This article examines the work of Korean writer Chu Yosŏp, originally written in Korean taking the guise of a Korean translation of a Chinese-language story (born-translated literature). Chu's audience was steeped in Sinophobia orchestrated by the colonizing Japanese empire. His unprecedented genre recounts the lesser-known, lived experiences of the Chinese lower class that Korean-language news media failed to report. My analysis of Chu's work demonstrates, first, that the feigned Chinese voices of this genre illuminate transnational Sino-Korean affinities that were forcibly suppressed by colonial policies and discourses. Second, born-translated literature upends and reconfigures the colonial structure of surrogate feeling, in which the colonized emote in the service of the colonizer. Third, Chu's aesthetic strategy of deconstructing colonial affect attends to and redirects evershifting cultural processes, rather than tackling discrete entities, to surmount the active–passive divide. In so doing, his literature seeks to refashion a politico-aesthetic ecosystem encompassing the Sino-Korean clash, rather than confounding specific ideologies. Finally, the aesthetic for the lower-class Chinese people in Chu's born-translated stories is predicated on metaphysical ethics in which antithetical others mutate into inviolable others, and in which the practice of saving others dovetails with transforming ourselves.

Sketched in 1979 by graphic designer Peter Saville, the record sleeve of Joy Division's Unknown Pleasures seemingly popularized one of the most celebrated radio-astronomical images: the ‘stacked plot’ of radio signals from a pulsar. However, the sleeve's designer did not have this promotion in mind. Instead, he deliberately muddled the message it originally conveyed in a typical post-punk act of artistic sabotage. In reconstructing the historical events associated with this subversive effort, this essay explores how, after its adoption as an imaging device utilized in radio astronomy, the stacked plot gave representation to the diplomacy agendas of two distinct groups. The post-punk reworking of the stacked plot exemplified the ambition of this artistic movement to attack the images associated with social conventions and norms by amplifying their ‘semantic noise’, and, in so doing, seeking to negotiate a social space for those sharing these subversive goals. Conversely, radio astronomers used the stacked plot to display the presence of interfering radio transmitters in the frequencies exclusively allocated to astronomical research, thus advocating the removal of this electronic noise in the context of international telecommunication negotiations. The article thus shows how the representation of different types of noise through similar images shaped contrasting ambitions in the separate domains of science diplomacy and everyday diplomacy.

This essay deals with the cultural-political motivations behind the cosmological conceptions of the Padua Aristotelian Cesare Cremonini (1550–1631). A defender of the interests of the university against Jesuit teachings, and one of the philosophers who was most frequently scrutinized by the Inquisition, he was an important actor in Venetian cultural politics during the years of European religious conflict that culminated in the Thirty Years War. In those years, he was officially titled ‘protector’ of the multi-confessional German Nation of Artists, one of the largest groups of foreign students at the University of Padua, and had to act as mediator in cases of conflict. His efforts to keep teaching free from religious concerns is reflected by his commitment to pursue philosophical and cosmological inquiries without engaging in revealed theology. In particular, his strict adherence to Aristotelian cosmology proved to be at odds with central Christian dogmas as it relinquished, among other concepts, the ideas of Creation and divine Providence. I argue that this position of Cremonini's fostered a tolerant and universalistic attitude in line with a secular programme that could enable cross-confessional coexistence in a cosmopolitan institution like Padua.

Artificial intelligence (AI) is a powerful tool for several healthcare tasks. AI tools are suited to optimize predictive models in medicine. Ethical debates about AI’s extension of the predictive power of medical models suggest a need to adapt core principles of medical ethics. This article demonstrates that a popular interpretation of the principle of justice in healthcare needs amendment given the effect of AI on decision-making. The procedural approach to justice, exemplified with Norman Daniels and James Sabin’s accountability for reasonableness conception, needs amendment because, as research into algorithmic fairness shows, it is insufficiently sensitive to differential effects of seemingly just principles on different groups of people. The same line of research generates methods to quantify differential effects and make them amenable for correction. Thus, what is needed to improve the principle of justice is a combination of procedures for selecting just criteria and principles and the use of algorithmic tools to measure the real impact these criteria and principles have. In this article, the author shows that algorithmic tools do not merely raise issues of justice but can also be used in their mitigation by informing us about the real effects certain distributional principles and criteria would create.

In the course of the last two hundred years, different facets of Clara Schumann's artistic, creative and performative persona have been highlighted and different narratives have been produced. As the articles to follow demonstrate, these facets include Clara Schumann as a performer, an improviser, a virtuoso, a priestess, a prophetess, a celebrity, a composer and a curator of flowers and photographs. The Introduction and four research articles in this issue devoted to Schumann suggest in multifaceted ways that her creative identities and legacies are open to new ways of being contextualized in both historical and contemporary contexts. This journal issue initiates important conversations and provides some constructive starting points for considering the nature of Clara Schumann's identities and their legacies, and for pondering how Clara Schumann can help us to think afresh about identity and legacy as concepts.

Grappling with a range of sources in both German and English, this Introduction to the issue embraces the fluid intersections in Clara Schumann's creative world between the visual and the tactile, the sonic and the corporeal. It explores the changing images of Schumann from her lifetime to the present day and reconsiders her creativity from our current perspective.

Suppose we want to do the most good we can with a particular sum of money, but we cannot be certain of the consequences of different ways of making use of it. This article explores how our attitudes towards risk and ambiguity bear on what we should do. It shows that risk-avoidance and ambiguity-aversion can each provide good reason to divide our money between various charitable organizations rather than to give it all to the most promising one. It also shows how different attitudes towards risk and ambiguity affect whether we should give to an organization which does a small amount of good for certain or to one which does a large amount of good with some small or unknown probability.

