Joseph Needham occupies a central position in the historical narrative underpinning the most influential practitioner-derived definition of ‘science diplomacy’. The brief biographical sketch produced by the Royal Society and the American Association for the Advancement of Science sets Needham's activities in the Second World War as an exemplar of a science diplomacy. This article critically reconsiders Needham's wartime activities, shedding light on the roles played by photographs in those diplomatic activities and his onward dissemination of them as part of his self-fashioning. Images were important to the British biochemist, and he was an avid amateur photographer himself, amassing a unique collection of hundreds of images relating to science, technology and medicine in wartime China during his time working as director of the Sino-British Science Co-operation Office. These included ones produced by China's Nationalist Party-led government, and by the Chinese Communist Party. Focusing on these photographs, this article examines the way Joseph Needham used his experiences to underpin claims to authority which, together with the breadth of his networks, enabled him to establish himself as an international interlocutor. All three aspects formed essential parts of his science diplomacy.

While it is often assumed that flamenco is strongly oriented towards the past, thus far, few scholars have explored the roles of flamenco in voicing memories of the Franco dictatorship (1939–75). During the second half of the dictatorship, a series of natural disasters, combined with new economic and political developments, led to the forced displacement of a number of flamenco artists and their wider communities in various Spanish cities. This article will explore how memories of this episode have impacted the flamenco dance repertoire associated with the Triana neighbourhood in Seville, focusing on three interrelated case studies: the performance and documentary film Triana pura y pura, and recent productions by the flamenco dancers Pastora Galván and Israel Galván. By analysing these performances alongside their historical, social, and institutional contexts, this article conceptualizes the intersections between dance, nostalgia, and festivity as a meaningful scenario of embodied memory in post-Franco Spain.

In this work we analyse the way in which ideologies, understood as an extra-legal factor, are discursively manifested in a corpus of judicial rulings that resolve cases of Mapuche domestic violence. We understand the judicial ruling as an ideological discursive genre inherent to the legal field formed by social and discursive practices. By applying critical discourse analysis, we analyse the judicial discourse strategies used in order to construct (i) the idea of domestic violence in an indigenous context, (ii) the image of the Mapuche woman and (iii) the self-image of judges who resolve the conflict. We conclude that these strategies serve two purposes: one is to legitimate the law as an apparently impartial mechanism, and the other is to define the way those involved in the issue must be understood.

This text takes issue with how present day debates regarding legal pluralism affect our vision of the past, as well as limit the horizons of possibilities in the future. It suggests that the genealogy of these debates determined what would be seen, and what ignored, and that, as a result, it has privileged some aspects, while forgetting the importance of others.

‘Soprattutto un attore di quella drammatica fase della vita italiana è stato tuttavia privilegiato in modo schiacciante come oggetto di studio: il “soggetto terrorista”, ovvero i terroristi e le organizzazioni terroristiche.’

(‘One kind of actor in that dramatic period of Italian life has been privileged above all others, in an overwhelming way by researchers and others: the terrorists themselves and their organisations.’ (Brizzi 2021, 11).

This article presents a comparative study of the industrial energy consumption in Ghent and Leiden, from the seventeenth to nineteenth centuries. It asks whether or not industrial development depended on the availability of coal. Whereas the Southern Low Countries had recourse to cheap coal from the beginning of the eighteenth century onwards, the Northern Low Countries remained trapped in its ‘proto-fossil’ trajectory based on peat, lacking a full fossil-fuel transition. By using production data to estimate the fuel consumption by industry, it is argued that energy divergences did not matter for industrialization. Both in Ghent and in Leiden, industries such as brewing, sugar refining, glass making and textile production had already largely switched to coal by the end of the seventeenth century. Explanations for these early coal-burning trajectories should be found, not in the ‘lucky’ location of coal supplies, but in the demand and organization of coal-specific industry itself.

Musicologists often consider Clara Schumann to be one of the most influential figures in the establishment of the solo piano recital – a musical experience that encouraged the dominance of the serious music aesthetic. Schumann's connection to this ideal is perhaps most evident in her enshrinement as the priestess, a nineteenth-century title that honoured the interpretive power of her virtuosic performances. While her commitment to canonical values cannot be questioned, Schumann's piano virtuosity was also undeniably popular, incredibly physical and acutely tied to the century's rapidly changing musical and visual technologies.

Attention to the analytical and imaginative connections between these transformative technologies actively complicates the divine, dehumanized and mythological stature that has come to centre Schumann's historiography. Her mass-produced photographs, and especially her cartes-de-visite, could both compound her priestessness and stimulate unresolvable fissures within it. Aligned with recent scholarship that expands Schumann's virtuosity into the realms of the popular, photographs and other forms of mass media reveal the inherent flexibility of the priestess ideology and this mythology's (seemingly) easy inclusion of various ambiguous and sometimes contradictory ideals. In effect, photographs of Schumann could instigate a kind of exhilarating, cognitive dissonance in their viewers: seeing was not necessarily believing her as only priestess. Seeing could, in fact, mean imagining and reimagining Clara Schumann in all kinds of fantastical ways: ways that aligned her piano virtuosity with the commodified visual technology in an increasingly mechanized world, or ways that underscored her feminine sexuality and virtuosity as socially destabilizing or democratizing.

