We start this survey in Italy during the early first millennium bce; a context on which Seth Bernard's new monograph offers an exciting, and in several respects transformative, contribution.1 Its general claim is that, while Rome did not develop a historiographical tradition until Fabius Pictor, there was a keen and pervasive interest in history across ancient Italy, since the early Iron Age, which played out across a wide range of venues and media. The brief of the historian must be to jettison any hierarchical approach to the interplay between textual and archaeological evidence, and to take as broad a view on what history amounts to as possible.

The Digital Archive of Artists’ Publishing (DAAP) is an ethical, open source, artist-driven database of artist books and publications. DAAP recently received Heritage Lottery Funding to support the Women's Art Library (WAL) to build their own archives on the platform. Through a series of workshops, tutorials and drop-ins, artists represented in the WAL generated anecdotal, ‘gossipy’ histories which act as access points to artists’ books that may be out of print, limited in availability within institutional or public archives or libraries, or shared digitally for the first time. I will draw on a selection of records – an archive of examples – from the Women's Art Library on the Digital Archive of Artists’ Publishing to show how the database evolves in response to artists’ needs. These gorgeous, unruly catalogue records trouble, disrupt and bend metadata for queer use.1

Black Power and existentialism were mutually reinforcing movements in the late 1960s. Stokely Carmichael used French existentialism to shape some Black Power principles, which demonstrated existentialism’s continued relevance to racial equality. Existentialism reinforced values, such as moral purpose and self-definition, which supported positive appraisals of Black Power revolt on campuses. Carmichael’s adoption of French existentialism illuminates transnational influences on Black Power dating to the 1940s, as well as how important French existentialist texts amplified Black perspectives. The meeting of French existentialism and Black Power assisted increased representation of Black perspectives on campuses, and popular awareness that representation was as important as desegregation to equality.

Understanding why people choose to adapt or emigrate when facing slow-onset climate events is central to the design and implementation of policy addressing displacement spurred by climate change, especially climate-refugee programs. In this article, we leverage extensive field interviews and a novel survey in the Federated States of Micronesia, a country at high risk of environmental degradation but whose citizens have carte blanche access to the United States. We find that despite a general awareness of environmental risks, these play a minor role in migration decision making. Instead, other factors like work, health, and family obligations take precedence.

This article focuses on the innovative developments of some emblematic rock bands in Bulgaria, observed during the late 1970s and 1980s in terms of their social, ideological and artistic maturity, as well as of their significant impact on local youth life-styles through the liberating experience of specific musical styles ranging from classic rock (Shturtsite) and progressive rock (FSB) to, say, new wave (Tangra) or punk (Rock Trio Milena). Why the 1980s? What were the dominant verbal and musical messages at that time? Did they stimulate and accommodate the democratic political changes in 1989? In trying to answer such questions, the article develops a thesis according to which the acculturation of transnational musical models as the ones in the field of rock music is not a form of any flat mimicry of modern trends; this process inevitably passes through the filter of specific local contexts and subjective experiences.

In order to better characterise carbonaceous components in atmospheric aerosols and to assess the contributions of fossil carbon (FC) and non-fossil carbon (NFC) sources and their seasonality in the Eastern Mediterranean, we collected fine (PM1.3) aerosols at a remote marine background site, the Finokalia Research Station, Crete, Greece, over a period of one-year. PM1.3 samples were analysed for elemental carbon (EC), organic carbon (OC), water-soluble OC (WSOC), and stable carbon isotope ratio (δ13CTC) and radiocarbon content (14CTC) (pMC) of total carbon (TC). All the parameters, i.e., PM1.3, δ13CTC and 14CTC showed a clear temporal pattern with higher values in summer and lower values in autumn. The 14CTC ranged from 54.7 to 99.1 pMC with an average of 74.5 pMC during the entire year. The FC content in TC (FCTC) was found to be slightly lower in winter and almost stable in other seasons, whereas the NFC contents (NFCTC) showed a clear seasonality with the highest level in summer followed by spring and the lowest level in winter. Based on these results together with the seasonal distributions of organic tracers, we found that biomass burning (BB) and soil dust are two major sources of the fine aerosols in winter. Although biogenic emissions of VOCs followed by subsequent secondary oxidation processes are significant in summer followed by spring and autumn, pollen is a significant contributor to TC in spring. This study showed that emissions from fossil fuel combustion are significant (25.5%) but minor compared to NFC sources in the eastern Mediterranean.