Romanian composition in the nineteenth century went through rapid changes, moving from a Greek-oriental sound world to a Western European one. It is interesting to examine, in this context, the musicians’ quest for a ‘national’ sound and identity. Analysis of piano miniatures or vaudeville, the favourite genre of the Romanian audience in the first half of the century, shows eclectic combinations of urban folk music with sources of inspiration borrowed from popular foreign melodies. The second half of the century seems to be marked in modern scholarship by premieres: some composers are included in Romanian history just for the merit of writing the first Romanian symphony, the first string quartet, the first opera, and so forth. Their work led towards the constitution of a ‘national language’ adapted to genres borrowed from contemporary Western European music.

In addition to demonstrating these ideas in the work of a number of Romanian composers (Josef Herfner, Ioan Andrei Wachmann, Anton Pann, Alexandru Flechtenmacher, Ludwig Anton Wiest, Carol Miculi, George Stephănescu, Constantin Dimitrescu, Gavriil Musicescu, Eduard Caudella, George Dima, Ciprian Porumbescu, Iacob Mureşianu, Dumitru Georgescu Kiriac, Alfonso Castaldi, Eduard Wachmann), the present article also encompasses two case studies. The first is Franz Liszt’s tour through the Romanian Countries, which offers a clearer image of the popular ideas circulating within the musical scene of the time. Liszt’s initiative to emphasize the national spirit through folk quotations reworked in rhapsodies should have inspired Romanian musicians; we will see whether this actually happened. The second case study concerns the musical life of Bucharest around 1900, when the directions of Romanian modern music were being traced, and cautious and selective steps were made toward harmonizing with Europe began.

Hannah Flynn was sentenced to death on February 27, 1924. She had been convicted of the murder of Margaret O'Sullivan, her former employer. Hannah worked for Margaret and her husband Daniel as a domestic servant, an arrangement that ended with bad feeling on both sides when Hannah was dismissed. On Easter Sunday, April 1, 1923, while Daniel was at church, Hannah returned to her former place of work, and killed 50-year-old Margaret with a hatchet. At her trial, the jury strongly recommended her to mercy, and sentence of death was subsequently commuted to penal servitude for life. Hannah spent almost two decades in Mountjoy Prison in Dublin, from where she was conditionally released on October 23, 1942 to the Good Shepherd Magdalen Laundry in Limerick. Although there is no precise date available for Hannah's eventual release from there, it is known that “a considerable time later,” and at a very advanced age, she was released from the laundry to a hospital, where she died. The case of Hannah Flynn, and the use of the Good Shepherd Laundry, represents an explicitly gendered example of the death penalty regime in Ireland following Independence in 1922, particularly the double-edged sword of mercy as it was experienced by condemned women.

This article attempts to describe the shift in the Romanian public’s musical taste brought about by musical borrowings and imports from the West. It focuses on the period between the end of Phanariot rule (1821) and the establishment of Romania’s capital in Bucharest (1862). These decades of change yielded rich intercultural encounters and fusions, whereas the years that followed – from the 1870s to the outbreak of the First World War – show a more unified phase of assimilation of Western music.

After looking at the boyar class and the bourgeoisie of Bucharest (the social segment from which an opera- and concert-going public emerged in the last quarter of the century), I move on to the everyday musical practices of the population of Bucharest, using musical examples and travellers’ accounts as a descriptive means. Finally, I analyse the shifts in musical tastes that took place in the upper layers of society as a complicated process of exclusion, inclusion and assimilation of various musical influences; as we shall see, the mixing and hybridization of musical practices not only shaped the tastes of music lovers, but also influenced the creation of Romanian music, which entered a new phase.

The present study investigates the functions and forms of conversational self-reformulation in spoken French. (Self-)Reformulations in general are a typical feature of unplanned and spontaneous conceptional orality (as opposed to conceptional distance; Koch and Oesterreicher, 1985). They exhibit retrospective modification of a reference expression, which is semantically equivalent in paraphrases and semantically different in corrections. The latter are therefore communicatively more problematic with regard to discourse intervention and turn-taking. As for the linguistic marking of self-reformulation, paraphrases are preferably introduced by lexically polyfunctional markers and prosodic deaccentuation, while corrections are marked by lexically monofunctional and prosodically overaccented structures. Since the accessibility to context-dependent forms is specifically related to conceptional orality, a more important linguistic marking of self-reformulation is hypothesized to occur in conceptional orality when compared to conceptional distance. The results of an empirical study contrasting two conceptionally different corpora suggest a generalization of paraphrastic markers in conceptional orality. This tendency is attributed to speaker-strategic routinization in which corrections are re-marked as paraphrases in order to avoid conversational intervention and, as a consequence, turn-taking. When taken over by other speakers, this routine may cause variation and, eventually, linguistic change.