This article aims to make a threefold contribution to the study of soft power. First, considering that the potential of soft power of illiberal states is both underestimated and distorted, this study presents a two-dimensional conceptualization of Russia’s soft power, distinguishing between Russia’s posture toward the liberal international order, and sources of Russia’s foreign policy. Second, it analyzes whether Russian soft power in the Western Balkan countries remains ideologically relevant beyond its hitherto conceptualizations as either the result of its historic cultural ties with the region, or a reflection of Russian foreign policy strategies. Through an analysis of elite discourses and news media as exemplified in speeches, press releases, and interviews, this article locates, challenges, and develops on Russia’s soft power indicators in the Western Balkans. Finally, it contributes to surmounting the residing liberal democratic bias in the study of soft power of illiberal states, showing that not only can they be ideologically attractive but that their scope of influence differs according to the multi-layered nature of soft power.

In early modern violence, location mattered, and where something took place communicated much to early modern urban residents about the people involved, the significance of the act and the likely judicial repercussions for their communities. This article uses GIS to trace the locations of homicides in early modern Bologna, Italy, with a ‘prepositional cartography’ that translates early modern Italian spatial mentalities into modern GIS analyses. Mapping homicides reveals much about their meaning and significance. From private buildings, streets and churches, early modern killers spoke a language of space to their audience.

The article examines the aspects of contention and conflict escalation before and during the period from November 2013 till February 2014 in Ukraine that have not yet received due attention in research. It studies the contention between the government and the opposition and the concomitant Maidan protest mobilizations by groups advocating unity with Russia, and opposing the visions of political community of the radical groups making up part of the Maidan coalition. Conflict escalation is studied as a combination of structural conditions, choices and actions taken by conflict agents, and evolving discursive factors that enable political violence. The analysis indicates that while structural conditions played a role, conflict escalation is a nonlinear and agency-driven process, evolving through mutually influencing choices and actions of the competing parties, that either drive escalation or lead to deradicalization. The article suggests that the modes of contention and radicalization between the government and the opposition opened opportunities for groups supporting unity with Russia to escalate their demands, to radicalize their visions of political community, and to build leverage with Russia. In conclusion, several key narratives and discursive processes enabling the legitimization of the use of force and the implications for peacebuilding are discussed. The findings help to understand better the environment in which violent conflict further escalated in 2014.

Using a corpus linguistic approach, this article aims to answer the question of which factors contribute to a better chance of survival for words in the early Middle English lexicon. Because of the cognitive benefits of rhyme that have been shown in modern studies, there is a particular interest in rhyming position as a potential factor; other factors include frequency, suffix and geographical spread. The data are analysed using survival analysis, random forests and conditional inference trees in R. The results show that geographical spread is the most important factor, usually in combination with particular suffixes. Rhyme is not generally a significant factor in the same vein, and its importance seems to be restricted to individual cases.

This article explores the complex process of integrating Tycho Brahe's theories into the Jesuit intellectual framework through focusing on the international community of professors who taught mathematics at the College of Saint Anthony (Colégio de Santo Antão), Lisbon, during the first half of the seventeenth century. Historians have conceived the reception of the Tychonic system as a straightforward process motivated by the developments of early modern astronomy. Nevertheless, this paper argues that the cultural politics of the Counter-Reformation Church curbed the reception of Tycho Brahe within the Jesuit milieu. Despite supporting the Tychonic geo-heliocentric system, which they explicitly conceived of as a ‘compromise’ between the ancient Ptolemy and the modern Copernicus, and making recourse to some of the cosmological ideas produced in Tycho's Protestant milieu, the Jesuits strove to confine the authority of the Lutheran astronomer to the domain of mathematics. Philosophy was expected to remain the realm of Catholic orthodoxy. Thus, while Tycho Brahe entered the pantheon of ‘Jesuit’ authorities, he nonetheless was not granted the absolute status of intellectual authority. This case demonstrates how the impact of confessionalization reached well beyond the formal processes of science censorship.

This article reports on the use of double modals, a non-standard syntactic feature, in the contemporary speech of the UK and Ireland. Most data on the geographic extent of the feature and its combinatorial types come from surveys or acceptability ratings or from older attestations focused on northern England, Scotland or Northern Ireland, with relatively few attestations in naturalistic data and from England and Wales. Manual verification of double modals in a large corpus of geolocated Automatic Speech Recognition transcripts from YouTube videos of local government channels from the UK and Ireland shows that the feature exhibits a larger inventory of combinatorial types than has previously been found and is attested in speech from throughout the UK and Ireland. The development may be related to ongoing changes in the semantic space occupied by modal auxiliaries in English.

Not long ago, the study of comparative law in U.S. law schools was dominated by North American and European constitutional systems. Thanks to the contributions of a new generation of legal historians, including those canvassed in this special issue, the landscape is changing. In this special issue, scholars of courts and constitutions in twentieth century Afghanistan, Bangladesh, Burma, India, and Nepal have come together to share novel sources, perspectives, and analyses of significant constitutional experiments in the Global South, specifically twentieth century South Asia. This afterword reflects on these important scholarly contributions by highlighting common threads and divergences in the case studies presented in this volume—from the perspective of a legal historian of the late Ottoman Empire and modern Middle East. Ultimately, the author concludes that the articles in this special issue persuasively stamp modern South Asian legal history “on the map” not only for specialists of this large and populous region, but for students and scholars of comparative constitutionalism and global legal history more broadly.