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This concluding section emphasizes that in late antiquity, materials held monetary value that was higher than their use-value and this value was capitalized upon by landowners and groups of specialized professionals involved in recycling. Furthermore, villas were ideally positioned for the movement of materials within local networks, which ultimately preserved the manufactured value of architectural glass, metals, and stone.
The Roman description of value in architecture is positioned against other value propositions, including value in ruins, historical-value, use-value, and age-value, to arrive at a pyramidal value structure for Roman villa architecture. A summary of common villa building materials enables a greater understanding of cultural and monetary values of architectural materials.
In addition to the economic factors influencing recycling, the cultural context of villas, as properties of the now-Christian aristocracy, placed them ideally for supplying materials for new church construction.
During excavations of a Roman villa at Fordham, Essex, a remarkable series of decorated bone and antler veneer plaques were recovered from villa destruction deposits. They are datable to the later fourth or fifth centuries a.d. and probably once adorned a casket holding bathing equipment and jewellery. Spread through the three main rooms of the villa, fragments were recovered from at least 10 metres apart, so the object is likely already to have been broken when deposited. The plaques are decorated with ‘late antique’ style figural, zoomorphic, vegetal and architectural motifs on a cross-hatched background, with the best-preserved design probably relating to female bathing.
In this paper the history of one house and a human burial in the prehistoric settlement of Monjukli Depe, Turkmenistan, serves as a case study for the use of Bayesian chronological modelling to approach the reach of past memories. The method combines relative and absolute chronological data and aims not only at a more precise and robust chronology of past events, but also allows estimations of duration of particular processes. However, chronological models must be constructed with care, since the prior archaeological information significantly affects the output. The comparison of three alternative models for the Aeneolithic settlement of Monjukli Depe shows that prior information in modelling has a considerable impact on duration estimates for periods of the settlement history. The modelling chronology for Monjukli Depe allows the tracing of commemorative practices at a generational scale—the memory of Monjukli Depe House 14 was transmitted over several generations of inhabitants long after the house destruction. It is clear that houses possessed a great value in the social life of the settlement since local building histories were remembered over a long time.
Throughout the twentieth century, considerable research has been dedicated to understanding the rise, development and end of ancient cities. In recent years, there has been a remarkable upsurge of new methodological and theoretical approaches applied in urbanism studies, which enables us to improve, validate or question our knowledge about ancient urban life. The three books reviewed here concern the development, transformation and experience of ancient Roman cities; leading experts in urban history and archaeology discussing the potential of new technologies and conceptual frameworks for analysing Roman urban space.
Greenland is the world's largest island, but only a narrow strip of land between the Inland Ice and the sea is inhabitable. Yet, the Norse chose to settle here around ad 986. During the eleventh century ad, precontact Inuit people moved into Greenland from northern Alaska via Canada. Although the two cultures faced the same climatic changes during the Little Ice Age, the Inuit thrived, while the Norse did not, for multiple causes. The authors focus on one of these causes, the hitherto overlooked contribution of young children's learning strategies to societal adaptation. The detailed analysis of a large corpus of play objects reveals striking differences between the children's material culture in the two cultures: rich and diverse in the precontact Inuit material and more limited and normative in the Norse. Drawing on insights from developmental psychology, the authors discuss possible effects of play objects on children's future adaptability in variable climatic conditions.
The Dorchester Aqueduct, located to the north-west of Dorchester (Durnovaria) in Dorset, is arguably the most famous and well-examined Roman watercourse in Britain. The aqueduct has been intermittently investigated over the course of the last 100 years, but most extensively during the 1990s. The upper stretches of the aqueduct and its source have, however, eluded archaeologists, with multiple routes and water sources being suggested. A new programme of geophysical and topographic survey, combined with targeted investigation together with a reappraisal of the excavations from the 1990s, has provided additional evidence for the route of the aqueduct, extending its course for a further two kilometres to Notton on the River Frome.
This article presents the results of the 2008 excavation in the ancient theatre of Sparta conducted by the British School at Athens and the Ephorate of Antiquities of Laconia. Focused on the west side of the cavea, work aimed to locate the southern edge of the Late Antique settlement between the theatre and the sanctuary of Athena Chalkioikos; to establish the northern limits of the Late Antique settlement over the former orchestra; and to establish a more precise ceramic characterisation and chronology for the Early–Middle Byzantine period in Sparta. The area between settlement clusters on the acropolis and over the former orchestra was essentially open, with just a Byzantine terrace wall and path recorded. In the north-west part of the former cavea, a tomb built in the late eighth or early ninth century AD was used at least until the late thirteenth century for the burial of c. 29 individuals. This article presents the first results of a bioarchaeological study of the human remains, and studies of Byzantine pottery from the tomb interior and from the backfill of the pit in which the tomb was built (the latter including a notable quantity of Early Byzantine domestic ware). The 2008 findings are set in the larger context of research on post-antique phases in the theatre (drawing on the British School at Athens Archive) and on the material culture and urban topography of Byzantine Sparta. Almost all excavated contexts contained residual material of all periods. The article concludes with short catalogues of material which pre-dates the construction of the theatre and of inscriptions of all periods.
The authors of this book are archaeologists who want to create a field they describe as ‘critical paleoeconomics’. Their quest is promising in several ways. For example, they are not averse to grand narratives and believe modern economic theory can offer insights into various features of ancient economies, including markets, trade, money and debt.
This paper focuses on a particular group of human figures attested on a number of Late Helladic (LH) IIIA2–B1 pictorial kraters which show specific attributes: they have long hair, wear an elaborate cloak-like robe and bear a sword on their chest. Furthermore, they appear in clearly peaceful representations like chariot or processional scenes. These accurately rendered ‘Sword Bearers’ have so far been assumed to be of male sex due to the presence of the sword; the interpretation proposed here, that they are women, is based on the presence of distinctive female traits as also found on female representations on pictorial vessels and other media of the same period. Particularly striking is the similarity with the enigmatic ‘Sword Bearer’ from the Cult Centre of Mycenae, who is the sole contemporary model of a female figure with a sword wrapped in a long cloak. Though not postulating that these figures are female warriors, attention will be drawn to the fact that weapons have a strong association to the female imagery as well to the sphere of ritual – a sphere in which women played, as is well known, a predominant role in Aegean culture.