This article, based on a French oral corpus, discusses the standing and the interpretation of some vocalic false starts. It recaps the characteristics of false starts and presents the spoken data on which this study is grounded. It details the false starts in the corpus that begin with a vowel in order to draw some conclusions about their form, focusing on the differences between what would be expected and a few discrepancies. The analysis starts from the auditors' perception and proposes an interpretation of the effects of morphophonological constraints.

On parity views of mere addition if someone (or a group of people) is added to the world at a range of well-being levels – or ‘neutral range’ – leaving existing people unaffected, addition is on a par with the initial situation. Two distinct parity views – ‘rough equality’ and fitting-attitudes views – defend the ‘intuition of neutrality’. The first can be interpreted or adjusted so that it can rebut John Broome's objection that the neutral range is wide. The two views respond in distinct ways to two of Broome's other objections. Both views can, nonetheless, be plausibly defended against these objections.

In cognitive linguistics, motion metaphors of time (e.g. Christmas is approaching, We left the crisis behind) have been actively studied during the last decades. In addition to motion verbs, prepositional expressions are an important element in such metaphors. This work combines insights from Cognitive Grammar and Conceptual Metaphor Theory to account for uses of English path prepositions in motion metaphors of time. It is argued that such expressions conceptualize time as a path where amover is advancing. The nature of themover varies: it can be an individual entity metaphorically in motion (e.g. We wentTHROUGHa hard winter), an extended period of time (e.g. The period of Daylight Saving Time goes onPASTSeptember), or the temporal profile of a process (e.g. I sleptTHROUGHthe afternoon). The nature of themover correlates with the grammatical function of the path expression, which alternates between a complement of a motion verb and a free modifier. Accordingly, the time path can relate with figurative (motion-related) or veridical (duration-related) conceptualizations of time. While a spatial path is direction-neutral, a time path can, with few exceptions, only be scrutinized in the earlier $\rightarrow$ later direction.

This paper argues that capitalist social relations do not presuppose wage-labour. The paper defends a functional definition of the capitalist relations of production, in terms of what Marx calls the ’subsumption of labour by capital’. I argue that there are at least four modes of subsumption, one transitional to and one transitional from the capitalist mode of production. Unlike the capitalist mode of production, capitalist relations of production are compatible with the absence of a labour market, and even with the absence of workplace authority relations. The ambit of capitalist domination is therefore broader than typically thought.

The provision of standardized hearing aids is now considered to be a crucial part of the UK National Health Service. Yet this is only explicable through reference to the career of a woman who has, until now, been entirely forgotten. Dr Phyllis Margaret Tookey Kerridge (1901–1940) was an authoritative figure in a variety of fields: medicine, physiology, otology and the construction of scientific apparatus. The astounding breadth of her professional qualifications allowed her to combine features of these fields and, later in her career, to position herself as a specialist to shape the discipline of audiometry. Rather than framing Kerridge in the classic ‘heroic-woman’ narrative, in this article we draw out the complexities of her career by focusing on her pursuit of standardization of hearing tests. Collaboration afforded her the necessary networks to explore the intricacies of accuracy in the measurement of hearing acuity, but her influence was enhanced by her ownership of Britain's first Western Electric (pure-tone) audiometer, which she placed in a specially designed and unique ‘silence room’. The room became the centre of Kerridge's hearing aid clinic that, for the first time, allowed people to access free and impartial advice on hearing aid prescription. In becoming the guardian expert and advocate of the audiometer, Kerridge achieved an objectively quantified approach to hearing loss that eventually made the latter an object of technocratic intervention.

