Vienna’s musical heritage is defined not solely by its composers and performers but also by an impressive array of distinctive instruments that have emanated from the city. This chapter delves into the variety of sound bodies that have shaped the city’s sonic environment: mechanical clocks with music, bells, string, keyboard and wind instruments, as well as their unique Viennese modifications. Designed and produced specifically for and/or in Vienna, they reflect the needs of their time and materialize the creative ideas of then-manufacturers, serve as popular tourist attractions or curiosities and transmit symbolic or social meaning.

This chapter analyzes how a network of discourses, sounds, images, and behaviors conveyed content in Colombian salons during the nineteenth century, producing a “world of meaning.” To do this, I study the salon as a part of a civilizing project, exploring how it articulated gender and musical practice under new forms of sociability while examining masculinity and femininity roles introduced and performed within the salon, often using music and dance as means for fostering social interaction among peers. Ultimately, such analysis suggests that the salon became a musical scene that played a prominent role in social reform as a medium for bridging multiple social class and distinction discourses with new ideas about civilization, modernization, social order, and progress. From this standpoint, salons became semiprivate spaces where music and socialization allowed the members of the new Colombian urban bourgeoisie to articulate their visions of the private and the public spheres.

It has been widely recognised in the legal as well as law and economics literature that both regulatory and private enforcement are needed to ensure the effectiveness of market regulation in general and EU private law in particular. This chapter unpacks the interplay between these two enforcement mechanisms, focusing on three major issues that arise in practice: the disclosure of evidence gathered by regulatory agencies, the limitation periods for private enforcement actions, and the combined application of administrative sanctions and private law remedies. The chapter constructs three models of the relationship between public and private enforcement – separation, substitution, and complementarity – and explains their main characteristics, manifestations, and implications. It also assesses the potential of each model to strike the right balance between deterrence in the name of the public interest and compensation in the name of interpersonal justice, as well as between uniformity and diversity in regulatory and private enforcement, and draws out some of the practical implications of this analysis for EU private lawmaking and enforcement.

The end of the War saw an expansion in the aims and contents of technology. Upon his appointment to the University of Lyon, Leroi-Gourhan quickly acquired fieldwork and training experience in ethnology and also in prehistoric archaeology. This led him to pay greater attention to the achievements of experimental flintknapping (as notably practised by François Bordes). Studying the different techniques used throughout prehistory for knapping stone tools could serve to characterize distinct epochs and civilizations, but also, so claimed Leroi-Gourhan from 1950 onwards, to ‘follow the gestures, flake by flake, [so as] to reconstruct with certainty an important part of the mental structure of the maker’. This innovative search for the ‘prehistoric mentality’ sets Leroi-Gourhan as a forerunner of ‘cognitive archaeology’, and it also led him to formulate the concept of the chaîne opératoire, which follows processes of manufacture and use from raw material to finished product.

Despite variation in their social needs and experiences, all humans require social connections to thrive. When humans lack fulfilling connections, they experience loneliness. However, while seemingly simple, loneliness is a multidimensional construct arising from varied social deficiencies and leading to varied psychological experiences. This chapter reviews the literature on loneliness, describing what it is, why we experience it, its prevalence and consequences, and what is being done globally to address it. In doing so, we highlight the considerable impacts of loneliness on individuals and society, its complexity, and the opportunities for future work. We close acknowledging the significant advancements made in loneliness research over the past several decades and highlight how this knowledge is being mobilized to advance the prevention and treatment of loneliness. In doing so, we hope this chapter serves as a useful starting point for understanding the problem of loneliness and the challenge of addressing it.

This chapter surveys the implications of linguistic variation and diversity for language instruction. Sociolinguistic research amply documents the occurrence of regional and social diversity in all languages; variability is a universal property of human language. Everyone has implicit awareness of this in their native languages, and it needs focused attention in second language teaching and learning. It is a disservice to students to teach them a normative standard and neglect all else. Achieving communicative competence in a language requires some familiarity with dialect diversity, social and ethnic varieties, stylistic practices, and the social meaning of linguistic forms. It is important to teach basic facts about the social status of a language in the places it is spoken, and the presence of other languages: French is dominant in France, co-official with English in Canada, but mainly an L2 in ‘Francophone’ Africa; most Argentines are monolingual L1 Spanish speakers, but half of Bolivians speak indigenous languages as L1. Ongoing language change is important for learners to know about, both to comprehend the new forms, and to be aware of how they will be perceived.

Chapter 5 thus turns to the “old quarrel between philosophy and poetry”. Whereas my starting point in Chapter 4 was the paradox of the written critique of writing, here I begin with the apparent contradiction of Plato’s mimetic critique of mimesis in the Republic. For Gadamer, Strauss, and Krüger, this is key to understanding Plato’s critique of poetry: Plato does not condemn mimesis entirely. Instead, he subordinates the imaginative and persuasive powers of imitative poetry to philosophical goals and thus weaves poetry and imitation into his own masterful compositions. All three readings point differently but decisively to the limits of autonomous or unaided philosophical discourse, and therewith anticipate some of Heidegger’s insights on the necessity of something like poetic thinking.

Barry Buzan’s ‘big picture’ analytical approach continues to help clarify the dilemmas of contemporary global politics. Bringing the sensibilities of historical sociology back into the domain of International Relations theory enriched key debates and warned against excessive parsimony. It continues to set the stage for richer empirical studies that go beyond description to disciplined analysis and the drawing out of normative and policy implications. This short chapter provides the outlines of a case in point. It starts with Buzan’s hypothetical framing of ‘the market’ as a primary institution of our contemporary world order. It then focuses specifically on the interaction of relatively open capital markets, especially since the early 1970s, with other primary institutions, like sovereignty, territoriality, international law, great power management, and nationalism. Its conclusion assesses the probability that this interaction will incline the system in the direction of collaborative government at the global level. Not naively discounting the possibility that the system might nevertheless recapitulate catastrophic financial and political disorder, the chapter holds out hope for a better world shaped by pragmatic decisions informed by deeper understandings of macro-social context. The trajectory of Barry Buzan’s life-long work inclines in that same direction.

In 1849–50, Étienne Duverger co-edited La Violette: Revue musicale et littéraire in New Orleans. He published this feuilleton with an aim to instill the idea of the Parisian salon among women in the French Quarter of New Orleans, and he encouraged them to adopt a new repertoire (Chopin) and a new stance (in the public gaze rather than out of it). In other words, he urged them to come out of the shadows (where violets hide) and into a broader light. His efforts, however, failed. This essay argues that while the rising domination of US-American culture (over that of the French) contributed to the breakdown of Duverger’s mission, the data that can be gleaned from this publication provides the most detailed account of salon activities in the South, and possibly the entire nation. Thus, La Violette proves invaluable as a resource for women’s musical culture in this period.

This chapter addresses the nightclub as an architectural typology. It will consider what the Italian architect Carlo Caldini, co-designer and owner of Florence’s Space Electronic nightclub (1969–2017), called the nightclub’s ‘inexistent architecture’ - in other words, the importance of sound and light over bricks and mortar in the design of club spaces. This was echoed by the critic Aaron Betsky who described a design of ‘rhythm and light’ (Queer Space, 1997) in his description of New York’s iconic Studio 54. The discussion further considers a range of nightclubs from the late twentieth century including Rome’s Piper club, Florence’s Space Electronic, and Electric Circus, Studio 54, Area, and Palladium in New York. In addition, it brings in other voices from architecture, design and music – including Simon Reynolds’ concept of the ‘affective charge’, to position design and architecture as a key realm in electronic dance music culture.