Drawing from ethnographic participation in a ski excursion among a group of Arctic Nature Guide students on the Arctic archipelago of Svalbard, this paper explores guiding as a model of practice embedded in relations – material encounters, discursive frictions and collaborative efforts. The article pays attention to practical negotiations and navigations of these relations while making use of historical scholarship on the role of the guide as a basis for theoretical reflections on the role’s mediation activities. More precisely, the paper advocates a “creation-model of mediation” that challenges modernist representational discourse (and conceptualisations of nature) through a recognition of guiding as productive behaviour. Displaying agency in meaning-making and embodying Svalbard’s transient cosmopolitan population, the guide emerges as a figure on ground far from fixed and settled, and as a tool with which to appraise Svalbard as more geo-aesthetical condition than bounded place.

This article contributes to the existing literature on the populist online communication of governments. We look at the role of the micro-blogging social media platform Twitter under the authoritarian rule of President Recep Tayyip Erdoğan and the wider Justice and Development Party (Adalet ve Kalkınma Partisi; AKP) during the peace process. We carried out a rhetorical analysis of the Twitter posts of four key AKP actors – Recep Tayyip Erdoğan, Ahmet Davutoğlu, Yalçın Akdoğan, and Efkan Ala – between July 1, 2012 and November 1, 2015. First, we show that the AKP actors persistently label the Kurdish political movement in Turkey and in Syria as a threat to the national security of Turkey, reflected in their rhetoric toward the remilitarization and resecuritization of Turkey’s Kurdish question within and across its borders. Second, we argue that the AKP used the peace process and various persuasive communicative techniques not only to consolidate Kurdish electoral support, but also to reach its aim to remove the Kemalist military–bureaucratic tutelage in Turkey that was replaced with hyper-presidentialism under the strong personality cult of Erdoğan. Third, we argue that Erdoğan’s increased one-man power has been reflected in the AKP’s branding itself as the only viable choice for the Kurdish region’s stability, which has blocked more constructive dialogue toward a peaceful resolution to the Kurdish question.

This essay aims to analyse the presence of neofascist organisations and far-right terrorism in Italy in the early 1970s from a new perspective. Firstly, it will focus on the activities to combat the subversive structures of the ‘black galaxy’ carried out by regional institutions through the creation of special ‘regional commissions of inquiry on the problems of neofascism’. Between 1974 and 1975, these commissions carried out an extensive inventory of the movements, associations and organisations of the Italian far right. Their aim was to show the spread of the phenomenon and its local roots. Building upon the information gathered by the regional commissions, the essay will analyse the relationships between the various far-right groups in Italy and their European counterparts. The final part of the article will focus on the influence of local specificities in defining the relations between extremist movements beyond national borders.

The rise of neurotechnologies, especially in combination with artificial intelligence (AI)-based methods for brain data analytics, has given rise to concerns around the protection of mental privacy, mental integrity and cognitive liberty – often framed as “neurorights” in ethical, legal, and policy discussions. Several states are now looking at including neurorights into their constitutional legal frameworks, and international institutions and organizations, such as UNESCO and the Council of Europe, are taking an active interest in developing international policy and governance guidelines on this issue. However, in many discussions of neurorights the philosophical assumptions, ethical frames of reference and legal interpretation are either not made explicit or conflict with each other. The aim of this multidisciplinary work is to provide conceptual, ethical, and legal foundations that allow for facilitating a common minimalist conceptual understanding of mental privacy, mental integrity, and cognitive liberty to facilitate scholarly, legal, and policy discussions.

A number of countries and states prohibit surrogacy except in cases of “medical necessity” or for those with specific medical conditions. Healthcare providers in some countries have similar policies restricting the provision of clinical assistance in surrogacy. This paper argues that surrogacy is never medically necessary in any ordinary understanding of this term. The author aims to show first that surrogacy per se is a socio-legal intervention and not a medical one and, second, that the intervention in question does not treat, prevent, or mitigate any actual or potential harm to health. Legal regulations and healthcare-provider policies of this kind therefore codify a fiction—one which both obscures the socio-legal motivations for surrogacy and inhibits critical examination of those motivations while mobilizing normative connotations of appeals to medical need. The persisting distinction, in law and in moral discourse, between “social” and “medical” surrogacy, is unjustified.

This article explores Russian occupation policy in Ukraine as an adaptive tactic of Russia’s grand strategy and a manifestation of its military culture. Based on a comparative analysis of the Russian occupation policy during the hybrid and conventional stages of the Russian-Ukrainian war, including the employment of a de facto state playbook, we find both continuity and shifts in Russia’s approach. Although the main shift lies in the change of Russia’s conflict management in neighboring countries from reactive to proactive, the main continuities are the subordination of occupation policy to Russia’s geostrategic interests and path dependence in its military culture, which together lead to the employment of brutal violence against civilians and the demodernization of occupied territories.

The annexation of Tibet into the People's Republic of China in the 1950s led to an exodus of nearly 80,000 Tibetans along with the fourteenth Dalai Lama Tenzin Gyatso. Since then, thousands of Tibetans have taken refuge in the neighboring countries. Many live as refugees in different parts of the world today. Although the Tibetan refugee community has emerged as a successful model for other displaced communities, the individual struggles of these refugees in foreign lands cannot be underestimated. Dhompa's book A Home in Tibet shines a light on this other side of their exilic existence by raising questions about identity, home, country, and memory. It outlines the hardships, confusion, and contestations that Tibetans face on a daily basis. After a short introduction to provide context, this article reports a conversation with Tsering Wangmo Dhompa, which grippingly addresses these issues.