Although the Convention on the Rights of Persons with Disabilities (CRPD) proclaims the right to inclusive education, and much attention is being given to the goal of inclusive education in debates on human rights, there are doubts as to whether this right has led to a new direction in policy-making. The under-researched question is: why is there so much opposition to the implementation of the right to inclusive education? This paper examines the question by distinguishing between both the concept and practice of inclusive education. Using a specific interdisciplinary approach in order to critically analyse a legal norm, the paper looks into the very meaning of inclusive education by utilising some central conclusions from disability studies to appraise the ideal of inclusive education, and seeks to resolve related challenges by drawing upon political philosophy to investigate pragmatic solutions to the obstacles to inclusive education. This paper claims that it is thereby possible to incorporate the element of actual achievability into such an ideal.

Drawing on thirty freedom suits from nineteenth-century eastern Cuba, this article explores how some slaves redefined slaveholders' oral promises of manumissions by grace from philanthropic acts into contracts providing a deferred wage payout. Manumissions by grace tended to reward affective labor (loyalty, affection) and to be granted to domestic slaves. Across Cuba, as in other slave societies of Spanish America, through self-purchase, slaves made sustained efforts to monetize the labor that they did by virtue of their ascribed status. The monetization of affective work stands out amongst such efforts. Freedom litigants involved in conflicts over manumissions by grace emphasized the market logics in domestic slavery, revealing that slavery was a fundamentally economic institution even in such instances where it appeared to be intertwined with kinship and domesticity. Through this move, they challenged the assumption that slaves toiled loyally for masters out of a natural commitment to an unchanging master-slave hierarchy. By the 1880s, through court litigation and extra-judicial violence, slave litigants and insurgents would turn oral promises of manumission by grace into a blueprint for general emancipation. Through their legal actions, enslaved people, especially women, revealed the significance and transactional nature of care work, a notion familiar to us today.

This article documents novel uses of the noun heaps in New Zealand English, namely as quantifier and intensifier, by means of quantitative and qualitative analyses of corpus data. Closely following in the footsteps of lots, heaps is the second most frequent size noun in New Zealand English. On the basis of exhaustive coding of four corpora of New Zealand English (spoken and written), the article describes and exemplifies the various uses of heaps in this English variety. Results show heaps is preferred in speech compared to writing, and that its most common use is as a quantifier, followed by an extension to an intensifying use, which has received comparatively less attention in the literature (and never specifically in the context of New Zealand English). An examination of early New Zealand English in the ONZE Corpus testifies to this incoming change, with heaps grammaticalizing into an adverb and bearing the semantic role of intensifier. Multivariate statistical tests show that innovative uses of heaps are largely driven by younger speakers.

This study examines how law, custom, and social norm interacted in civil justice in Qing and Republican China by looking into 152 civil cases tried in 1912, right after the founding of the Republic of China, and a body of legal interpretations from the Supreme Court during 1912-1929, and certain provisions in the Civil Code of 1929-30--the very first one in Chinese history. It shows that both law and custom were invoked by judges within their moral universe or social norm. It traces how the Supreme Court allowed local customs to be a legal ground for rulings in certain civil disputes, and which customs in civil matters in the Qing and the early Republic were, and which were not, “hardened” into the Civil Code. The interplay between law and custom, mediated by judges with their normative sense of right and wrong, constituted both continuity and change in civil justice between the Qing era and the Republican period. Ultimately, the issues addressed here speak to a larger question of how Chinese jurists, within their judicial discretions, tried to strike a difficult but necessary balance between “law-on-books” and “law-in-action,” while law on the books was undergoing important revisions.

Just war thinking serves a social and psychological role that international law cannot fill. Law is dispassionate and objective, while just war thinking accounts for emotions and the situatedness of individuals. While law works on us externally, making us accountable to certain people and institutions, just war thinking affects us internally, making us accountable to ourselves. Psychologically, an external focus leads to feelings of shame, while an inward focus generates feelings of guilt. Philosophers have long recognized the importance of these two moral emotions. Recently, psychologists have found that feelings of guilt are linked to positive social outcomes, such as the desire for reconciliation and reparation, while shame generates anger and hostility. Just war thinking, as an inward-looking tradition, has a special relationship with guilt. By focusing on moral emotions, just war thinking can move beyond the law in four ways, by developing an ethic of accountability, by providing a foundation for addressing moral injury, by providing a common language for discussing the costs of war, and for identifying ethical problems in radically new contexts.