mosaics of social and individual factors, none clearly connected to specific evolved changes in individual humans.

This study offers a review of the artistic dimension of the Chinchorro culture, a complex hunter-gatherer society along the coast of the Atacama Desert that, around 7000 years ago, created elaborate representations of the dead. It provides archaeological background and investigates the possible reasons for the development of artificial mummification. Drawing on the art therapy model and the concepts of art and grief, the analysis interprets Chinchorro mortuary rituals as expressions of emotional and social processes. This study argues that these anthropogenically prepared mummies represent artistic expressions that reflect the intentional decision-making and emotional awareness of these ancient communities, serving as a means to process grief. Furthermore, the paper highlights the multifaceted nature of Chinchorro society, including the mining and use of pigments such as manganese—materials that, while symbolically meaningful, posed serious health risks and may have contributed to the eventual decline of their elaborate funerary practices. Finally, the study underscores the enduring cultural significance of the Chinchorro, particularly in shaping contemporary identity of Arica region, where artistic portrayal of dead links ancient and modern narratives of cultural heritage.

In this paper, I use examples from the Roman past and the Brexit present of the UK to discuss the links between practices, identities and the changing dimensions of imperial power. In both the traditional archaeological context of later Roman Britain and in excavating the roots of Brexit in post-War British politics, analysis of the practical semiotics of identity is the most fruitful way to understand the social processes under way. In each context, the meaning of different practices, articulated through the concepts of identities and boundaries, is crucial to the structuration of, respectively, a late imperial and a post-imperial society. The tensions between imperial and local identities are manifest across a wide suite of practices, the investigation of which provides a dynamic method for understanding how these tensions play out, with consequences for the fragmentation of the Roman Empire, on the one hand, and of the UK, on the other.

With this paper, we aim to bring the history of the rural landscapes and communities of the ancient (‘Classical’) Mediterranean back into the limelight, drawing attention to their contributions to and pivotal roles within the multifaceted structural transformations of the Mediterranean in the first millennium bce. To do so, we focus on two case studies from one particular region that looms large amongst those heavily exploited by ancient colonial powers: the island of Sardinia. In chronological terms, our focus is on the so-called Punic and Roman periods, roughly spanning between the fifth century bce and the fifth century ce. Long overlooked, if not outright dismissed, in conventional accounts of the ancient Mediterranean, the rural communities of Punic-Roman Sardinia were not only vital economic producers, but also formed large and culturally distinct social groups. They actively maintained their own traditions, ways of living and practices in the face of the ruling classes’ disruptive initiatives. Their actions to shape their identity and history resonate closely with the theory of the ‘history of subaltern groups’ formulated in Antonio Gramsci’s Prison Notebooks, particularly Notebook 25. We draw upon a semiotic understanding of Gramsci’s notion of subalternity to strengthen archaeology’s ability to foreground the materiality of those communities unaccounted for by history. Our goal is to discuss comparatively the material signs of rural life of Punic and Roman-period Sardinia, to outline an alternative decolonial perspective on the island and to consider its implications for the wider ancient Mediterranean.

How might the affective work of politics be accessed through the fragments of material culture that we recover as archaeologists? This paper considers how political identities can be formed and shaped affectively through engagement with the qualities of craft objects and the connected world of experience that they index. Taking up a case study from nineteenth-century highland Madagascar, I explore how political affects are caught up with the making and using of everyday things and how the transposed qualities of objects and the metonymic connections they evoke offer a means to tie changes in material culture to shifts in political affects over time.