Culture has long inhabited a rather peculiar place in International Relations (IR), as witnessed by recent attempts to bring culture “back into” IR (Andrew Phillips and Christian Reus-Smit, eds., Culture and Order in World Politics, 2020). Even after the opening up of the discipline at the end of the Cold War, and with strategic culture being the obvious exception to the rule, culture has typically been seen as something that a discipline centered on survival is less concerned with. Yet both culture and the arts have been central to the activity of polities, from the “bread and circus” of Roman antiquity, through the Renaissance papacy’s commission of the Sistine Chapel and the eighteenth and nineteenth century building of numerous national museums, theatres, and opera houses through to the more routine practice of cultural attachés stationed with many embassies of the world today (see Chandra Mukerjee, 1997, Territorial Ambitions and the Gardens of Versailles). As Elif Kalaycioglu notes, this lack of scholarly attention to culture in IR is all the more conspicuous given the “expansive” and “expensive engagement of states” (p. 10). Jelena Subotić points to a similar logic: “acquisition of art has historically been an important practice not just for individuals, but also for states in their pursuit of international status” in the cultural sphere (p. 8). As the two books reviewed here demonstrate, while both culture and art have been crucial to how states project their power in international orders, they have also generated hierarchical orders of their own by distinguishing “civilized” states from “backward” ones, metropoles from their peripheries, and cultural centers from their emulators. Culture and art do more than reflect geopolitical power and hierarchies. As Subotić and Kalaycioglu show, they also actively constitute and legitimate international order based on cultural distinctions. In so doing, they shape the standards of prestige, recognition, and status through which international order is both imagined and maintained.