This article argues that “crossover”– a recording artist's movement across the racialized boundaries of commercial music genres and the attainment of a broader consumer base– is central to the history and production logic of the U.S. commercial dance industry. By framing the televised variety show The Jacksons (1976–1977) as a formative production experience for Michael and Janet Jackson and situating it within a genealogy of popular dance on commercial television, I examine how racial and class signifiers were used to appeal to different demographics, highlighting the historical lineages and capitalist foundations of the U.S. commercial dance industry.

The pressure knapping technique develops circa 25,000 cal BP in Northeast Asia and excels at producing highly standardized microblades. Microblade pressure knapping spreads throughout most of Northeast Asia up to the Russian Arctic, and Alaska, in areas where the human presence was unknown. Swan Point CZ4b is the earliest uncontested evidence of human occupation of Alaska, at around 14,000 cal BP. It yields a pressure microblade component produced with the Yubetsu method, which is widespread in Northeast Asia during the Late Glacial period. Through the techno-functional analysis of 634 lithic pieces from this site, this study seeks to identify the techno-economical purposes for which the Yubetsu method was implemented. Data show that the microblade production system is related to an economy based on the planning of future needs, which is visible through blanks standardization, their overproduction, their functional versatility, and the segmentation of part of the chaîne opératoire. This expresses the efficiency and economic value of the microblade production system. The flexible use of pressure microblades identified at Swan Point CZ4b is also found in Japan, Korea, Kamchatka, and the North Baikal region, suggesting that their modes of use accompany the spread of early microblade pressure knapping over an immense territory across Beringia.

This article addresses the impact of the fall of the Iron Curtain on migration and migration policy in Austria. The introduction explains Austria's reasoning for prioritizing trade over migration policy relative to the Central and Eastern European countries after the fall of the Iron Curtain. This decision was a paradigm shift, abandoning the guest worker model of migration and introducing immigration legislation with family migration as a core element. The legislative reforms brought about changes in all areas of migration governance. Despite the restrictive policy stance toward migration, in-migration gained momentum to the extent that, by 2022, Austria had one of the highest shares of migrants in its population in the European Union. As the official understanding of Austria is to be an immigration country by chance rather than by choice, it has consequently been unable to develop the necessary instruments to promote innovation and economic growth with the help of migrants. Instead, restrictive policies that guide the settlement and integration of migrants in general, and of asylum seekers in particular, may jeopardize social cohesion and the sustainability of economic growth.

Accelerator mass spectrometry radiocarbon (AMS 14C) dating was used for determining the age of wedge ice. It has been found that between 11,270 and 6420 cal BP, or the Greenlandian and Northgrippian stages of the Holocene, ice wedges grew syngenetically in sandy deposits with gravel in the Chara River valley. The variations of δ18O values in the ice wedges are about 8‰, from –25.5‰ to –18.8‰. Based on the stable isotope composition of ice wedges, paleotemperature reconstructions revealed that the mean January temperature was as low as –38°C during the coldest periods of the early half of the Holocene and as high as –28°C during the warmer periods.

Contrary to much of the commentary tradition, the book of Job is not primarily a discourse on how to properly speak (or withhold speech) about God in the midst of innocent suffering, nor is it aimed primarily at offering up the character of Job as an exemplar of how to suffer correctly (or incorrectly). Neither is it a treatise about human submission to (or rebellion from) God’s mysterious sovereign prerogative in permitting evil. It is instead a theological exploration of the dilemmas and demands of consolation that confront us given the inexplicable enormities of human suffering. Its unifying aim is to confront us with multiple voices that pull us into an open-ended—and decidedly pessimistic—reflection on what innocent suffering reveals to us about our creaturely limits and the fragility of our hope in God, features of the human condition that require our capacities for compassion to exceed our capacities for theological sense-making.

This editorial monograph explores the advances and pitfalls of the common forms of purposeful sampling. Purposeful sampling is a common research design in qualitative research.

The present study explores the progressive constructions in different Balochi dialects from a diachronic and an areal linguistic point of view. Previous studies on different Balochi dialects (Buddruss 1988; Baranzehi 2003; Farrell 2003; Axenov 2006; Ahangar 2007; Jahani and Korn 2009; Nourzaei et al. 2015; Korn and Nourzaei 2019; Korn 2020, 2017a and 2017b) have described progressive constructions, but discussion from a diachronic and an areal linguistic point of view is largely lacking. I will argue that the diversity of progressive constructions in Balochi dialects is a result of language contact and diffusion rather than an internal historical development that can be explained in terms of grammaticalization. In addition, there is no trace of a morphological progressive construction in written samples of Balochi. The general imperfective marker =a= (verbal clitic) covers ongoing meaning. To the extent that this marker has lost its ongoing meaning and become a general indicative marker in the present domain, the language has filled the progressive gap with new constructions which are basically a result of language and dialect contact. The new progressive constructions are mainly periphrastic constructions that represent either direct or indirect code copying from dominant languages and other Balochi dialects.